Top 100 Sci Fi Movies

Fantastic Press strikes again with its second trade paperback offering, this time exploring the ultra-fanciful universe of spaceships, exotic planets, time travel, and extraterrestrials. The "Top 100 Sci-Fi Movies" are reviewed and ranked by fantasy screenwriter/film historian Gary Gerani, who covers everything from early silent groundbreakers like A Trip to the Moon to today's widescreen, computer-generated blockbusters. With over 600 rare visuals, full-color layouts. and an introduction by one of Hollywood's greatest filmmakers, this exciting new pictorial overview is the ideal companion book to 2010's Top 100 Horror Movies.

If you want to know your Degoba from your Delos or your Ming from your Morlock, if you can't decide whether to eat Soylent Green or in Mos Eisley's Cantina, or if you simply want to try to comprehend 2001:A Space Odyssey, 101 Sci- Fi Movies You Must See Before You Die is for you. Visionary and imaginative - science fiction allows all other genres to leap, quite literally, into another dimension. From the classic low-budget, space exploration Flash Gordon tales of the Saturday matinee serials to the slick, CGI-realized world of The Matrix, science fiction films have long been pushing the boundaries of the visually and dramatically fantastic. Take a classic cop chase, and set it on Mars. Think of a haunted house story, then add the Nostromo. Take the boy-meets-girl classic, then make them mutants. Turn the known world on its head, play with the laws of physics, and all the while hold your audience spellbound. With insight from critics, film historians, academics, and experts in the field, 101 Sci-Fi Movies You Must See Before You Die offers a breadth of knowledge, insight, and passion to a century of close encounters, black holes, time-travel, dodgy outfits, distant planets, impossible quests, nuclear war, futuristic technology, inexplicable forces, spaceships, extraordinary monsters, subterranean societies, and fluorescent drinks - get a dog and don't list your name in the phone book.

Once upon a time, science fiction was only in the future. It was the stuff of drive-ins and cheap double-bills. Then, with the ever-increasing rush of new, society-altering technologies, science fiction pushed its way to the present, and it busted out of the genre ghetto of science fiction and barged its way into the mainstream. What used to be mere fantasy (trips to the moon? Wristwatch radios? Supercomputers capable of learning?) are now everyday reality. Whether nostalgic for the future or fast-forwarding to the present, The Sci-Fi Movie Guide: The Universe of Film from Alien to Zardoz covers the broad and widening range of science-fiction movies. From the trashy to the epic, from the classics to today's blockbusters, this cinefile’s guidebook reviews nearly 1,000 of the biggest, baddest, and brightest from every age and genre of cinematic and TV science fiction. You’ll find more than just Star Wars, Star Trek, and Transformers, with reviews on many overlooked and under-appreciated gems and genres, such as ... • Monsters! Pacific Rim, Godzilla, The Thing, Creature from the Black Lagoon • Superheroes: Thor, Iron Man, X-Men, The Amazing Spider-man, Superman • Avant-garde masterpieces: Solaris, 2001, Brazil • and many, many more categories and movies!!

The film critiques within represent the author's choices for the cinema's most significant fantasy endeavors.

"Who Goes There?" is the novella that formed the basis of John Carpenter's film "The Thing." John W. Campbell's classic tells of an antarctic research base that discovers and thaws the ancient, frozen body of a crash-landed alien -- with terrifying results!

Spanning nine decades and branded by the most trusted authority on film, Turner Classic Movies: Must-See Sci-Fi showcases 50 of the most shocking, weird, wonderful, and mind-bending movies ever made. From A Trip to the Moon (1902) to Arrival (2016), science fiction cinema has produced a body of classics with a broader range of styles, stories, and subject matter than perhaps any other film genre. They are movies that embed themselves in the depths of the mind, coloring our view of day-to-day reality and probably fueling a few dreams (and nightmares) along the way. In Turner Classic Movies: Must-See Sci-Fi, fifty unforgettable films are profiled, including beloved favorites like The Day the Earth Stood Still (1951) and Fantastic Voyage (1966), groundbreaking shockers like Planet of the Apes (1968) and Alien (1979), and lesser-known landmarks like Things to Come (1936) and Solaris (1972). Illustrated by astounding color and black-and-white images, the book presents the best of this mind-bending genre, detailing through insightful commentary and behind-the-scenes stories why each film remains essential viewing. A perfect gift for any film buff or sci-fi fanatic!

1950s Cold War-era monsters meet 21st century terrorists: this exploration of sci-fi movies examines the similarities and differences between the political environment and popular culture of two eras. This examination and appreciation of 1950s science fiction films includes behind-the-scenes tales about their production and many quotes from those who produced and starred in the films. The author draws parallels between the Cold War fears of the 1950s and 60s and the constant "terrorism alerts" of the September 11th era, exploring how the politics and the psychological climate of the times influences and is reflected in this vehicle of popular culture. This book is the first of its kind, studying the pop culture genre in the wake of the September 11th tragedy. It shows that, whatever the era and whatever the challenges and crises confronting America, many entertainment themes remain the same, reflecting their respective times and the relevant issues. For instance, Godzilla, the only Fifties-era monster to remain a "movie star" beyond that era, could be fashioned to reflect whatever issues dominate the times, be they nuclear war in the Fifties when Godzilla originated to a Seventies Godzilla film about environmental pollution. Conceivably a Godzilla for the age of terrorism is possible. "Them"! the 1954 atomic mutation classic, is the spiritual ancestor of the 2002 film "Eight Legged Freaks." The alien invaders of the Fifties signified a Russian invasion of America, while other films of the genre, such as "Invaders from Mars," depicted aliens utilizing mind control to manipulate humans to commit acts of sabotage, signifying Communist enslavement. If such a film were made now, such invaders could be seen as terrorist masterminds using human slaves to commit terrorist acts. Finally, several Fifties films depicted the end of the world at a time when Americans expected a nuclear war with Russia. The immediate pre-September 11th era witnessed films presenting galactic threats to mankind's existence ("Independence Day," "Deep Impact," "Armageddon"), while the early 2000s witnessed the popularity of the "Left Behind" Christian films dramatizing the Tribulation period in the Book of Revelation.

Science fiction films present hypothetical futures, featuring imagined technological advancements--not yet realized but perhaps (more or less) plausible. Yet how much of what audiences see is within the bounds of possibility? Can we really envision what a black hole looks like? Can dinosaurs really be genetically re-engineered? Originating from an annual Science Fiction Film Series in Denver, Colorado, this volume of essays examines 10 films, with a focus on discerning the possible, the unlikely, and the purely science fictional. With essays by scientists in relevant fields, chapters provide analyses of the movies themselves, along with examination of the actual science (or lack thereof) in each film.