Three Zen Masters

Recounts the life stories of three of the greatest Zen masters in history--Ikkyu, Hakuin, and Ryokan

A collection of three hundred koans compiled by Eihei Dogen, the thirteenth-century founder of Soto Zen in Japan, this book presents readers with a uniquely contemporary perspective on his profound teachings and their relevance for modern Western practitioners of Zen. Following the traditional format for koan collections, John Daido Loori Roshi, an American Zen master, has added his own commentary and accompanying verse for each of Dogen’s koans. Zen students and scholars will find The True Dharma Eye to be a source of deep insight into the mind of one of the world’s greatest religious thinkers, as well as the practice of koan study itself.

"The Tale of Zen Master Bho Li is the story of an eight-year-old orphan who becomes a beloved Zen Master. Meet the cast of memorable companions who assist him on his captivating life's journey: The Firethroat - an exotic little bird that saves him from a life threatening circumstance ; Soyu Sei - the Dangerous Granny whose wise and tender guidance civilizes the feral child he'd become without taming his wild heart ; Master Wu - abbot of Silent Thunder Zen Monastery, whose successor he would become ; and Master Bho Li's three most problematic disciples: Sei Wot, Noh Hui, and Wai Mi, from each of whom he learns an important lesson.

A fiery and intensely dynamic Zen teacher and artist, Hakuin (1685–1768) is credited with almost single-handedly revitalizing Japanese Zen after three hundred years of decline. As a teacher, he placed special emphasis on koan practice, inventing many new koans himself, including the famous "What is the sound of one hand clapping?" As an artist, Hakuin used calligraphy and painting to create "visual Dharma"—teachings that powerfully express the nature of enlightenment. The text translated here offers an excellent introduction to the work of this extraordinary teacher. Hakuin sets forth his vision of authentic Zen teaching and practice, condemning his contemporaries, whom he held responsible for the decline of Zen, and exhorting his students to dedicate themselves to "breaking through the Zen barrier." Included are reproductions of several of Hakuin’s finest calligraphies and paintings.

The translator provides the text and historical context of the writings of the twelfth-century Chinese Zen master Ta Hui Tsung Kao in the Chi Yeuh Lu. Included are letters, sermons, and lectures, which cover a variety of subjects ranging from concern over the illness of a friend's son to the tending of an ox. Ta Hui addresses his remarks mainly to people in lay life and not to his fellow monks, emphasizing ways in which those immersed in worldly occupations can nevertheless learn Zen and achieve the liberation promised by the Buddha.

Zen Masters of China presents more than 300 traditional Zen stories and koans, far more than any other collection. Retelling them in their proper place in Zen's historical journey through Buddhist Chinese culture, it also tells a larger story: how, in taking the first step east from India to China, Buddhism began to be Zen. The stories of Zen are unlike any other writing, religious or otherwise. Used for centuries by Zen teachers as aids to bring about or deepen the experience of awakening, they have a freshness that goes beyond religious practice and a mystery and authenticity that appeal to a wide range of readers. Placed in chronological order, these stories tell the story of Zen itself, how it traveled from West to East with each Zen master to the next, but also how it was transformed in that journey, from an Indian practice to something different in Chinese Buddhism (Ch'an) and then more different still in Japan (Zen). The fact that its transmission was so human, from teacher to student in a long chain from West to East, meant that the cultures it passed through inevitably changed it. Zen Masters of China is first and foremost a collection of mind-bending Zen stories and their wisdom. More than that, without academic pretensions or baggage, it recounts the genealogy of Zen Buddhism in China and, through koan and story, illuminates how Zen became what it is today.

When the thirteenth-century master Eihei Dogen, one of the most influential thinkers in Zen Buddhism and founder of the Japanese Soto school, returned to Japan after four years of study in China, the fruit of his pilgrimage was recorded in a collection of koans called the Chinese Shobogenzo, also known as Shinji or Mana Shobogenzo. This collection of three hundred main cases was first published in 1766 under the title Shobogenzo Sambyakusoku (Treasury of the True Dharma Eye: Three Hundred Cases), and was known to have provided the raw material for much of Dogen's better known Japanese-language Kana Shobogenzo. Dogen's collection of koans may come as a surprise to students of Zen as Dogen and the Soto school are generally known for the practice of shikantaza, or "just sitting," rather than for koan practice. Nevertheless, a careful study of Dogen's work reveals that he did use koans extensively in his writing and teaching, not only in the Kana Shobogenzo, but most of his other works as well. Zen students and scholars will find THE TRUE DHARMA EYE to be a source of deep insight into the mind of one of the world's greatest religious thinkers, as well as the practice of koan study itself. Following the spirit of Dogen's pioneering efforts to carry the dharma across cultural divides, John Daido Loori Roshi, one of the West's most respected Zen teachers, has added his own verses and commentaries to each koan. The resulting volume presents readers with a uniquely contemporary perspective on Dogen's profound teachings and their relevance for twenty-first-century Western practitioners of Zen.