Trailer Trash

It's 1986, and what should have been the greatest summer of Nate Bradford's life goes sour when his parents suddenly divorce. Now, instead of spending his senior year in his hometown of Austin, Texas, he's living with his father in Warren, Wyoming, population 2,833 (and Nate thinks that might be a generous estimate). There's no swimming pool, no tennis team, no mall--not even any MTV. The entire school's smaller than his graduating class back home, and in a town where the top teen pastimes are sex and drugs, Nate just doesn't fit in. Then Nate meets Cody Lawrence. Cody's dirt-poor, from a broken family, and definitely lives on the wrong side of the tracks. Nate's dad says Cody's bad news. The other kids say he's trash. But Nate knows Cody's a good kid who's been dealt a lousy hand. In fact, he's beginning to think his feelings for Cody go beyond friendship. Admitting he might be gay is hard enough, but between small-town prejudices and the growing AIDS epidemic dominating the headlines, a town like Warren, Wyoming, is no place for two young men to fall in love.

The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.

Poetry. Women's Studies. California Studies. TRAILER TRASH is a book about the cotton-country of Riverside County, Southern California, in the 1980s/90s. A book about poverty, ravaged landscape, and gender, it touches on a fuller, dustier California than Hollywood would have you believe. It is not only a book of class and struggle, it is also a book of triumph, beauty, and constructed worlds. It interfaces with grief and sanctuary in equal measure, creating a deeper understanding of origin stories. Never be ashamed of where you come from, these poems say, even when where you come from is broken, and dry, and made of tin.

Trailer-park owners never use the word "trailer" and certainly not the term "trailer park." At some point in time, even the Mobile Home Park Owners Association (MHPOA for short) realized that the word "trailer" had a negative connotation. When was the last time you saw a "trailer park community" advertised on TV? "Trailer park" has come to represent, in the minds of most Americans, men in stained work shirts dotted with drippings of food fat and car excrement returning home to take out life's shortcomings on the innocents in their lives--the ol' lady, the dog, and the coffee table. This image--which, I can tell you, is a partially true cliche in our society--vaguely explains why my parents and my grandparents decided to rent to tenants without children or pets. Well, birds and rodents were deemed acceptable but not guinea pigs. Guinea pigs, due to size and temperament, were completely unacceptable. My name is Angie Cavallari, and this is my story about growing up as an '80s child in the shitty, impoverished, modern-age ghettos known as trailer parks.

Discover the world of abandoned and derelict trailers as photographed by Bob Moore. Each page is a nostalgic treasure with old advertising, mementoes, and photos of the once proud homes of those who may have had a touch of the gypsy in their soul. Profusely illustrated, Trailer Trash is a must have for anyone who ever looked longingly at one of these steel or aluminum homes on wheels during the 1940s or 1950s.

Not all magicians go to schools of magic. Adam Binder has the Sight. It’s a power that runs in his bloodline: the ability to see beyond this world and into another, a realm of magic populated by elves, gnomes, and spirits of every kind. But for much of Adam’s life, that power has been a curse, hindering friendships, worrying his backwoods family, and fueling his abusive father’s rage. Years after his brother, Bobby, had him committed to a psych ward, Adam is ready to come to grips with who he is, to live his life on his terms, to find love, and maybe even use his magic to do some good. Hoping to track down his missing father, Adam follows a trail of cursed artifacts to Denver, only to discover that an ancient and horrifying spirit has taken possession of Bobby’s wife. It isn’t long before Adam becomes the spirit’s next target. To survive the confrontation, save his sister-in-law, and learn the truth about his father, Adam will have to risk bargaining with very dangerous beings ... including his first love.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

This collection is devoted to exploring stereotypes about the social conditions of poor whites in the United States and comparing these stereotypes with the social reality.