Tiffany Lemon Tree Journal

Elegant cover treatments enhance journals - 160 lined pages - 6-1/4" wide x 8-1/2" high (15.9 cm wide x 21.59 cm high) - Hardcover - Archival/acid-free 120 gsm paper - Ribbon bookmark - Gold gilded edges. Iridescent highlights, embossed.

192 lined pages ] 7-1/4" wide x 9" high (18.4 cm wide x 22.9 cm high) ] Bookbound ] Hardcover books lie flat for ease of use ] Archival/acid-free paper.

192 lined pages. 7 1/4" wide x 9" high. Bookbound hardcover. Elastic band place holder. Acid-free, archival paper. Embossed, gold foil, gold gilded edges, ribbon bookmark.

Holly Golightly knows that nothing bad can ever happen to you at Tiffany's. In this seductive, wistful masterpiece, Capote created a woman whose name has entered the American idiom and whose style is a part of the literary landscape—her poignancy, wit, and naïveté continue to charm. This volume also includes three of Capote's best-known stories, “House of Flowers,” “A Diamond Guitar,” and “A Christmas Memory,” which the Saturday Review called “one of the most moving stories in our language.” It is a tale of two innocents—a small boy and the old woman who is his best friend—whose sweetness contains a hard, sharp kernel of truth.

In his passionate, luminous novels, David James Duncan has won the devotion of countless critics and readers, earning comparisons to Harper Lee, Tom Robbins, and J.D. Salinger, to name just a few. Now Duncan distills his remarkable powers of observation into this unique collection of short stories and essays. At the heart of Duncan's tales are characters undergoing the complex and violent process of transformation, with results both painful and wondrous. Equally affecting are his nonfiction reminiscences, the "river teeth" of the title. He likens his memories to the remains of old-growth trees that fall into Northwestern rivers and are sculpted by time and water. These experiences—shaped by his own river of time—are related with the art and grace of a master storyteller. In River Teeth, a uniquely gifted American writer blends two forms, taking us into the rivers of truth and make-believe, and all that lies in between.

This blue and gold Paperblanks Equinoxe Azure journal reproduces a 1688 binding protecting L'office de la Semaine Sainte. The original binding was adorned "à la fanfare," a handtooled pattern edged in gilt. "Fanfare," which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.