Through The Wall

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Reminiscent of her classic story 'The Lottery', Jackson's disturbing and darkly funny first novel exposes the underside of American suburban life. 'Her books penetrate keenly to the terrible truths which sometimes hide behind comfortable fictions, to the treachery beneath cheery neighborhood faces and the plain manners of country folk; to the threat that sparkles at the rainbow's edge of the sprinkler spray on even the greenest lawns, on the sunniest of midsummer mornings' Donna Tartt In Pepper Street, an attractive suburban neighbourhood filled with bullies and egotistical bigots, the feelings of the inhabitants are shallow and selfish: what can a neighbour gain from another neighbour, what may be won from a friend? One child stands alone in her goodness: little Caroline Desmond, kind, sweet and gentle, and the pride of her family. But the malice and self-absorption of the people of Pepper Street lead to a terrible event that will destroy the community of which they are so proud. Exposing the murderous cruelty of children, and the blindness and selfishness of adults, Shirley Jackson reveals the ugly truth behind a 'perfect' world. Shirley Jackson's chilling tales have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker in 1948, readers were so horrified they sent her hate mail; it has since become one of the greatest American stories of all time. Her first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48. 'An amazing writer' Neil Gaiman 'Shirley Jackson is one of those highly idiosyncratic, inimitable writers ... whose work exerts an enduring spell' Joyce Carol Oates 'An unburnished exercise in the sinister' The New York Times

Martin Brand's relatives are furious that he's left his large estate to his niece, Marion, whom he had only met once. And Marion is upset that she has to share her new home with Martin's family. Then a body is found on the beach wearing her coat. Fortunately Miss Silver is on the scene.

“I had experienced absolute freedom—I had felt that my body was without boundaries, limitless; that pain didn’t matter, that nothing mattered at all—and it intoxicated me.” In 2010, more than 750,000 people stood in line at Marina Abramović’s MoMA retrospective for the chance to sit across from her and communicate with her nonverbally in an unprecedented durational performance that lasted more than 700 hours. This celebration of nearly fifty years of groundbreaking performance art demonstrated once again that Marina Abramović is truly a force of nature. The child of Communist war-hero parents under Tito’s regime in postwar Yugoslavia, she was raised with a relentless work ethic. Even as she was beginning to build an international artistic career, Marina lived at home under her mother’s abusive control, strictly obeying a 10 p.m. curfew. But nothing could quell her insatiable curiosity, her desire to connect with people, or her distinctly Balkan sense of humor—all of which informs her art and her life. The beating heart of Walk Through Walls is an operatic love story—a twelve-year collaboration with fellow performance artist Ulay, much of which was spent penniless in a van traveling across Europe—a relationship that began to unravel and came to a dramatic end atop the Great Wall of China. Marina’s story, by turns moving, epic, and dryly funny, informs an incomparable artistic career that involves pushing her body past the limits of fear, pain, exhaustion, and danger in an uncompromising quest for emotional and spiritual transformation. A remarkable work of performance in its own right, Walk Through Walls is a vivid and powerful rendering of the unparalleled life of an extraordinary artist.

Through-the-wall radar imaging (TWRI) allows police, fire and rescue personnel, first responders, and defense forces to detect, identify, classify, and track the whereabouts of humans and moving objects. Electromagnetic waves are considered the most effective at achieving this objective, yet advances in this multi-faceted and multi-disciplinary technology require taking phenomenological issues into consideration and must be based on a solid understanding of the intricacies of EM wave interactions with interior and exterior objects and structures. Providing a broad overview of the myriad factors involved, namely size, weight, mobility, acquisition time, aperture distribution, power, bandwidth, standoff distance, and, most importantly, reliable performance and delivery of accurate information, Through-the-Wall Radar Imaging examines this technology from the algorithmic, modeling, experimentation, and system design perspectives. It begins with coverage of the electromagnetic properties of walls and building materials, and discusses techniques in the design of antenna elements and array configurations, beamforming concepts and issues, and the use of antenna array with collocated and distributed apertures. Detailed chapters discuss several suitable waveforms inverse scattering approaches and revolve around the relevance of physical-based model approaches in TWRI along with theoretical and experimental research in 3D building tomography using microwave remote sensing, high-frequency asymptotic modeling methods, synthetic aperture radar (SAR) techniques, impulse radars, airborne radar imaging of multi-floor buildings strategies for target detection, and detection of concealed targets. The book concludes with a discussion of how the Doppler principle can be used to measure motion at a very fine level of detail. The book provides a deep understanding of the challenges of TWRI, stressing its multidisciplinary and phenomenological nature. The breadth and depth of topics covered presents a highly detailed treatment of this potentially life-saving technology.