Transatlantic Literature And Transitivity 1780 1850

Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Introduction -- PART I: Travelling Subjects and Transitive Identities -- 1 Reformation in Mansfield Park : The Slave Trade and the Stillpoint of Knowledge -- 2 "That Dreadful, Delightful City": Edgar Allan Poe's Essaying of London -- 3 "Humble Auxiliaries to Nature": Go-Betweens and Natural Knowledge in Crèvecoeur's Journey into Northern Pennsylvania and the State of New York -- 4 Writing Pocahontas: Romantic Women Writers and the Transatlantic Rescuing Indian Maiden -- PART II: Ancient Decline and Nineteenth-Century Moralities -- 5 Women of Colour, Politics and the Plague in Lydia Maria Child's Philothea: A Grecian Romance -- 6 Christian Morality and Roman Depravity: Illustrating Edward Bulwer-Lytton's The Last Days of Pompeii in a Transatlantic Literary Market -- PART III: Transatlantic Print Culture and Transitive Texts -- 7 Virtual Museums in Early America: Transatlantic Magazine Culture and Cultural Memory -- 8 Cultural Transfer in the German Atlantic: Brown, Oertel, and the First Translation of a U.S. Novel -- 9 William Blake's American Afterlives: Transatlantic Poetics in Emerson and Whitman -- 10 American Notes and English Guidebooks: (Re)writing English Literature in Melville and Dickens -- List of Contributors -- Index

This important new collection explores representations of late seventeenth- through mid-nineteenth-century transatlantic women travelers across a range of historical and literary works. While at one time transatlantic studies concentrated predominantly on men’s travels, this volume highlights the resilience of women who ventured voluntarily and by force across the Atlantic—some seeking mobility, adventure, knowledge, wealth, and freedom, and others surviving subjugation, capture, and enslavement. The essays gathered here concern themselves with the fictional and the historical, national and geographic location, racial and ethnic identities, and the configuration of the transatlantic world in increasingly taught texts such as The Female American and The Woman of Colour, as well as less familiar material such as Merian’s writing on the insects of Surinam and Falconbridge’s travels to Sierra Leone. Intersectional in its approach, and with an afterword by Eve Tavor Bannet, this essential collection will prove indispensable as it provides fresh new perspectives on transatlantic texts and women’s travel therein across the long eighteenth century.

James Ellroy's identity as a crime writer is rooted in his extraordinary life story and relationship with his home city of Los Angeles. Beginning with the unsolved murder of his mother, Geneva Hilliker Ellroy, in 1958, Ellroy's early life played a large role in shaping his obsessions with murder, the criminal underworld of L.A. and the redemptive power of the feminine. Ellroy's life could be seen as a brutal, visceral and emotionally exhausting realisation of the American Dream, a theme he has explored in his writing to the extent that he is credited with reinventing crime fiction. The Big Somewhere: Essays on James Ellroy's Noir World is an in-depth, scholarly study of the work of James Ellroy, featuring leading Ellroy scholars such as Anna Flügge, Jim Mancall and Rodney Taveira. Moving from Ellroy's early detective novels to his later epic works of historical fiction, it explores how Ellroy found his place in the history of the genre by building on, and then surpassing, the works of authors who influenced him such as Dashiell Hammett, Raymond Chandler and Joseph Wambaugh. It also examines Ellroy's impact on contemporary writers and on the cultural perception of L.A., which has been his legacy through the L.A. Quartet novels. The 'Big Somewhere' is not a geographical location, but a conglomeration of the cinematic, historical and fictional worlds that influenced Ellroy, from film noir to the Kennedy era in American politics, and on which he, in turn, has left his mark.

Through close readings of diverse examples by Lamb, De Quincey, Hazlitt, Irving and Poe, this book argues that the familiar essay in the Romantic period embodies a quintessentially metropolitan mode of affect. The generic traits of the essay—astuteness of observation, an ambulatory or paratactic movement of thought, and an urbane tone of wry or ironic humour—all predispose it to the expression of a detached, non-pathological state of mind. This is a mind conditioned by the quickened pace, assorted humanity, and plenitude of spectacle which characterise urban and urbanised life. In making a valuable, genre-based contribution to scholarship on the importance to Romantic studies of the city and metropolitan culture, the traditional concept of Romantic affect is reassessed. The book proposes a more complex and varied model than the simple binary one of a “feeling” reaction to Enlightenment “reason.” Partly enacted within its own formal parameters and partly through its disruptive and genre-transcending progeny, the essayistic figure, the familiar essay articulates a blithe and, at times, shocking and provocative discourse of “un-affect,” or a strategically and often satirical callousness. Therefore, the overall concept of affect in this period needs to be understood not as a unified entity opposed to Enlightenment reason, but a dialogue between concurrent, opposing modes, played out against a dichotomized geo-cultural landscape of the country and the city. Essayistic un-affect emerges, in the end, as an apolitical phenomenon, a primary vehicle for the essayist’s inherent scepticism, sometimes enabling outright ridicule and, at other times, a tentative questioning or probing of both orthodox thought and emerging ideas: from the rarefied liberalist sensibility of the Lake poets, to the hubristic vanity of the colonial adventurer, and from the allure of hedonistic, Old World decadence to the proscriptive strictures of moralistic art.

In The Letters of Mary Penry, Scott Paul Gordon provides unprecedented access to the intimate world of a Moravian single sister. This vast collection of letters—compiled, transcribed, and annotated by Gordon—introduces readers to an unmarried woman who worked, worshiped, and wrote about her experience living in Moravian religious communities at the time of the American Revolution and early republic. Penry, a Welsh immigrant and a convert to the Moravian faith, was well connected in both the international Moravian community and the state of Pennsylvania. She counted among her acquaintances Elizabeth Sandwith Drinker and Hannah Callender Sansom, two American women whose writings have also been preserved, in addition to members of some of the most prominent families in Philadelphia, such as the Shippens, the Franklins, and the Rushes. This collection brings together more than seventy of Penry’s letters, few of which have been previously published. Gordon’s introduction provides a useful context for understanding the letters and the unique woman who wrote them. This collection of Penry’s letters broadens perspectives on early America and the eighteenth-century Moravian Church by providing a sustained look at the spiritual and social life of a single woman at a time when singleness was extraordinarily rare. It also makes an important contribution to the recovery of women’s voices in early America, amplifying views on politics, religion, and social networks from a time when few women’s perspectives on these subjects have been preserved.

In essays that examine particular non-canonical works and writers in their wider cultural context, this volume "repopulates" the German Enlightenment.

This collection initiates transnational, transcultural and interdisciplinary conversations about migration in the 18th and 19th centuries.

Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.