Topophobia

Topophobia: A Phenomenology of Anxiety is a vivid second-person inquiry into how anxiety plays a formative part in the constitution of subjectivity. While anxiety has assumed a central role in the history of philosophy – and phenomenology in particular – until now there has been no sustained study of how it shapes our sense of self and being in the world. This book seeks to address that lacuna. Calling upon the author's own experience of being agoraphobic, it asks a series of critical questions: How is our experience of the world affected by our bodily experience of others? What role do moods play in shaping our experience of the world? How can we understand the role of conditions such as agoraphobia in relation to our normative understanding of the body and the environment? What is the relation between anxiety and home? The reader will gain an insight into the strange experience of being unable to cross a bridge, get on a bus, and enter a supermarket without tremendous anxiety. At the same time, they will discover aspects of their own bodily experience that are common to both agoraphobes and non-agoraphobes alike. Integrating phenomenological inquiry with current issues in the philosophy of mind, Trigg arrives at a renewed understanding of identity, which arranges self, other and world as a unified whole. Written with a sense of vividness often lacking in academic discourse, this is living philosophy.

This book is about the love and hate relations that humans establish with their habitat, which have been coined by discerning modern thinkers as topophilia and topophobia. Whilst such affiliations with the topos, our manmade as well as natural habitat, have been traced back to antiquity, a wide range of twentieth-century cases are studied here and reflected upon by dwelling on this framework. The book provides a timely reminder that the qualitative aspects of the topos, sensual as well as intellectual, should not be disregarded in the face of rapid technological development and the mass of building that has occurred since the turn of the millennium. Topophilia and Topophobia offers speculative and historical reflections on the human habitat of the century that has just passed, authored by some of the world’s leading scholars and architects, including Joseph Rykwert, Yi-Fu Tuan, Vittorio Gregotti and Jean-Louis Cohen. Human habitats, ranging broadly from the cities of the twentieth century, highbrow modern architecture both in Western countries and in Asia, to non-architect/planner designed vernacular settlements and landscapes are reviewed under the themes of topophilia and topophobia across the disciplines of architecture, landscape studies, philosophy, human geography and urban planning.

This book discusses how cities’ identities are formed and developed over time and portrays architecture and the arts as the embodiment of the historical, cultural, and economic characteristics of cities. Furthermore, it explores strategies and solutions to preserve the cultural heritage along the Silk Road, representing a compilation of research addressing the economic and social opportunities and challenges related to the development of a more sustainable and responsible approach to tourism development and the preservation of heritage. As such, it covers a wide range of audiences including economists, architects, planners, tourism experts, and decision-makers interested in making use of cities' available resources and features, offering strategies to explore development opportunities through sustainable and responsible tourism along the Silk Road. This book is a culmination of selected research papers from the first version of the International Conference on "Silk Road Sustainable Tourism Development and Cultural Heritage (SRSTDCH)" which was held in 2021 in collaboration with Aristotle University of Thessaloniki, the European Interdisciplinary Silk Road Tourism Centre, Greece and the 5th Edition of the International Conference on “Cities’ Identity Through Architecture and Arts (CITAA)” which was held in 2021 in collaboration with University of Pisa, Italy.

This book explores small town geographical aspects by approaching them from a socio-spatial perspective. The contributions included in this book delve into a range of topics that have not been commonly studied before, such as white privilege, neglect of municipal infrastructure, collaborative governance, livelihoods in small-scale fisheries, housing provision, well-being in mining towns, studentification in rural contexts, election trends, and the historical development of small-town spas. The book adopts a socio-spatial point of view, providing a holistic understanding of the interplay between social and spatial factors within selected small town case studies. This approach sheds light on the socio-economic, political, and cultural dynamics that shape small towns. This localized perspective allows for a more targeted analysis of issues and potential solutions, taking into account the specific historical, cultural, and political contexts of small town South Africa. The edited volume serves as a valuable resource for academics, policymakers, practitioners, and anyone interested in understanding and improving small towns in South Africa.

Langston Hughes never knew of an America where lynching was absent from the cultural landscape. Jason Miller investigates the nearly three dozen poems written by Hughes on the subject of lynching to explore its varying effects on survivors, victims, and accomplices as they resisted, accepted, and executed this brutal form of sadistic torture. Starting from Hughes's life as a teenager during the Red Summer of 1919 and moving through the civil rights movement that took place toward the end of Hughes's life, Miller initiates an important dialogue between America's neglected history of lynching and some of the world’s most significant poems. This extended study of the centrality of these heinous acts to Hughes's artistic development, aesthetics, and activism represents a significant and long-overdue contribution to our understanding of the art and politics of Langston Hughes.

Poised between the land and the sea, enabling the dynamic flow of people and goods, while also figuratively representing a safe place of rest and refuge, the harbor constitutes a liminal, ambivalent space par excellence that has been central to the American imagination and history since the early colonial days. From the mythical tales of discovery and foundation to the endless flows of migrants, through the dark pages of the slave trade and the imperialistic dream of an ever-expanding nation, harbors, both as a trope and as physical spaces, powerfully signify the American experience. Today, at a time when ideas of border protection and policing gain political prominence in the U.S. and elsewhere, harbors and the constellation of meanings they subsume have become an even more crucial object of critical inquiry. In this volume, thirty-two American Studies scholars from around the world interrogate the manifold significance of ports and of the exchanges they enable or restrain, casting a decentered look onto the complex positioning of the United States in its political, ideological, and cultural relationships with the rest of the world. This collection thus offers a cutting-edge, interdisciplinary investigation of the U.S.A., engaging the most recent trends in American Studies and actively participating in the international and transnational reconfiguration of the field.

What is Buddhism? According to Hakamaya Noriaki and Matsumoto Shiro, the answer lies in neither Ch’an nor Zen; in neither the Kyoto school of philosophy nor the non-duality taught in the Vimalakirti Sutra. Hakamaya contends that “criticism alone is Buddhism.” This volume introduces and analyzes the ideas of “critical Buddhism” in relation to the targets of its critique and situates those ideas in the context of current discussions of postmodern academic scholarship, the separation of the disinterested scholar and committed religious practitioner, and the place of social activism within the academy. Essays critical of the received traditions of Buddhist thought—many never before translated—are presented and then countered by the work of respected scholars, both Japanese and Western, who take contrary positions.