Towers Of Deception

How the media are complicit in hiding the fact that 9/11 was an inside job.

A cursed city shrouded in mist. The power to level an army. A deadly race against demons to find it. Five hundred years have passed since Naradon, the mad emperor, ruled over the world of Arinthar. Unknown to all but a few, the emperor left behind a deadly legacy-seven towers scattered across the globe, each with the power to lay waste to an army. Now demons have crawled up from the Abyss and taken one of those towers, using its power to summon more of their brethren. To make matters worse, a second tower has been uncovered and the demons want that one, too. Yet that tower will not be taken easily. Shrouded in mist, the ancient city surrounding that tower has fallen under a terrible curse. All who once lived there walk the earth as undead, including the mad emperor's wife. Now a small band of heroes must enter the mists and wrest the tower from the empress of the damned and her undead army. For if they fail, the entire world is doomed to become hell on earth.

This book, The State of the American Mind: Stupor and Pathetic Docility Volume One begins to unravel some of the most obvious, perplexing, embarrassing and enduring problems and contradictions of American history and sociology, viz., how could the American revolution that started with the most ringing and most inspiring Declarations of human equality in world history end up establishing the most vicious, exploitative society the world ever knew Black chattel slavery and only ten percent white enfranchisement, etc. Further, how could men of such great wisdom and intellect like George Washington, James Madison, Thomas Jefferson, and others who were Enlightenment scholars and clearly knew that slavery was despicable and evil, because they had variously experienced white servitude and slavery themselves, collude to establish and institutionalize the horrible system of Negro chattel slavery in America; and also disenfranchised over 90 percent of people of their own race actions that racism could not explain. The structural/institutional slavery system they established, and the resultant consequent racism hobbles America today as it did in the past, and forced Eric Holder, the Attorney General to declare that, America is a nation of cowards, when it comes to race discussions. Thus, this book starts with serious critical discussions of race in America and reveals what no textbook has ever done, viz., that most early American whites and Blacks were slaves an uncomfortable fact that would shock most Americans because it contradicts the orthodoxy or the dominant narrative that only Blacks were brought here in chains. Further, the book also shows the year Black slavery started something almost, all textbooks got wrong. It also shows who, was the fi rst Black slave in America something no textbook ever mentions. It also shows when and how racism started in America and many other very sensitive and embarrassing but necessary issues that America avoids but must be frankly discussed for America to move forward. This book therefore shatters the two dominant themes of Americas history and sociology that Blacks were brought into America in chains as slaves while whites came to America in search of freedom, as Obama famously told us in his race speech. Thus, the crowning lesson of this book, in addition to discussing some critical policy issues like education, health care, etc., is that it discovers the centripetal force of the American society that eluded contemporary Americans because American bosses have laboriously concealed the facts from the public the scary but clearly healthy uniting fact that most Americans are united by their common ancestry, their universal history and experience of servitude, bond-indentures and slavery. Nothing is more universal, more common and more shared in American history and sociology than the fact that most of our ancestors, black and white, were servants, bond-indentures and slaves who were dominated and super-exploited by few overlords. Colonial America was the preferred dumping ground for British, outcasts, rejects, criminals, masterless class, vagabonds, bond-indentures, slaves, etc., until 1776 when Australia replaced America as the British dump for its rejects and surplus citizens. Thus, that America was a nation founded by British rejects and losers is inherently more rational than the prevailing orthodoxy or the Obama theory of Americas founders that they were great honorable men who journeyed across the ocean for freedom because of the obvious reason that good, powerful achieving citizens do not normally emigrate to new uncharted lands.

Each year Americans lose billions of dollars to fraudulent activity. The Madoffs Among Us shows you in graphic detail why and how people fall prey. Most important, it shows you how to easily identify the people who perpetrate these crimes and avoid their deceitful practices. Why do smart people fall for these cons? What are today’s most common scams? And how can you avoid becoming a victim? Many people abdicate their responsibility to participate in the investment process because they just don’t know much about financial planning, and they rely upon an advisor. The Madoffs Among Us arms you with tangible and simple actions to protect your wealth, no matter its size. From the very first chapter, you will appreciate why good advisors are worth their weight in gold and bad advisors could cost you a fortune. With uncertainty surrounding the potential repeal of some of the most important protections of the Dodd-Frank Act this book will become even more important. The real-life examples of fraud are numerous and alarming, but The Madoffs Among Us gives you the concrete measures you can take to minimize the possibility of being ripped off.

It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed. While the production of these films did ebb, the full impact of the attacks on Hollywood's creative output is still taking shape. Did 9/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy? Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9/11. He considers documentary portraits and conspiracy films, as well as serial television shows (most notably Fox's 24) and made-for-TV movies that re-present the attacks in a broader, more intimate way. Ultimately Prince finds that in these triumphs and failures an exciting new era of American filmmaking has taken shape.

When prominent businessman and arts patron E. Dillon Parsons is murdered at the prestigious Verdi Society’s annual masquerade ball, Homicide Lieutenant Douglas MacArthur Kim is plunged into the Philadelphia arts scene, where, to find the killer he must follow a path of deception in which the arts are subject to corporate whim and justice is subordinated to political expediency. When three other members of the city’s arts scene are murdered, the pathways of deception branch even farther, forcing Kim to cope with pressure from his superior officer, who wants to be police commissioner; from the District Attorney, who wants to be mayor; and from an overbearing newspaper editor, who wants headlines. They want an arrest and conviction, even though Kim is convinced the prime suspect is innocent. Along the way, Kim must come to grips with the deceptions of his own life. Half Korean, half Caucasian, he is torn between two cultures. Unsure of his own identity, he has become alienated from his American stepfather, who brought him to this country and raised him as his own, then abandoned him and his mother for another woman. Now, he must follow deception’s path until he reaches a doorway of truth.