Thyestes

Sophocles (497/6-406 BC), considered one of the world's greatest poets, forged tragedy from the heroic excess of myth and legend. Seven complete plays are extant, including Oedipus Tyrannus, Ajax, Antigone, and Philoctetes. Among many fragments that also survive is a substantial portion of the satyr play The Searchers.

By offering, for the first time in a single edition, complete English translations of Apollodorus' Library and Hyginus' Fabulae--the two most important surviving "handbooks" of classical mythography--this volume enables readers to compare the two's versions of the most important Greek and Roman myths. A General Introduction sets the Library and Fabulae into the wider context of ancient mythography; introductions to each text discuss in greater detail issues of authorship, aim, and influence. A general index, an index of people and geographic locations, and an index of authors and works cited by the mythographers are also included.

This monograph is devoted to the most important of Seneca's tragedies, Thyestes, which has had a notable influence on Western drama from Shakespeare to Antonin Artaud. Thyestes emerges as the mastertext of 'Silver' Latin poetry, and as an original reflection on the nature of theatre comparable to Euripides' Bacchae. The book analyses the complex structure of the play, its main themes, the relationship between Seneca's vibrant style and his obsession with dark issues of revenge and regression. Substantial discussion of other plays - especially Trojan Women, Oedipus and Medea - permits a comprehensive re-evaluation of Seneca's poetics and its pivotal role in post-Virgilian literature. Topics explored include the relationship between Seneca's plays and his theory of the emotions, the connection between poetic inspiration and the Underworld, and Seneca's treatment of time, which, in a perspective informed by psychoanalysis, is seen as a central preoccupation of Senecan tragedy.

This ethical context is a productive frame of reference for interpreting the strange artificiality of Senecan tragedy, the consciousness that its own dramatic worlds, events, and people are literary constructs. In Troades for example Achilles' ghost and its vengeance is represented both as an inexorable dramatic reality and the creature of a fabula to be dismissed as a malignant fiction."--BOOK JACKET.

Originally published in 1922, this book gives an account of the life and dramatic works of the now little known and less studied Restoration playwright, John Crowne. The study consists of three parts. In the first, the author has traced the life of Crowne more minutely than has hitherto been attempted. In the second discusses Crowne's plays' the date of production and publication, the circumstances connected with the writing, the sources, and the manner in which they are used. Finally, the third part is a critical summary of Crowne's tragedies and comedies and an estimate of his importance as a playwright.