Treason

In 1728 a stranger handed a letter to Governor Yue calling on him to lead a rebellion against the Manchu rulers of China. Feigning agreement, he learnt the details of the plot and immediately informed the Emperor, Yongzheng. The ringleaders were captured with ease, forced to recant and, to the confusion and outrage of the public, spared. Drawing on an enormous wealth of documentary evidence - over a hundred and fifty secret documents between the Emperor and his agents are stored in Chinese archives - Jonathan Spence has recreated this revolt of the scholars in fascinating and chilling detail. It is a story of unwordly dreams of a better world and the facts of bureaucratic power, of the mind of an Emperor and of the uses of his mercy.

The stakes are high . . . and the entire world is waiting for the verdict. The Navy has uncovered a group of radical Islamic clerics who have infiltrated the Navy Chaplain Corps, inciting sailors and marines to acts of terrorism. And Lieutenant Zack Brewer has been chosen to prosecute them for treason and murder. Only three years out of law school, Zack has already made a name for himself, winning the coveted Navy Commendation medal. Just coming off a high-profile win, this case will challenge the very core of Zack’s skills and his Christian beliefs—beliefs that could cost him the case and his career. With Diane Colcernian, his staunchest rival, as assistant prosecutor, Zack takes on internationally acclaimed criminal defense lawyer Wells Levinson. And when Zack and Diane finally agree to put aside their animosity, it causes more problems than they realize.

Will Montague is a page to Prince Edward, son of King Henry VIII. As the King's favourite, Will gains many enemies in Court. His enemies convince the King that Will's father has committed treason and he is thrown into Newgate Prison. Will flees Hampton Court and goes into hiding in the back streets of London. Lost and in mortal danger, he is rescued by a poor boy, Nick Drew. Together they must brave imprisonment and death as they embark on a great adventure to set Will's father free.

Red Sparrow is now a major motion picture starring Jennifer Lawrence and Joel Edgerton! The thrilling sequel to Red Sparrow—CIA insider Jason Matthews’s compulsively readable New York Times bestseller and Edgar Award winner—featuring Russian spy Dominika Egorova and CIA agent Nate Nash “shimmers with authenticity. The villains are richly drawn...the scenes of them on the job are beyond chilling” (The New York Times Book Review). Captain Dominika Egorova of the Russian Intelligence Service despises the oligarchs, crooks, and thugs of Putin’s Russia—but what no one knows is that she is also working for the CIA. Her “sparrow” training in the art of sexual espionage further complicates the mortal risks she must take, as does her love for her handler Nate Nash—a shared lust that is as dangerous as treason. As Dominika expertly dodges exposure, she deals with a murderously psychotic boss, survives an Iranian assassination attempt and attempts to rescue an arrested double agent—and thwart Putin’s threatening flirtations. A grand, wildly entertaining ride through the steel-trap mind of a CIA insider, Palace of Treason is a story “as suspenseful and cinematic as the best spy movies” (The Philadelphia Inquirer)—one that feels fresh and so possible, in fact, that it’s doubtful this novel can ever be published in Russia.

H�di Kaddour’s poetry arises from observation, from situations both ordinary and emblematic—of contemporary life, of human stubbornness, human invention, or human cruelty. With Treason, the award-winning poet and translator Marilyn Hacker presents an English-speaking audience with the first selected volume of his work. The poetries of several languages and literary traditions are lively and constant presences in the work of H�di Kaddour, a Parisian as well as a Germanist and an Arabist. A walker’s, a watcher’s, and a listener’s poems, his sonnet-shaped vignettes often include a line or two of dialogue that turns his observations and each poem itself into a kind of miniature theater piece. Favoring compact, classical models over long verse forms, Kaddour questions the structures of syntax and the limits of poetic form, combining elements of both international modernism and postmodernism with great sophistication. Capturing Kaddour’s full range of diction, as well as his speed, momentum, and tone, Marilyn Hacker’s translations brilliantly bring these poems alive.