Transmutations Alchemy In Art

Alchemy is one of the most evocative subjects in the history of science. Alchemy made important contributions to the development of modern science while firing popular imagination so strongly that portrayals of the alchemist at work pervaded the arts. The more celebrated goals of alchemy, like transmutation of base metals into gold, still tease and tantalize. Transmutations offers a thoughtful look at the role of the alchemist in the 17th and 18th centuries, as depicted in a selection of paintings from the Eddleman and Fisher Collections housed at the Chemical Heritage Foundation. This beautiful full-color book reveals much about the beginnings of chemistry as a profession.

These richly illustrated articles cover the representation of alchemy in art from the late Middle Ages to the 20th century. The authors, who are artists, curators and art historians from the US and Europe, address such topics as alchemical gender symbolism in Renaissance, Mannerist and modernist art; Netherlandish 17th-century portrayals of alchemists; and alchemy as the forerunner of photography. Distributed in the US by ISBS. Annotation ©2006 Book News, Inc., Portland, OR.

This book explores the interconnections and differentiations between artisanal workshops and alchemical laboratories and between the arts and alchemy from Antiquity to the eighteenth century. In particular, it scrutinizes epistemic exchanges between producers of the arts and alchemists. In the fifteenth and sixteenth centuries the term laboratorium uniquely referred to workplaces in which ‘chemical’ operations were performed: smelting, combustion, distillation, dissolution and precipitation. Artisanal workshops equipped with furnaces and fire in which ‘chemical’ operations were performed were also known as laboratories. Transmutational alchemy (the transmutation of all base metals into more noble ones, especially gold) was only one aspect of alchemy in the early modern period. The practice of alchemy was also about the chemical production of things--medicines, porcelain, dyes and other products as well as precious metals and about the knowledge of how to produce them. This book uses examples such as the Uffizi to discuss how Renaissance courts established spaces where artisanal workshops and laboratories were brought together, thus facilitating the circulation of materials, people and knowledge between the worlds of craft (today’s decorative arts) and alchemy. Artisans became involved in alchemical pursuits beyond a shared material culture and some crafts relied on chemical expertise offered by scholars trained as alchemists. Above all, texts and books, products and symbols of scholarly culture played an increasingly important role in artisanal workshops. In these workplaces a sort of hybrid figure was at work. With one foot in artisanal and the other in scholarly culture this hybrid practitioner is impossible to categorize in the mutually exclusive categories of scholar and craftsman. By the seventeenth century the expertise of some glassmakers, silver and goldsmiths and producers of porcelain was just as based in the worlds of alchemical and bookish learning as it was grounded in hands-on work in the laboratory. This book suggests that this shift in workshop culture facilitated the epistemic exchanges between alchemists and producers of the decorative arts.

Isaac Newton was a dedicated alchemist, a fact usually obscured as unsuited to his stature as a leader of the scientific revolution. Author Philip Ashley Fanning has diligently examined the evidence and concludes that the two major aspects of Newton’s research—conventional science and alchemy—were actually inseparable. In Isaac Newton and the Transmutation of Alchemy, Fanning reveals the surprisingly profound influence that Newton’s study of this hermetic art had in shaping his widely adopted scientific concepts. Alchemy was an ancient tradition of speculative philosophy that promised miraculous powers, such as the ability to change base metals into gold and the possibility of a universal solvent or elixir of life. Fanning compellingly describes this carefully tended esoteric institution, which may have found its greatest advocate in the career of the father of modern science. Relegated to the fringes of discourse until its twentieth-century revival by innovative thinkers such as psychiatrist Carl Jung, alchemy offers a key to understanding both the foundations of modern knowledge and important avenues in which we may yet discover wisdom.

When two artists combine their efforts, the result is what Aristotle would say, "The whole is greater than the sum of its parts." Ed Gearke's mastery of pastels bring to life the ethereal realms of alchemy. At times, the paintings are cool restful scenes, while others are dynamic processes. These paintings, along with the allegories of the 1677 Hermetic philosophical work, Mutus Liber, inspired Rosa's poetic interpretation of the ineffable mysteries of the Great Work. Alchemy, A Path of Transmutation is a tribute to the mercurial magic of their loving friendship.

A merchant of the marvelous -- A Batavian in Paris -- Essaying chymistry -- A new chymical light -- Chrysopoeia at the AcadeÌ1mie and the Palais Royal -- Chymistry in Homberg's later years : practices, promises, poisons, and prisons -- Homberg's legacy -- Epilogue: Homberg and the transmutations of chymistry at the AcadeÌ1mie.

Alchemy in Contemporary Art analyzes the manner in which twentieth-century artists, beginning with French Surrealists of the 1920s, have appropriated concepts and imagery from the western alchemical tradition. This study examines artistic production from c. 1920 to the present, with an emphasis on the 1970s to 2000, discussing familiar names such as Andre Breton, Salvador Dali, Yves Klein, Joseph Beuys, and Anselm Kiefer, as well as many little known artists of the later twentieth century. It provides a critical overview of the alchemical tradition in twentieth-century art, and of the use of occultist imagery as a code for political discourse and polemical engagement. The study is the first to examine the influence of alchemy and the Surrealist tradition on Australian as well as on Eastern European and Mexican art. In addition, the text considers the manner in which women artists such as Leonora Carrington, Remedios Varo, and Rebecca Horn have critically revised the traditional sexist imagery of alchemy and occultism for their own feminist purposes.

Alchemy, the ancient art of transmutation, has long fascinated and perplexed scholars and laypeople alike. In this masterful introduction, Albert Sidney Raleigh explores the history, symbolism, and practical applications of alchemy, providing readers with a deep understanding of this arcane craft. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.