Tokyo Love Story

A funny and intimate travelogue of one woman's unexpected adventures in Japan. French illustrator Julie Blanchin-Fujita arrived in Tokyo for what she thought would be a one-year stint, and ended up never leaving. In this graphic novel-style memoir she shares her love of Japan, while depicting personal experiences and stories from her life in Tokyo--from the exotic (sumo wrestlers, ramen, hot springs, tatami mats, bentos, Japanese trains, Mount Fuji, earthquakes) to the everyday (hanging out with friends, moving houses, falling in love). Her voyage of discovery in the world's most exciting city will appeal to a broad range of readers--from those contemplating a trip to Tokyo and Japanophiles to fans of graphic novels and anyone who enjoys a good manga love story. Packed with keen cultural observations, this enchanting story is told in both English and Japanese--also making it a great language learning resource.

Haruka and Takashi are devoted to shopping and going out in Tokyo. She loves her Louis Vuitton handbags, Hermes scarves and Louboutin shoes. He enjoys eating out and looking through the department stores in Ginza and Shibuya. Together they make a cute couple but love is never easy. Takashi's world starts to turn upside down when he realises Haruka has started seeing Jun, her wealthy ex-boyfriend from Kyoto. When Haruka travels to Kyoto to meet up with Jun and his mother, a series of earthquakes hit Tokyo and Takashi is injured. Haruka is unable to contact him and it looks like she'll never see Takashi again, the boy who truly loves her. Filled with cultural significance, this story will appeal to readers who have an interest in Japan and the mind-set of the Japanese people. 10% of the profit from the sales of the paperback 'Tokyo Hearts: A Japanese Love Story' in 2012/13 is donated to the Japan Society Tohoku Earthquake Relief Fund. www.renaelucashall.com"

One of PEOPLE Magazine's Best Books of Summer! "I absolutely adored this funny, fierce, big-hearted book.” —Morgan Matson, New York Times bestselling author of Save the Date Celebrated author Sarah Kuhn reinvents the modern fairy tale in this intensely personal yet hilarious novel of a girl whose search for a storybook ending takes her to unexpected places in both her beloved LA neighborhood and her own guarded heart. If Rika's life seems like the beginning of a familiar fairy tale—being an orphan with two bossy cousins and working away in her aunts' business—she would be the first to reject that foolish notion. After all, she loves her family (even if her cousins were named after Disney characters), and with her biracial background, amazing judo skills and red-hot temper, she doesn't quite fit the princess mold. All that changes the instant she locks eyes with Grace Kimura, America's reigning rom-com sweetheart, during the Nikkei Week Festival. From there, Rika embarks on a madcap adventure of hope and happiness—searching for clues that Grace is her long-lost mother, exploring Little Tokyo's hidden treasures with cute actor Hank Chen, and maybe . . . finally finding a sense of belonging. But fairy tales are fiction and the real world isn't so kind. Rika knows she's setting herself up for disappointment, because happy endings don't happen to girls like her. Should she walk away before she gets in even deeper, or let herself be swept away?

The West’s current fascination with Asian cinema must be viewed in the context of a complex and often problematic relationship between Western scholars, students, viewers, and Asian films. This book examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors, and Fifth Generation Chinese cinema) and uses them to investigate the limitations of Anglo–U.S. theoretical models and critical paradigms. By engaging readers with familiar areas of critical discourse (such as postcolonial criticism, "national cinema," "genre," "authorship," and "stardom") the book aims to introduce within such contexts the "unfamiliar" case studies that will be explored in depth and detail.

