Transforming Women S Education Liberal Arts And Music In

Female seminaries in nineteenth-century America offered middle-class women the rare privilege of training in music and the liberal arts. A music background in particular provided the foundation for a teaching career, one of the few paths open to women. Jewel A. Smith opens the doors of four female seminaries, revealing a milieu where rigorous training focused on music as an artistic pursuit rather than a social skill. Drawing on previously untapped archives, Smith charts women's musical experiences and training as well as the curricula and instruction available to them, the repertoire they mastered, and the philosophies undergirding their education. She also examines the complex tensions between the ideals of a young democracy and a deeply gendered system of education and professional advancement. An in-depth study of female seminaries as major institutions of learning, Transforming Women's Education illuminates how musical training added to women's lives and how their artistic acumen contributed to American society.

To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

The first in-depth look at how women have shaped the history and legacy of Indiana University. Women first enrolled at Indiana University in 1867. In the following years they would leave an indelible mark on this Hoosier institution. However, until now their stories have been underappreciated, both on the IU campus and by historians, who have paid them little attention. Women at Indiana University draws together 15 snapshots of IU women's experiences and contributions to explore essential questions about their lives and impact. What did it mean to write the petition for women's admission or to become the first woman student at an all-male university? To be a woman of color on a predominantly white campus? To balance work, studies, and commuting, entering college as a non-traditional student? How did women contribute to their academic fields and departments? How did they tap opportunities, confront barriers, and forge networks of support to achieve their goals? Women at Indiana University not only opens the door to a more inclusive and accurate understanding of IU's past and future, but also offers greater visibility for Hoosier women in our larger understanding of women in American higher education.

Cultivated by Hand aligns the overlooked history of amateur musicians in the early years of the United States with little-understood practices of music book making. It reveals the pervasiveness of these practices, particularly among women, and their importance for the construction of gender, class, race, and nation.

A rich and detailed picture, across Britain and many other European countries, of the nature of women's factory work, the problems which arose and how women factory inspectors understood and reacted to the problems.Based on extensive original archival research both in Britain and in many European countries, this book is a comparative study of the large numbers of women who were engaged in industrial work in the western world in the late nineteenth and the early twentieth century, that is at a time when the industrial revolution was established and the problems caused by industrial work had become part of political debate and social discourse worldwide. It analyses the scope of female factory work, what the conditions were in such work, and what the motivations were for women to enter such employment. It reveals the composition of the female workforce as to age and marital status. In addition, it considers the first generation of female industrial inspectors, outlining the background of these inspectors, assessing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.sing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.sing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.sing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.

A No Depression Most Memorable Music Book of 2022 The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals reveals the people, place, and events behind one of the most legendary recording scenes in American history.

This book examines the life of Virginia Gildersleeve, the dean of Barnard College from 1911 to 1947, who dedicated her life to expanding women’s collegiate opportunities to match those of men, and to allow women entry into professional and graduate programs. Gildersleeve was the first academic to use the media to define for the American public what higher education--and particularly what higher education for women--meant. The only woman to sign the United Nations charter, she made waves by implementing the first program to allow women into the Navy. This book explores how Gildersleeve’s life exemplifies the expanded and changing educational opportunities for women during the Progressive Era and early twentieth century, with the rise of feminists, progressive reformers, and educational philosophers. Although Gildersleeve is nearly forgotten, her importance to women’s higher education, women’s inclusion in the US military, and world peace is captured in this blend of historical analysis and life history.

An essential high culture institution, the John Simon Guggenheim Memorial Foundation has both supported and molded American musical culture. Denise Von Glahn examines the Foundation and its immense influence from the organization’s prehistory and origins through the onset of World War II. Funded by the Guggenheim mining fortune, the Foundation took early shape from the efforts of Carroll Wilson, Frank Aydelotte, and Henry Allen Moe--three Rhodes Scholars who initially struggled to envision and implement the organization’s ambitious goals. Von Glahn also examines the career of the longtime musical advisor Thomas Whitney Surette while profiling early awardees Aaron Copland, Ruth Crawford Seeger, William Grant Still, Roger Sessions, George Antheil, and Carlos Chàvez. She examines the processes behind their selection, their values and aesthetics, and their relationships with the insiders and others who championed their work.