Treasure Hush Collection

From the author of the murderously good Sunday Times bestseller, My Sister, the Serial Killer When his girlfriend throws him out after suspecting an affair, Bambi has nowhere to go but to his Uncle's house. He arrives during a blackout, and is surprised to find his Aunty Bidemi sitting in a candlelit room with another woman. They both claim to be the mother of the baby boy, fast asleep in his crib. At night Bambi is kept awake by the baby's cries, and during the days he is disturbed by a cockerel that stalks the garden. There is sand in the rice. A blood stain appears on the wall. Someone scores tribal markings into the baby's cheeks. Who is lying and who is telling the truth? 'Braithwaite excels at narrative voice, morally compromised characters and original, subversive plots... Part drama, part thriller, it is a gripping distillation of Braithwaite's distinctive brand of comic domestic noir.' Evening Standard

Welcome to the world of HUSH a world of magic, wonder and mystery. Created for the Hush Music Foundation, famous for its original music albums used in hospitals all around the world, this book is a treasure trove that will delight and entertain the whole family. A glorious collection of stories, poems and pictures from thirty favourite storytellers: Nick Bland, Karen Briggs, Kevin Burgemeestre, Michael Camilleri, Jackie French, Jane Godwin, Bob Graham, Jacqui Grantford, Mark Greenwood, Ann James, Danny Katz, Frane Lessac, Alison Lester, Chris McKimmie, Doug McLeod, Glenda Millard, Stephen Michael King, Tohby Riddle, Victoria Rohan, Judith Rossell, Paul Seden, Craig Smith, Shaun Tan, Jane Tanner, Karen Tayleur, Mitch Vane, Julie Vivas, Anna Walker, Bruce Whatley, Margaret Wild

“The pages turn themselves” (People) in this white-knuckled mystery following a woman on the search for answers a decade after her friend’s murder from #1 New York Times bestselling author Ruth Ware. April Clarke-Cliveden was the first person Hannah Jones met at Oxford. Vivacious, bright, occasionally vicious, and the ultimate It girl, she quickly pulled Hannah into her dazzling orbit. Together, they developed a group of devoted and inseparable friends—Will, Hugh, Ryan, and Emily—during their first term. By the end of the year, April was dead. Now, a decade later, Hannah and Will are expecting their first child, and the man convicted of killing April, former Oxford porter John Neville, has died in prison. Relieved to have finally put the past behind her, Hannah’s world is rocked when a young journalist comes knocking and presents new evidence that Neville may have been innocent. As Hannah reconnects with old friends and delves deeper into the mystery of April’s death, she realizes that the friends she thought she knew all have something to hide…including a murder. “The Agatha Christie of our generation” (David Baldacci, #1 New York Times bestselling author) presents a “deliciously dark and utterly addictive” (Lucy Foley, New York Times bestselling author) mystery that will keep you on the edge of your seat.

A stunning standalone thriller from the Queen of Iceland Noir. ***Shortlisted for the Glass Key Award for Best Nordic Crime Novel*** 'Tough, uncompromising and unsettling' Val McDermid When aid worker Úrsula returns to Iceland for a new job, she's drawn into the dangerous worlds of politics, corruption and misogyny ... a powerful, relevant, fast-paced standalone thriller. ____________________ Burned out and traumatised by her horrifying experiences around the world, aid worker Úrsula has returned to Iceland. Unable to settle, she accepts a high-profile government role in which she hopes to make a difference again. But on her first day in the post, Úrsula promises to help a mother seeking justice for her daughter, who had been raped by a policeman, and life in high office soon becomes much more harrowing than Úrsula could ever have imagined. A homeless man is stalking her – but is he hounding her, or warning her of some danger? And why has the death of her father in police custody so many years earlier reared its head again? As Úrsula is drawn into dirty politics, facing increasingly deadly threats, the lives of her stalker, her bodyguard and even a witch-like cleaning lady intertwine. Small betrayals become large ones, and the stakes are raised ever higher... ____________________ Praise for Lilja SigurdardÓttir 'Tense and pacey' Guardian 'Highly unusual' The Times 'Smart writing with a strongly beating heart' Big Issue 'Deftly plotted' Financial Times 'Breathtakingly original' New York Journal of Books 'Taut, gritty and thoroughly absorbing' Booklist 'A stunning addition to the icy-cold crime genre' Foreword Reviews

The "New York Times"-bestselling author of "Beautiful Lies" delivers a thriller about broken trust that explores our faith in those we rely on--and how that faith can sustain or shatter us.

Nora finds forbidden love with her fallen angel, in the first in the New York Times bestselling Hush, Hush saga. For Nora Grey, romance was not part of the plan. She's never been particularly attracted to the boys at her school, no matter how much her best friend, Vee, pushes them at her. Not until Patch came along. With his easy smile and eyes that seem to see inside her, Nora is drawn to him against her better judgment. But after a series of terrifying encounters, Nora's not sure who to trust. Patch seems to be everywhere she is, and to know more about her than her closest friends. She can't decide whether she should fall into his arms or run and hide. And when she tries to seek some answers, she finds herself near a truth that is way more unsettling than anything Patch makes her feel. For Nora is right in the middle of an ancient battle between the immortal and those that have fallen - and, when it comes to choosing sides, the wrong choice will cost her life.

A new original story from the bestselling and award-winning master of suspense, featuring Colter Shaw. Colter Shaw is a career "reward-seeker," making his living locating missing persons and collecting reward money in return. In the course of his search for a missing woman, he visits the police station in the small Kansas town of Humble, and, is pulled into a puzzling case. A man is holding a hostage in a lakeside cabin, and the Humble police need Shaw's experience and know-how to assess the situation, and the captor's motives. As Shaw begins negotiating, he begins to realize that nothing about the hostage situation is as it seems, including the hostage himself.

In this exuberant celebration of the world's museums, great and small, revered writers like Ann Patchett, Julian Barnes, Neil Gaiman, and more tell us about their favorite museums, including the Lower East Side Tenement Museum in New York, the Musée Rodin in Paris, and Tate Modern in London. These essays, collected from the pages of The Economist's Intelligent Life magazine, reveal the special hold that some museums have over us all. In his ode to the Museum of Anthropology in Xalapa, Mexico, the great novelist and essayist Carlos Fuentes writes, “Museums, like lovers, can lose their charms. But the next time can always be the first time.” William Boyd visits the Leopold Museum in Vienna—a shrine to his favorite artist, Egon Schiele, whom Boyd first discovered on a postcard as a University student. In front of her favorite Rodins, Allison Pearson recalls a traumatic episode she suffered at the hands of a schoolteacher following a trip to the Musée in Paris. Neil Gaiman admires the fantastic world depicted in British outsider artist Richard Dadd's “The Fairy Feller's Master-Stroke,” a tiny painting that also decorated the foldout cover of a Queen album, housed in the Victorian room of Tate Britain's Pre-Raphaelite collection. Ann Patchett fondly revisits Harvard University's Museum of Natural History—which she discovered at 19, while in the throes of summer romance with a biology student named Jack. In Search of the Originals is a treasure trove of wonders, a tribute to the diversity and power of the museums, the safe-keepers of our world's most extraordinary artifacts, and an intimate look into the deeply personal reveries we fall into when before great art.