Globalization is usually thought of as the worldwide spread of Western—particularly American—popular culture. Yet if one nation stands out in the dissemination of pop culture in East and Southeast Asia, it is Japan. Pokémon, anime, pop music, television dramas such as Tokyo Love Story and Long Vacation—the export of Japanese media and culture is big business. In Recentering Globalization, Koichi Iwabuchi explores how Japanese popular culture circulates in Asia. He situates the rise of Japan’s cultural power in light of decentering globalization processes and demonstrates how Japan’s extensive cultural interactions with the other parts of Asia complicate its sense of being "in but above" or "similar but superior to" the region. Iwabuchi has conducted extensive interviews with producers, promoters, and consumers of popular culture in Japan and East Asia. Drawing upon this research, he analyzes Japan’s "localizing" strategy of repackaging Western pop culture for Asian consumption and the ways Japanese popular culture arouses regional cultural resonances. He considers how transnational cultural flows are experienced differently in various geographic areas by looking at bilateral cultural flows in East Asia. He shows how Japanese popular music and television dramas are promoted and understood in Taiwan, Hong Kong, and Singapore, and how "Asian" popular culture (especially Hong Kong’s) is received in Japan. Rich in empirical detail and theoretical insight, Recentering Globalization is a significant contribution to thinking about cultural globalization and transnationalism, particularly in the context of East Asian cultural studies.

Specifically designed for use on a range of undergraduate and graduate courses, Introducing Japanese Popular Culture is a comprehensive textbook offering an up-to-date overview of a wide variety of media forms. It uses particular case studies as a way into examining the broader themes in Japanese culture and provides a thorough analysis of the historical and contemporary trends that have shaped artistic production, as well as, politics, society, and economics. As a result, more than being a time capsule of influential trends, this book teaches enduring lessons about how popular culture reflects the societies that produce and consume it. With contributions from an international team of scholars, representing a range of disciplines from history and anthropology to art history and media studies, the book’s sections include: Television Videogames Music Popular Cinema Anime Manga Popular Literature Fashion Contemporary Art Written in an accessible style by a stellar line-up of international contributors, this textbook will be essential reading for students of Japanese culture and society, Asian media and popular culture, and Asian Studies in general.

This book presents an analysis of television histories across India, China, Taiwan, Singapore, Indonesia, Japan, Hong Kong, the Philippines, Malaysia and Bhutan. It offers a set of standard data on the history of television’s cultural, industrial and political structures in each specific national context, allowing for cross-regional comparative analysis. Each chapter presents a case study on a salient aspect of contemporary television culture of the nation in question, such as analyses of ideology in television content in Japan and Singapore, and transformations of industry structure vis-à-vis state versus market control in China and Taiwan. The book provides a comprehensive overview of TV histories in Asia as well as a survey of current issues and concerns in Asian television cultures and their social and political impact.

Può il vero amore superare ogni ostacolo? Malu ha un unico grande desiderio: lasciarsi tutto alle spalle. Casa sua, la sua vecchia vita. Quando le si presenta l’occasione di partire per il Giappone, la coglie senza ripensamento alcuno. Una volta approdata a Tokyo, lo shock culturale è enorme. Ma non è solo la città a farle girare la testa: anche Kentaro, un ragazzo appena conosciuto, ha lo stesso effetto su di lei. Sempre più affascinata, Malu si lascia guidare da Kentaro in una Tokyo inedita e speciale, che le permette di scoprire lati di sé che non credeva esistessero. Tra una passeggiata romantica per le strade illuminate dalle insegne al neon, una pazza serata al karaoke e un momento magico al chiar di luna su un tetto, i due imparano a conoscersi e finiscono per innamorarsi. Poi, un giorno, una catastrofe improvvisa sconvolge Tokyo e Malu si trova a dover cercare disperatamente il ragazzo che ama in una metropoli devastata. Il loro grande amore sopravvivrà al più avverso dei destini? La magia del Giappone. Un amore da favola. Un romanzo originale e commovente sulla forza dei legami che durano per sempre. «Lui mi ha salvata quando ero completamente persa - ora devo trovarlo ad ogni costo.» Yasmin Shakarami Vive a Tokyo. Nel marzo 2011 è stata testimone del devastante terremoto e maremoto del Tohoku e ha sperimentato in prima persona il caos che regnava nella metropoli giapponese. Tokyo Love Story è il suo romanzo d’esordio.