Transgressions

Terrifying, dark and bold, Sarah Dunant's breakthrough psychological thriller transcends genres and audiences; it crosses all boundaries, encroaching on the darker side of sex and fantasy, male and female. Elizabeth Skorvecky has just come out of a long-term relationship with her boyfriend. Alone in her Victorian house, her only companions are her cat, a trashy crime novel she's translating from Czech, and her music. As the summer ends and the days draw in, unsettling things begin to happen. First it's just a missing CD, then music playing in an empty kitchen at midnight, then a table laid for breakfast for two. Poltergeist? Insanity? When Elizabeth wakes at four in the morning to find a man sitting at the end of her bed, she knows, sickeningly , she's very sane - and being stalked. She also discovers that the means of surviving can be just as shocking as surrender.

TRANSGRESSIONS 2 is an incredible collection of original crime novellas, compiled by Ed McBain, one of the most illustrious names in crime fiction.This collection comprises original stories from Stephen King, Walter Mosley and Lawrence Block, all highly-acclaimed authors who have been regular New York Times bestsellers for many years.From Stephen King's haunting The Things They Left Behind to crime master Walter Mosley's Archibald Lawless, Anarchist at Large and Lawrence Block's brand new Keller story, Keller's Adjustment, this collection showcases some of the best crime novelists in the business writing at the top of their game.

With the central Christian doctrine of penal substitutionincreasingly under attack, these authors articulate a series ofresponses to specific theological and cultural criticisms.

Adelle Blackett tells the story behind the International Labour Organization's (ILO) Decent Work for Domestic Workers Convention No. 189, and its accompanying Recommendation No. 201 which in 2011 created the first comprehensive international standards to extend fundamental protections and rights to the millions of domestic workers laboring in other peoples' homes throughout the world. As the principal legal architect, Blackett is able to take us behind the scenes to show us how Convention No. 189 transgresses the everyday law of the household workplace to embrace domestic workers' human rights claim to be both workers like any other, and workers like no other. In doing so, she discusses the importance of understanding historical forms of invisibility, recognizes the influence of the domestic workers themselves, and weaves in poignant experiences, infusing the discussion of laws and standards with intimate examples and sophisticated analyses. Looking to the future, she ponders how international institutions such as the ILO will address labor market informality alongside national and regional law reform. Regardless of what comes next, Everyday Transgressions establishes that domestic workers' victory is a victory for the ILO and for all those who struggle for an inclusive, transnational vision of labor law, rooted in social justice.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

This book is an anthology of the varied strategies of spatial transgressions and how they have been implemented through the arts as a means to resist, rejuvenate, reclaim, critique or cohabitate. The book is divided into two sections – Displacements and Disruptions. The first section discusses the ramifications of the spatial displacements of bodies, organizations, groups of people and ethnicities, and explores how artists, theorists and arts organizations have an attentive history of revealing and reacting to the displacement of peoples and how their presence or absence radically reconfigures the value, identity, and uses of place. In the second section, each author considers how aesthetic strategies have been utilized to disrupt expected spatial experiences and logic. Many of these strategies form radical alternative methodologies that include transgressions, geographies of resistance, and psychogeographies. These spatial performances of disruption set into motion a critical exchange between the subject, space and materiality, in which ideology and experience are both produced/spatialized and deconstructed/destabilized.

The Paradox of Transgression in Games looks at transgressive games as an aesthetic experience, tackling how players respond to game content that shocks, disturbs, and distresses, and how contemporary video games can evoke intense emotional reactions. The book delves into the commercial success of many controversial videogames: although such games may appear shocking for the observing bystander, playing them is experienced as deeply rewarding for the player. Drawing on qualitative player studies and approaches from media aesthetics theory, the book challenges the perception of games as innocent entertainment, and examines the range of emotional, moral, and intellectual experiences of players. As they explore what players consider transgressive, the authors ask whether there is something about the gameplay situation that works to mitigate the sense of transgression, stressing gameplay as an aesthetic experience. Anchoring the aesthetic game experience both in play studies as well as in aesthetic theory, this book will be an essential resource for scholars and students of game studies, aesthetics, media studies, philosophy of art, and emotions.