Tilism E Hoshruba

Tilism-e-Hoshruba is an epic narrative of the adventures of the legendary Persian hero Emir Hamza—the protagonist of Hamza Nama—his sons and grandsons. The epic opens with the commander-in-chief of the Islamic army, Hamza, pursuing Laqa, who makes false claims to divinity. Laqa takes refuge in Kohistan, adjacent to the enchanted land of Hoshruba, ruled by the formidable King of Sahirs, Afrasiyab Jadoo. Afrasiyab reveres Laqa and deputes his sahirs or wizards to help him fight Hamza. Hamza’s grandson Asad then sets out to conquer Hoshruba, assisted by the clever trickster Amar, who possesses divine artefacts such as a cloak of invisibility and a magic pouch containing parallel worlds. Aided by powerful allies and beset at every step by magical snares, dangerous enchantments and seductive sorceresses, the Islamic army finally conquers Hoshruba. Tilism-e-Hoshruba has enthralled generations of readers with its chivalrous heroes, breathtakingly beautiful princesses, powerful sahirs, sahiras and demons. This brilliant condensed translation by Shahnaz Aijazuddin sensitively reinterprets the highly Persianized Urdu of the original text into this eminently readable book that retains the essence of the original.

In late nineteenth century Lucknow, two rival story-tellers, Syed Muhammad Husain Jah and Ahmed Husain Qamar, wrote a fantasy in the Urdu language whose equal had not been heard before, and which has never been rivalled since. It was called Tilism-e Hoshruba. The writers claimed that the tale had been passed down to them from story-tellers going back centuries: it was a part of the beloved oral epic, The Adventures of Amir Hamza which had come to the Indian subcontinent via Persia and had gained in popularity during the reign of Akbar, the Mughal emperor. The Tilism-e-Hoshruba is the subcontinent’s first wholly indigenous Indo-Islamic fantasy epic. It tells the stories of Amir Hamza’s military forces, his grandson and his loyal band of tricksters (masters of wit and disguise) as they go to war with Afrasiyab, the sorcerer who rules the magical land of Hoshruba. Fantasy, the occult, adventure and romance play themselves out in a typically Indian setting as wizards, sorceresses, tricksters and royalty pitch themselves into the battle for Hoshruba. The characters of the epic are marvels of literary creation, and are much more colourful and dashing than those of the Amir Hamza cycle of tales. The Tilism-e Hoshruba runs to twenty four volumes and will be translated into English for the first time ever by Musharraf Ali Farooqi, the acclaimed translator of The Adventures of Amir Hamza. Random House India will publish all the volumes starting with Hoshruba: The Land and the Tilism, i.e. Book 1 of the series.

Here is a special abridged English translation of a major Indo-Persian epic: a panoramic tale of magic and passion, a classic hero’s odyssey that has captivated much of the world. It is the spellbinding story of Amir Hamza, the adventurer who in the service of the Persian emperor defeats many enemies, loves many women, and converts hundreds of infidels to the True Faith before finding his way back to his first love. In Musharraf Ali Farooqi’s remarkable abridged rendition, this masterwork is captured with all its colorful action and fantastic elements intact. Appreciated as the seminal Islamic epic or enjoyed as a sweeping tale as rich and inventive as Homer’s epic sagas, The Adventures of Amir Hamza is a true literary treasure.

2084 bce: In the great city of Mohenjodaro, along the banks of the Indus, a young man named Prkaa becomes increasingly mistrustful of the growing authority of a cult of priests. 455 ce: In the fabled university city of Takshasilla, Buddhamitra, a monk, is distressed by how his colleagues seem to have lost sight of the essence of the Buddha's message of compassion. 1620 ce: During the reign of the Mughal emperor Jahangir, a pair of itinerant fortune seekers endeavour to swindle the patrician elite, only to find themselves utterly disillusioned. 1857 ce: Mir Sahib, a wandering minstrel, traverses the realms of human deception even as a rebellion against the British Raj is advancing across India. 2009 ce: In contemporary Lahore, the widow Rafiya Begum navigates legal complexities in order to secure her rights and fend off predatory charlatans. 2084 ce: A scholar revisits the known history of the cataclysmic events that led to world domination by ruthless international water conglomerates. Across epochs and civilizations, these are intensely personal journeys that investigate the legitimacy of religion and authority, and chronicle the ascent of dissent. Snuffing Out the Moon is a dazzling debut novel that is at once a cry for freedom and a call for resistance.

Lined with grandeur, tragedy and fantasy, Tarana Husain Khan's odyssey maps the social, political and religious contours of 1897 Sherpur with the fascinating and strong-willed Feroza Begum at the centre of the storm. On an evening not too many evenings ago, the blue-eyed Feroza, flouting her family's orders, attended Nawab Shams Ali Khan's sawani celebrations at the Benazir Palace. Tragedy coloured the night when she found herself kidnapped and withheld in the Nawab's harem - bustling, tantalizing and rife with sinister power play. As tyranny and repression tightened their hold inside the royal walls, at the Bazaar Chowk, dastangoi Kallan Mirza enchanted his listeners with the legend of sorcerer Tareek Jaan and his chimeric city, the Tilism-e-Azam, where women were confined in underground basements. Misfortune and subjugation link eras when Ameera, Feroza's great-granddaughter, is restricted to her house and finds solace in her Dadi's retelling of Feroza's tragedy. When Ameera's circumstances begin mirroring the strife and indignities pervasive in 1897 Sherpur, she must reflect if society has shifted enough for women and their choices. Written with careful flamboyance and striking evocativeness, The Begum and the Dastan is a world imbued with love, splendour and heartbreak, only saved by the women who refuse to play by the rule book.

When Ruttie Petit fled from her father's castle to wed Mohammed Ali Jinnah in 1918, their marriage outraged society at large. They were divided by community, religion and an age gap of twenty-four years. Well-known journalist Sheela Reddy uses never-before-seen personal letters and papers as well as accounts left by contemporaries and friends to portray this unusual relationship with a sympathetic, discerning eye. A product of intensive and meticulous research in Delhi, Bombay and Karachi, Reddy not only brings the solitary, misunderstood Jinnah and the lonely, wistful Ruttie to life, but also the society and politics of the times their story was set in. A must-read for all those interested in politics, history, and the power of an unforgettable love story.

The Land and the Tilism introduced us to the magical land of Hoshruba and the war between the sorcerer Afrasiyab, and Prince Asad and his band of tricksters. In The Prisoner of Batin, Afrasiyab seals the hidden region of Batin, making the master trickster Amar Ayyar a virtual prisoner in Hoshruba. Unable to escape, Amar avenges himself on the emperor, causing death and destruction. While new calamities sent by Afrasiyab wreak havoc at the camp of his estranged wife Mahrukh Magic-Eye, the evil agent Bakhtiarak arrives in Hoshruba to kill Amar Ayyar. Loyalties are in flux once more as the powerful sorceress Makhmur Crimson-Eye falls in love with a prince from the enemy camp and betrays her master, Afrasiyab. The Prisoner of Batin is the second book of a projected series of twenty-three volumes of the Tilism-e Hoshruba. When finished, it will be the first complete translation into English of the great Urdu epic.