Timing And Rulership In Master L S Spring And Autumn Annals L Shi Chunqiu

Written by Lu Buwei, Master Lu's Spring and Autumn Annals influenced the king who became China's first emperor. In this text, Sellmann (philosophy and East Asian studies, U. of Guam) examines the life and times of Lu Buwei, and various aspects of the Annals including its structure, the concept of "perfect timing," the role of human nature, the justification of the state, and the importance of cosmic, historical and personal timing. He also suggests possible implications for modern concepts of time, human nature, political order, and social and environmental ethics. Annotation copyrighted by Book News, Inc., Portland, OR

This ambitious work focuses on the world of Chinese thought during the two and a half centuries directly preceding and partly overlapping the time of Confucius. Ideas developed by Chunqiu statesmen and thinkers formed the intellectual milieu of Confucius and his disciples and contributed directly to the intellectual flowering of the Zhanguo (Warring States) era (453-221 B.C.E.), the formative period of the Chinese intellectual tradition. This study is the first attempt to systematically reconstruct major intellectual trends in pre-Confucian China. Foundations of Confucian Thought is based on an exploration of the Zuo zhuan, the largest pre-imperial historical text. Relying on meticulous textual and linguistic analysis, Yuri Pines argues that hundreds of the speeches of Chunqiu statesmen recorded in the Zuo zhuan were not invented by the compiler of the treatise but reproduced from earlier sources, thus making it an authentic reflection of the Chunqiu intellectual tradition. By tracing changes in ideas and concepts throughout the Chunqiu period, Pines reconstructs the dynamics of contemporary political and ethical discourse, distilling major intellectual impulses that Chunqiu thinkers bequeathed to their Zhanguo descendants.

In 1951, a group of young men from a village, Beixinzhuang which is about 25 km southeast of Beijing, orgainized a music club and started to learn music from a monk in the village. The music was primarily influenced by Confucianism and Buddhism. The author followed the music club for more than two decades. He watched the villagers' gradual adaptation to the music from modern media. The book carefully examines the cultural and social background, local belief, and the club's activities. Professor Du gives vivid accounts about the music played by the villagers, their favorite repertoire and the new modern additions, and the instruments used. A rare timeline of the musical life of a Chinese village.

Both Western and Chinese intellectuals have long derided filial piety tales as an absurd and grotesque variety of children’s literature. Selfless Offspring offers a fresh perspective on the genre, revealing the rich historical worth of these stories by examining them in their original context: the tumultuous and politically fragmented early medieval era (A.D. 100–600). At a time when no Confucian virtue was more prized than filial piety, adults were moved and inspired by tales of filial children. The emotional impact of even the most outlandish actions portrayed in the stories was profound, a measure of the directness with which they spoke to major concerns of the early medieval Chinese elite. In a period of weak central government and powerful local clans, the key to preserving a household’s privileged status was maintaining a cohesive extended family. Keith Knapp begins this far-ranging and persuasive study by describing two related historical trends that account for the narrative’s popularity: the growth of extended families and the rapid incursion of Confucianism among China’s learned elite. Extended families were better at maintaining their status and power, so patriarchs found it expedient to embrace Confucianism to keep their large, fragile households intact. Knapp then focuses on the filial piety stories themselves—their structure, historicity, origin, function, and transmission—and argues that most stem from the oral culture of these elite extended families. After examining collections of filial piety tales, known as Accounts of Filial Children, he shifts from text to motif, exploring the most common theme: the "reverent care" and mourning of parents. In the final chapter, Knapp looks at the relative burden that filiality placed on men and women and concludes that, although women largely performed the same filial acts as men, they had to go to greater extremes to prove their sincerity.

The Mandate of Heaven was originally given to King Wen in the 11th century BC. King Wen is credited with founding the Zhou dynasty after he received the Mandate from Heaven to attack and overthrow the Shang dynasty. King Wen is also credited with creating the ancient oracle known as the Yijing or Book of Changes. This book validates King Wen's association with the Changes. It uncovers in the Changes a record of a total solar eclipse that was witnessed at King Wen's capital of Feng by his son King Wu, shortly after King Wen had died (before he had a chance to launch the full invasion). The sense of this eclipse as an actual event has been overlooked for three millennia. It provides an account of the events surrounding the conquest of the Shang and founding of the Zhou dynasty that has never been told. It shows how the earliest layer of the Book of Changes (the Zhouyi) has preserved a hidden history of the Conquest.

Able to shape-shift and ride the clouds, wielding a magic cudgel and playing tricks, Sun Wukong (aka Monkey or the Monkey King) first attained superstar status as the protagonist of the sixteenth-century novel Journey to the West (Xiyou ji) and lives on in literature and popular culture internationally. In this far-ranging study Hongmei Sun discusses the thousand-year evolution of this figure in imperial China and multimedia adaptations in Republican, Maoist, and post-socialist China and the United States, including the film Princess Iron Fan (1941), Maoist revolutionary operas, online creative writings influenced by Hong Kong film A Chinese Odyssey (1995), and Gene Luen Yang’s graphic novel American Born Chinese. At the intersection of Chinese studies, Asian American studies, film studies, and translation and adaptation studies, Transforming Monkey provides a renewed understanding of the Monkey King character as a rebel and trickster, and demonstrates his impact on the Chinese self-conception of national identity as he travels through time and across borders.

Sima Qian's writings have influenced the Chinese for over 2,000 years and still serve as a fiscal source of historical information about China.

Sima Qian (first century BCE), the author of Record of the Historian (Shiji), is China’s earliest and best-known historian, and his “Letter to Ren An” is the most famous letter in Chinese history. In the letter, Sima Qian explains his decision to finish his life’s work, the first comprehensive history of China, instead of honorably committing suicide following his castration for “deceiving the emperor.” In the twentieth and twenty-first centuries, some scholars have queried the authenticity of the letter. Is it a genuine piece of writing by Sima Qian or an early work of literary impersonation? The Letter to Ren An and Sima Qian’s Legacy provides a full translation of the letter and uses different methods to explore issues in textual history. It also shows how ideas about friendship, loyalty, factionalism, and authorship encoded in the letter have far-reaching implications for the study of China.