Total Creative Control

"Pure delicious pleasure! This witty romance is full of toe-curling chemistry, slow-burn fun, and gasp-worthy plot twists. The drop-everything read of the year!" New York Times bestselling author Annika Martin Sunshine PA, meet Grumpy Boss... When fanfic writer Aaron Page landed a temp job with the creator of hit TV show, Leeches, it was only meant to last a week. Three years later, Aaron's still there... It could be because he loves the creative challenge. It could be because he's a huge Leeches fanboy. It's definitely not because of Lewis Hunter, his extremely demanding, staggeringly rude...and breathtakingly gorgeous boss. Is it? Lewis Hunter grew up the hard way and fought for everything he's got. His priority is the show, and personal relationships come a distant second. Besides, who needs romance when you have a steady stream of hot men hopping in and out of your bed? His only meaningful relationship is with Aaron, his chief confidante and indispensable assistant. And no matter how appealing he finds Aaron's cute boy-next-door charms, Lewis would never risk their professional partnership just to scratch an itch. But when Lewis finds himself trapped at a hilariously awful corporate retreat, Aaron is his only friend and ally. As the professional lines between them begin to blur, their simmering attraction starts to sizzle ... And they're both about to get burned.

After a traumatic illness robs her of her looks, Rose Davenport has little expectation of making a good marriage—until her feckless father, Miles, unexpectedly brokers a dazzling match for her with the heir to the Earl of Stanhope. Unfortunately, the marriage doesn’t live up to her hopes. Instead of the kindly bridegroom she’s expecting, Rose gets a sullen young husband who can barely stand to look at her. Gil Truman is in love with the beautiful Tilly when his father informs him that he must instead marry plain, sickly Rose. Forced to agree to the marriage to recover the family fortune his father lost to Miles Davenport in a game of cards, Gil is bitter and heartbroken. Their wretched wedding trip ends with him abandoning Rose at his remote Northumbrian estate, intending never to return. After five years of exile, Rose loses patience and travels to London to make a bid at seducing her errant, faithless husband. But their first encounter at a masked ball changes everything. When Rose learns the secret truth of how Gil was blackmailed into their marriage, her appetite for revenge dissolves. It’s too late to turn back, though. Their night of passion has had consequences that force Rose to confront Gil again. Gil’s discovery that the lovely, masked stranger he fell for is none other than his own wife, leaves him feeling sick and betrayed. As for Rose, she has deep wounds of her own from years of Gil’s neglect. With such unpromising beginnings, can Rose and Gil make any kind of life together? Or are some wrongs too painful to ever be forgiven?

From Ed Catmull, co-founder (with Steve Jobs and John Lasseter) of Pixar Animation Studios, comes an incisive book about creativity in business—sure to appeal to readers of Daniel Pink, Tom Peters, and Chip and Dan Heath. Creativity, Inc. is a book for managers who want to lead their employees to new heights, a manual for anyone who strives for originality, and the first-ever, all-access trip into the nerve center of Pixar Animation—into the meetings, postmortems, and “Braintrust” sessions where some of the most successful films in history are made. It is, at heart, a book about how to build a creative culture—but it is also, as Pixar co-founder and president Ed Catmull writes, “an expression of the ideas that I believe make the best in us possible.” For nearly twenty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Monsters, Inc., Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner thirty Academy Awards. The joyousness of the storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, in this book, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student at the University of Utah, where many computer science pioneers got their start, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the thirteen movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team, and they will screw it up. But give a mediocre idea to a great team, and they will either fix it or come up with something better. • If you don’t strive to uncover what is unseen and understand its nature, you will be ill prepared to lead. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. • Do not assume that general agreement will lead to change—it takes substantial energy to move a group, even when all are on board.

This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright’s thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters’ (performing authors') creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a key criterion for sustainable economic development, and makes innovative legal and policy recommendations to help stakeholders preserve it.

Bookstore owner Aubrey Barnes likes his quiet, orderly London life, thank you very much. His shop may be struggling, his only employee is a menace, and his plumbing is one creaky pipe away from disaster, but he can handle it. Maybe. He cannot, however, handle the film company that’s thrown his Soho street into chaos. And he definitely can’t handle the charismatic American actor Blake Sinclair. Which is why he’s extremely reluctant to lease out his shop as a set for Blake's film, but it’s his one opportunity to save his business. Now he can’t get away from the distractingly hot actor. Then Aubrey finds himself alone with Blake in a trailer...and what happens next turns London’s heat wave into an inferno that leaves him breathless. Aubrey is not cut out for the high-profile life of celebrity dating—especially an American actor who’s not even out yet. Good thing their tryst is absolutely not going anywhere. But expecting nothing can be complicated...especially when it starts to mean everything. Each book in the When Snow Falls series is STANDALONE: * An Unexpected Kind of Love * When London Snow Falls

Finding an alternative to supplement military ways of resolving international conflicts has been taken up by many people skilled in various areas such as political science, economics, social studies, modelling and simulation, artificial intelligence and expert systems, military strategy and weaponry as well as private business and industry. The Workshop will therefore be of use as it looks at various control methods which would create a conciliatory social and political environment or climate for seeking and obtaining non-military solutions to international conflicts and to solutions to national conflicts which may lead to international conflicts.

From the moment Joni Mitchell's career began — with coffee-house bookings, serendipitous encounters with established stars, and a recording contract that gave her full creative control over her music — the woman from the Canadian wheat fields has eluded industry cliches. When her peers were focused on feminism, Mitchell was plumbing the depths of her own human condition. When arena rock was king, she turned to jazz. When all others hailed Bob Dylan as a musical messiah, Mitchell saw a fraud burdened with halitosis. Unafraid to "write in her own blood," regardless of the cost, Mitchell has been vilified as a diva and embraced as a genius, but rarely has she been recognized as an artist and a thinker. This new portrait of the reclusive icon examines how significant life events — failed relationships, the surrender of her infant daughter, debilitating sickness — have influenced her creative expression. Author Katherine Monk captures the rich legacy of her multifaceted subject in this offbeat account, weaving in personal reflections and astute cultural observations, and revealing the Mitchell who remains misunderstood.

Coming Un Stuck is a cookbook like no other. Carrying a strong message of hope about how time and good food can heal, it is also Sarah¿s gift to all those struggling to come to terms with a shitty time in their lives. Think `food therapy¿ for anyone who suddenly find themselves on their own, cooking `sad arse dinners for one,¿ while binge-watching Netflix! And that¿s just the start of the honest nourishment you¿ll find within the pages of Sarah¿s book. Sharing 100 of her favourite recipes, Sarah conjures up real food for real people that work for every occasion; from `start the day right¿ breakfasts to easy dinners, entertaining, and all those `stuff-this-shit dessert¿ moments in life, when hedonism is the only way. Sarah even gives you tips about creating the right ambience for entertaining (mood lighting, music, et al) and thoughts on choosing wine and whiskey. Sarah¿s recipes are a lot like her ¿ maximum impact for minimum fuss.