Three Victorian Travellers

First published in 1964. This book is concerned with impressions of Arabic culture on the British before the First World War. More particularly, it is concerned with three Victorian travellers, all of whom knew Arabic culture first hand through their travels in the Middle and Near East, and especially in Arabia, Arabic North Africa, and the seaboard of the eastern Mediterranean. This title will be of interest to students of history.

First published in 1964. This book is concerned with impressions of Arabic culture on the British before the First World War. More particularly, it is concerned with three Victorian travellers, all of whom knew Arabic culture first hand through their travels in the Middle and Near East, and especially in Arabia, Arabic North Africa, and the seaboard of the eastern Mediterranean. This title will be of interest to students of history.

How did Victorian travellers define and challenge the notion of Empire? How did the multiple forms of Victorian travel literature, such as fiction, travel accounts, newspapers, and poetry, shape perceptions of imperial and national spaces, in the British context and beyond? This collection examines how, in the Victorian era, space and empire were shaped around the notion of boundaries, by travel narratives and practices, and from a variety of methodological and critical perspectives. From the travel writings of artists and polymaths such as Carmen Sylva and Richard Burton, to a reassessment of Rudyard Kipling’s, H. G. Wells’s and Julia Pardoe’s cross-cultural and cross-gender travels, this collection assesses a broad range of canonical and lesser-studied Victorian travel texts and genres, and evaluates the representation of empires, nations, and individual identity in travel accounts covering Europe, Asia, Africa and Britain.

Victorian Women's Travel Writing on Meiji Japan narrates forgotten stories of cross-cultural friendship and love between Victorian female travellers and Meiji Japanese between 1853 and 1912.

This study explores the cultural and political impact of Victorian travelers' descriptions of physical and verbal violence in Africa. Travel narratives provide a rich entry into the shifting meanings of colonialism, as formal imperialism replaced informal control in the Nineteenth century. Offering a wide-ranging approach to travel literature's significance in Victorian life, this book features analysis of physical and verbal violence in major exploration narratives as well as lesser-known volumes and newspaper accounts of expeditions. It also presents new perspectives on Olive Schreiner and Joseph Conrad by linking violence in their fictional travelogues with the rhetoric of humanitarian trusteeship.

First published in 1982. The Art of Travel is the first collection of critical essays to be devoted to British travel writing. It attempts to give a sense of the wealth of such writing, to map some of its forms and conventions and, implicitly, to claim a place for travel writing in any revised definition of literature. For this collection, travel includes sea voyages, European tours, commissioned enquiries into social conditions, and urban writing; travel writing ranges from works such as Sea and Sardinia by D.H. Lawrence whose status as a novelist guarantees his travel books some attention, through the essays and books of Victorian middle-class travellers into working-class London, to the work of V.S. Naipaul, a contemporary writer, who has increasingly preferred the travel book to the novel.