Toward Samson Agonistes

The endurance of a work of art such as Samson Agonistes, this book suggests, derives from its incorporation of the principle of change as the very foundation of its permanence. In a deft and perceptive analysis, Mary Ann Radzinowicz shows how the poem embodies the principle of change, reveals Milton's perpetual concerns, and illuminates the course of his poetic and intellectual development. The author holds that Samson Agonistes represents the culmination of Milton's poetic œuvre. Its subject is growth, and the tragedy imitates a Biblical story of movement from self-destruction to self-transcendence. In each section of her book, the author considers the poem in a different context or area of Milton's thought. Each new aspect suggests a widening circle of implication as the discussion moves from Milton's dialectic to the representation of tragic failure, from change and growth as themes to the discovery of history as tragic design. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book explores the role of history in Milton's literary works. It focuses on the writer's imaginative responses to the historical process - his interpretations of the past, visions of the future, and sense of the contemporary historical moment.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

In analyzing how Milton reads and appropriates different biblical texts to give shape to his republican vision, this book also assesses his significance to the development of early modern English political thought, his conception of the English nation, and finally, his response to pressures exerted by a secular modernity grounded on international commercial activities."--Jacket.

Joseph Wittreich reveals Samson to be an intensely political work that reflects the heroic ambitions and failings of the Puritan Revolution and the tragic ambiguities of the era. He sees in the work not the purveyance of Medieval and early Renaissance typological associations but an interrogation of them and a consequent movement away from them. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ambiguity, present in all aspects of the poem, is seen as central to Milton's authorial intentions. Shawcross proposes that the many ambiguities surrounding Milton's dramatic poem Samson Agonistes are intentional: the actual words, the dates of composition, the genre, and the characters - particularly Samson and Dalila but including Manoa, Harapha, and the Chorus. Ambiguity also lies in Milton's presentation of political issues both philosophical and practical, his treatment of gender concepts, the constant questioning of the reader, and the poem's effect. Discussing all these elements, Shawcross follows with a detailed reading of the text which argues that it remains purposefully ambiguous, reflecting Milton's own recognition of the uncertainty of the content, and suggesting that Milton himself would question some of the nice 'solutions' that modern scholarship has offered in the last two decades. JOHN SHAWCROSS is Professor of English, Emeritus, University of Kentucky.

Wood proposes that Milton's Samson is an emblematic embodiment of Old Testament consciousness as rigorous, incomplete, literalistic, and uncomprehending, fashioned by the old Mosaic Law, without the amelioration of Christ's charity and forgiveness.