Three Military Accounts Of The 1688 Revolution In Siam

This text comprises three texts which shed light on the failure of the French to colonize Siam at the end of the 17th century. Events surrounding the coup d'etat of 18th May, 1688, which took place in the Siamese Versailles at Lopburi, are examined. The coup d'etat of 18 May 1688 in the Siamese Versailles at Lopburi led to the establishment of the last Ayutthayan dynasty, known to history as that of Ban Phlu Luang. But it was not just another internal palace coup in the face of the imminent death of the reigning monarch, Narai. For the king's favourite,

This book examines the sizeable Portuguese community in Ayutthaya, the chief river-state in Siam, during a period in which Portuguese power in the region declined. The analysis turns on the creolization and diaspora that affected this community, as well as problems with international trade, the Christian conversion process, and European rivalries.

The first full history of a great commercial and political center that rose in Asia over almost five centuries.

Etudes sur les oeuvres de Robert Challe : les "Illustres françaises", le "Journal de voyage" et les "Difficultés sur la religion proposées au père Malebranche" révèlent un mélange détonant de rire et de goguenardise, et les nombreux aspects originaux d'une époque incertaine qui voit la fin du règne de Louis le Grand et l'aube des Lumières.

Drawing on primary sources in Pali, Burmese and Thai, practising monk Venerable Khammai Dhammasami guides the reader through the complex history of monastic education in two neighbouring countries with very different Buddhist societies: Burma and Thailand. This book provides a clear account of the ways in which royal leaders and monastic institutions worked to develop monastic education in the face of changing political and economic conditions, including colonialism and the political instability of the 19th and 20th centuries. It studies influences from both British colonists and Siamese/Thai reformers, and engages with primary material, including documents from Burmese monasteries, royal orders, royal chronicles, and official government records. As the first book to examine monastic education in Burma and Thailand, this is a welcome contribution to the social, monastic and religious history of Southeast Asia, and the growing field of Burmese Buddhist Studies.

This book discusses the study of astronomy in different cultures, applied historical astronomy and history of multi-wavelength astronomy, and the genesis of recent research. It contains peer-reviewed papers gathered from the International Conference on Oriental Astronomy 9 (ICOA-9) held at the Indian Institute of Science Education and Research Pune, India. It covers the areas like megalithic and other prehistoric astronomy, astronomical records in ancient texts, astronomical myths and architecture, astronomical themes in numismatics and rock art, ancient astronomers and their instruments, star maps and star catalogues, historical records and observations of astronomical events, calendars, calendrical science and chronology, the relation between astronomy and mathematics, and maritime astronomy. This book will be a valuable complement to a future generation of students and researchers who develop an interest in the field of Asian and circum-Pacific history of astronomy.

Part fact, part fiction, part myth, and part legend, this book brings to life the kingdom of Ayutthaya from its roots in the kingdom of Sukhothai to its eventual destruction by the Burmese in the year 1767. It is the turbulent story of both the kings and their kingdom, from its birth to its downfall. Robert Smith retells the history of Ayutthaya by reimagining and dramatizing the exploits of its rulers, building his account around a framework of documentary evidence and hints in the historical record. Intrigues, honor, and deception wind through the tale as do ingenuity, determination, and the will to greatness that made Ayutthaya a major regional power for centuries. This account of the development of a nation—and the myths and legends that have gone with it—shows how Ayutthaya and its kings laid the foundation of modern-day Thailand. Highlights • Engages readers with its presentation of the history, myths, and legends of the Ayutthaya kingdom • Shows the development of cultural heritage, kingship, and governance of Thailand • Narrates the stories of the kings and ruling dynasties of Ayutthaya • Dramatizes famous figures and events in Ayutthaya history through dialogue, narration, and description

Ranging across the longue durée of Thailand’s history, Monastery, Monument, Museum is an eminently readable and original contribution to the study of the kingdom’s art and culture. Eschewing issues of dating, style, and iconography, historian Maurizio Peleggi addresses distinct types of artifacts and artworks as both the products and vehicles of cultural memory. From the temples of Chiangmai to the Emerald Buddha, from the National Museum of Bangkok to the prehistoric culture of Northeast Thailand, and from the civic monuments of the 1930s to the political artworks of the late twentieth century, even well-known artworks and monuments reveal new meanings when approached from this perspective. Part I, “Sacred Geographies,” focuses on the premodern era, when religious credence informed the cultural alteration of landscape, and devotional sites and artifacts, including visual representation of the Buddhist cosmology, were created. Part II, “Antiquities, Museums, and National History,” covers the 1830s through the 1970s, when antiquarianism, and eventually archaeology, emerged and developed in the kingdom, partly the result of a shift in the elites’ worldview and partly a response to colonial and neocolonial projects of knowledge. Part III, “Discordant Mnemoscapes,” deals with civic monuments and artworks that anchor memory of twentieth-century political events and provide stages for both their commemoration and counter-commemoration by evoking the country’s embattled political present. Monastery, Monument, Museum shows us how cultural memory represents a kind of palimpsest, the result of multiple inscriptions, reworkings, and manipulations over time. The book will be a rewarding read for historians, art historians, anthropologists, and Buddhism scholars working on Thailand and Southeast Asia generally, as well as for academic and general readers with an interest in memory and material culture.