Toronto In Colour The 1980s

Toronto In Colour: the 1980s features street scenes from the 1980s when I was new to the city, and saw it with fresh eyes. I had no way to anticipate how significant these Toronto photos would seem to me 30 years later. They show things that no longer exist, even though it hasn't been that long. Without necessarily trying to, I caught images of buildings, cars, fashions, gadgets that are no longer part of our world. Toronto's entire skyline is utterly changed, part of the inevitable growth and evolution.

Toronto Hi-Fi is Avard Woolaver's fifth Toronto book, capturing street scenes in the 1980s. Woolaver moved to Toronto from rural Nova Scotia in 1980 to study photography, and he viewed the urban scenes from his raised-in-the-country perspective. The photos in this book share themes tied to the music he was listening to as he documented the city streets.

"Toronto Flashback" (1980-1986), by Avard Woolaver, documents the city of Toronto, Canada, in the 1980s. Woolaver grew up in rural Nova Scotia and moved to Toronto in 1980 to study photography. He did a lot of street photography in those years, capturing street scenes with fresh eyes. Michael Amo writes in the introduction, "When Avard arrived in Toronto in 1980, he brought that watchfulness with him, that deep-seated empathy for humans going about their solitary business, a simultaneous loneliness and delight in our ceaseless effort to remake the world in our own image."

Documentary and street photographs taken in Toronto, spanning the years 1980 -1995. "Toronto Days" is a follow up to Woolaver's first two books:"No Money Down - Toronto (1980-1986)" and "Toronto Flashback (1980-1986)". Woolaver grew up in rural Nova Scotia and moved to Toronto in 1980 to study photography at Ryerson. He did a lot of street photography in those years, capturing street scenes with fresh eyes. Derek Flack writes in blogTO, "Woolaver's work is so fascinating--a record of Toronto with a soul."From the introduction: "I spent several years in the '80s and '90s doing street photography in Toronto. The negatives lay dormant until 2016, when my journey of rediscovery began."

Queering Urban Justice foregrounds visions of urban justice that are critical of racial and colonial capitalism, and asks: What would it mean to map space in ways that address very real histories of displacement and erasure? What would it mean to regard Queer, Trans, Black, Indigenous, and People of Colour (QTBIPOC) as geographic subjects who model different ways of inhabiting and sharing space? The volume describes city spaces as sites where bodies are exhaustively documented while others barely register as subjects. The editors and contributors interrogate the forces that have allowed QTBIPOC to be imagined as absent from the very spaces they have long invested in. From the violent displacement of poor, disabled, racialized, and sexualized bodies from Toronto’s gay village, to the erasure of queer racialized bodies in the academy, Queering Urban Justice offers new directions to all who are interested in acting on the intersections of social, racial, economic, urban, migrant, and disability justice.

"No Money Down - Toronto (1980-1986)", by Avard Woolaver, documents the city of Toronto, Canada, in the 1980s. It is a follow-up to his first book "Toronto Flashback (1980-1986)". Woolaver grew up in rural Nova Scotia and moved to Toronto in 1980 to study photography. He did a lot of street photography in those years, capturing street scenes with fresh eyes. Derek Flack writes in blogTO, "Woolaver's work is so fascinating--a record of Toronto with a soul."

The history of Toronto's nightlife reveals its pulse.From award-winning veteran music journalist and DJ Denise Benson comes Then & Now: Toronto Nightlife History, a fascinating, intimate look at four decades of social spaces, dance clubs, and live music venues. Through interviews, research, and enthusiastic feedback from the party people who were there, Benson delves deep behind the scenes to reveal the histories of 48 influential nightlife spaces, and the story of a city that has grown alongside its sounds.

The first cultural history of the iconic brand M·A·C Cosmetics, VIVA M·A·C charts the evolution of M·A·C’s revolutionary corporate philanthropy around HIV/AIDS awareness. Drawing upon exclusive interviews with M·A·C co-founder Frank Toskan, key journalists, and fashion insiders, Andrea Benoit tells the fascinating story of how M·A·C's unique style of corporate social responsibility emerged from specific cultural practices, rather than being part of a strategic marketing plan. Benoit delves into the history of the M·A·C AIDS Fund and its signature VIVA GLAM fundraising lipstick, which featured drag performer RuPaul and singer k.d. lang in its first advertising campaigns. This lively chronicle reveals how M·A·C managed to not only defy the stigma associated with AIDS that alarmed many other corporations, but to engage in highly successful AIDS advocacy while maintaining its creative and fashionable authority.