Top Christian Hits Of 2017 2018

(Piano/Vocal/Guitar Songbook). 17 of the year's finest Christian/gospel hits arranged for piano, voice and guitar. Includes: All My Hope * Bleed the Same * Broken Things * Even If * God of All My Days * The Gospel * Grace Got You * Gracefully Broken * Home * Masterpiece * More Than Anything * Never Been (Never Been a Moment) * No One like Our God * Oh My Soul * Old Church Choir * Resurrection Power * Word of Life.

(Piano/Vocal/Guitar Songbook). 18 of the year's most popular Christian songs arranged for piano, voice and guitar. Includes: All In (Matthew West) * Best News Ever (MercyMe) * Do It Again (Elevation Worship) * Fear Is a Liar (Zach Williams) * Joy. (For King & Country) * Known (Tauren Wells) * Living Hope (Phil Wickham) * Reckless Love (Cory Asbury) * So Will I (100 Billion X) (Hillsong United) * The Way (New Horizon) (Pat Barrett) * Who You Say I Am (Hillsong Worship) * You Say (Lauren Daigle) * and more.

Studying the role of music within religious congregations has become an increasingly complex exercise. The significant variations in musical style and content between different congregations require an interdisciplinary methodology that enables an accurate analysis, while also allowing for nuance in interpretation. This book is the first to help scholars think through the complexities of interdisciplinary research on congregational music-making by critically examining the theories and methods used by leading scholars in the field. An international and interdisciplinary panel of contributors introduces readers to a variety of research methodologies within the emerging field of congregational music studies. Utilizing insights from fields such as communications studies, ethnomusicology, history, liturgical studies, popular music studies, religious studies, and theology, it examines and models methodologies and theoretical perspectives that are grounded in each of these disciplines. In addition, this volume presents several “key issues” to ground these interpretive frameworks in the context of congregational music studies. These include topics like diaspora, ethics, gender, and migration. This book is a new milestone in the study of music amongst congregations, detailing the very latest in best academic practice. As such, it will be of great use to scholars of religious studies, music, and theology, as well as anyone engaging in ethnomusicological studies more generally.

The enneagram has become popular among evangelical Christians as a spiritualized personality typology that claims to help people better understand themselves and others. Several influential evangelical Christian leadership ministries have promoted the enneagram as a tool in forming and maintaining effective ministry teams, and the personality typology is now taught and embraced at several Christian universities. But uncertainty exists about the appropriateness of referring to the Enneagram as a Christian tool. Are pastors and Christian institutional leaders aware of the theology associated with the Enneagram? Enneagram Theology: Is It Christian? provides a biblical critique of the Enneagram’s underlying theology and exposes not only its foundational theological contradictions with orthodox evangelical theology but also some potential dangers to the church.

This book highlights how the diverse nature of spiritual practices are experienced and manifest through the medium of popular music. At first glance, chapters on Krishnacore, the Rave Church phenomenon and post-punk repertoire of Psychic TV may appear to have little in common; however, this book draws attention to some of the similarities of the nuances of spiritual expression that underpin the lived experience of popular music. As an interdisciplinary volume, the extensive introduction unpacks and clarifies terminology relating to the study of religion and popular music. The cross-disciplinary approach of the book makes it accessible and appealing to scholars of religious studies, cultural studies, popular music studies and theology. Unlike existing collections dealing with popular music and religion that focus on a specific genre, this innovative book offers a range of music and case studies, with chapters written by international contributors.

Shadows may fall across the path of life, causing distress, dismay, and doubt. Trouble-filled dark experiences may seem stark and hopeless. Yet the Word of God brings the certainty that God’s Almighty Hand is always in control. His unfailing presence and promises can restore the song in the midnight of the soul. Drawn from personal observations and adventures, this compilation of both amusing and serious reflections endeavors to inspire and challenge. We can all discover practical spiritual truths in daily experiences. Ultimately, the challenge is for everyone to passionately pursue Christ. As we seek to know and follow the Lord, He provides empowerment and grace for every situation. These illustrations may bring laughter, tears, and revelation—sometimes all at once! Hearts will be inspired to trust the unfailing God.

Hymns and Constructions of Race: Mobility, Agency, De/Coloniality examines how the hymn, historically and today, has reinforced, negotiated, and resisted constructions of race. It brings together diverse perspectives from musicology, ethnomusicology, theology, anthropology, performance studies, history, and postcolonial scholarship to show how the hymn has perpetuated, generated, and challenged racial identities. The global range of contributors cover a variety of historical and geographical contexts, with case studies from China and Brazil to Suriname and South Africa. They explore the hymn as a product of imperialism and settler colonialism and as a vehicle for sonic oppression and/or resistance, within and beyond congregational settings. The volume contends that the lived tradition of hymn-singing, with its connections to centuries of global Christian mission, is a particularly apt lens for examining both local and global negotiations of race, power, and identity. It will be relevant for scholars interested in religion, music, race, and postcolonialism.

Religion and Global Politics: Soft Power in Nigeria and Beyond examines the deployment of religious soft power in African states and the potential it has for transforming perceptions of the continent. The contributors refocus the attention on religion away from the ‘misery’ discourse of conflict and violence towards the domain of international relations, diplomacy and foreign policy in Africa. Through this shift, the contributors analyze the ways in which religion has impacted the external relations of African states. Religion and Global Politics introduces the theme of religion to the discourse of African international relations and politics to provide a thorough examination of religion’s influence on politics in the daily lives of African people.