Translations Of Power

本书运用新的理念、新的范式,通过对各种语言和文化背景下的翻译活动的实证性研究和历史性研究,对翻译与权力之间的操纵互动过程进行了深刻犀利的阐述和分析。

The relevance of translation has never been greater. The challenges of the 21st century are truly glocal and societies are required to manage diversities like never before. Cultural and linguistic diversities cut across ideological systems, those carefully crafted to uphold prevailing hierarchies of power, making asymmetries inescapable. Translation and interpreting studies have left behind neutrality and have put forward challenging new approaches that provide a starting point for researching translation as a cultural and historical product in a global and asymmetrical world. This book addresses issues arising from the power vested in and arrogated by translation and interpreting either as instruments of change, or as tools to sustain dominant structures. It presents new perspectives and cutting-edge research findings on how asymmetries are fashioned, woven, upheld, experienced, confronted, resisted, and rewritten through and in translation. This volume is useful for scholars looking for tools to raise awareness as to the challenges posed by the pervasiveness of power relations in mediated communication. It will further help practitioners understand how asymmetries shape their experiences when translating and interpreting.

Virtually all pertinent issues that the world faces today – such as nuclear proliferation, climate change, the spread of infectious disease and economic globalization – imply objects that move. However, surprisingly little is known about how the actual objects of world politics are constituted, how they move and how they change while moving. This book addresses these questions through the concept of 'translation' – the simultaneous processes of object constitution, transportation and transformation. Translations occur when specific forms of knowledge about the environment, international human rights norms or water policies consolidate, travel and change. World Politics in Translation conceptualizes 'translation' for International Relations by drawing on theoretical insights from Literary Studies, Postcolonial Scholarship and Science and Technology Studies. The individual chapters explore how the concept of translation opens new perspectives on development cooperation, the diffusion of norms and organizational templates, the performance in and of international organizations or the politics of international security governance. This book constitutes an excellent resource for students and scholars in the fields of Politics, International Relations, Social Anthropology, Development Studies and Sociology. Combining empirically grounded case studies with methodological reflection and theoretical innovation, the book provides a powerful and productive introduction to world politics in translation.

The book discusses the relation between translation and power and how it shapes what one ultimately sees in translated texts.

This is a study of the relationship between translation, culture and counterculture, presenting a political and ideological vision of translating. Offering an approach to the cultural turn in Translation Studies at the end of the century, the book endeavours to explore the closer links between cultural studies and translation. It presents the arguments of several scholars on the most innovative ways of understanding translation, in order to clarify the role and function of translations and translators in culture and society.

Elizabeth J. Bellamy here casts new theoretical light on the Renaissance genre of the dynastic epic. Drawing upon Freudian and Lacanian psychoanalysis to illuminate the emergence of an epic "subjecthood," she focuses on Virgil's Aeneid, Ariosto's Orlando furioso, Tasso's Gerusalemme liberata, and Spenser's Faerie Queene in an attempt to demonstrate how the operations of the unconscious may be interpreted within narrative history. Bellamy first evaluates the psychoanalytic approach to epic as a possible alternative to the new historicism. Turning to the Aeneid, she discusses Freud's'neurotic'relation to Rome as a founding image for a historical unconscious. She then interweaves a genealogy of epic subjecthood with the motif of the translatio imperii, likening the'translations of power'that constitute the translatio imperii to extended meditations on the fate of Troy throughout literary history. According to Bellamy, the epic genre manifests a repeated displacement and repression of its Trojan origins, and the doomed city of Troy represents the locus of epic's own narrative narcissism. Offering provocative analyses of epic temporality and of the function of the death drive in epic narrative, she concludes that dynastic epic may be seen as a structure of narcissistic desire which undermines the capacity of the epic to embody a fully articulated historical subject. Translations of Power will enliven current debates among scholars and students of Renaissance culture, literary theory, gender studies, and psychoanalytic criticism.