Timar S Two Worlds Classic Reprint

Excerpt from Timar's Two Worlds A mountain-chain, pierced through from base to summit a gorge four miles in length walled in by lofty precipices; between their dizzy heights the giant stream of the Old World - the Danube. Did the pressure of this mass of water force a passage for itself, or was the rock riven by subterranean fire? Did Neptune or Vulcan, or both together, execute this super natural work, which the iron-clad hand Of man scarce can emulate in these days of competition with divine achieve ments? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Timars Two Worlds by Mor Jokai Mor Jokai, born Moric Jokay (1825-1904), outside Hungary also known as Maurus Jokai, was a Hungarian dramatist and novelist. On the re-establishment of the Hungarian constitution by the Composition of 1867, he took an active part in politics. As a constant supporter of the Tisza administration, not only in parliament, where he sat continuously for more than twenty years, but also as the editor of the government organ, Hon, founded by him in 1863, he became a power in the state, and, though he never took office himself, frequently extricated the government from difficult places. He was an arch-romantic, with an almost Oriental imagination, and humour of the purest, rarest description. He continued to devote most of his time to literature, and his productiveness after 1870 was stupendous, amounting to some hundreds of volumes. Stranger still, none of this work is slipshod, and the best of it deserves to endure. His works include: Dr. Dumany's Wife (1891), The Nameless Castle (1896), The Poor Plutocrats (1899), Halil the Pedlar: A Tale of Old Stambul (1901) and Manasseh: A Romance of Transylvania (1901). We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

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A mountain-chain, pierced through from base to summit—a gorge four miles in length, walled in by lofty precipices; between their dizzy heights the giant stream of the Old World, the Danube. Did the pressure of this mass of water force a passage for itself, or was the rock riven by subterranean fire? Did Neptune or Vulcan, or both together, execute this supernatural work, which the iron-clad hand of man scarce can emulate in these days of competition with divine achievements? Of the rule of the one deity traces are visible on the heights of Fruska Gora in the fossil sea-shells strewn around, and in Veterani's cave with its petrified relics of saurian monsters of the deep; of the other god, the basalt of Piatra Detonata bears witness. While the man of the iron hand is revealed by long galleries hewn in the rock, a vaulted road, the ruined piers of an immense bridge, the tablets sculptured in bas-relief on the face of the cliff, and by a channel two hundred feet wide, hollowed in the bed of the river, through which the largest ships may pass. The Iron Gate has a history of two thousand years. Four nations—Romans, Turks, Roumanians and Hungarians, have each in turn given it a different name.

That projecting needle at the top is the "Gropa lui Petro," the grave of St. Peter; the two gigantic forms on either side are his apostolic companions; yonder monster opposite is the "Babile," and the one which closes the vista is the "Golumbaczka Mali" or Dove-rock; while the gray pinnacle which towers above is the high Robbers' Peak, "Rasbojnik Beliki." Between these walls flows the Danube in its rocky bed. The mighty mother-stream, accustomed far above on the Hungarian plains to flow with majestic quiet in a bed three miles wide, to caress the overhanging willows, to look on blooming meadows and play with chattering mills, is here confined in a pass only a hundred and fifty fathoms in width. With what rage it rushes through! He who traveled with it before recognizes it no longer; the grisly giant is rejuvenated into heroic youth.

Timar's Two Worlds: Maurus Jokai. Translation Of "Az Arany Ember" By Mrs. Hegan Kennard (American Series) This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!