Darkness My Old Friend

The "New York Times"-bestselling author of "Beautiful Lies" delivers a thriller about broken trust that explores our faith in those we rely on--and how that faith can sustain or shatter us.

It’s a bitterly cold February in 1961, and Sandy Greenberg lies in a hospital bed in Detroit, newly blind. A junior at Columbia University from a Jewish family that struggled to stay above the poverty line, Sandy had just started to see the world open up to him. Now, instead of his plans for a bright future—Harvard Law and politics—Sandy faces a new reality, one defined by a cane or companion dog, menial work, and a cautious path through life. But that’s not how this story ends. In the depth of his new darkness, Sandy faces a choice—play it “safe” by staying in his native Buffalo or return to Columbia to pursue his dreams. With the loving devotion of his girlfriend (and now wife) Sue and the selflessness of best friends Art Garfunkel and Jerry Speyer, Sandy endures unimaginable adversity while forging a life of exceptional achievement. From his time in the White House working for President Lyndon B. Johnson to his graduate studies at Harvard and Oxford under luminaries such as Archibald Cox, Sir Arthur Goodhart, and Samuel Huntington, and through the guidance of his invaluable mentor David Rockefeller, Sandy fills his life and the lives of those around him with a radiant light of philanthropy, entrepreneurship, art, and innovation.

This innovative, self-help book proposes that anger is an omnipresent, albeit unpleasant, part of every person's life, every single day. Our happiness and our success, professional, personal, and physical, is directly dependent on our ability to handle it. Using clinical vignettes as well as familiar examples from the front page and the silver screen, all aspects of anger, from sibling rivalry to mob violence, are analyzed and understood. Constructive pragmatic approaches are suggested for every conceivable frustration or confrontation. The book soothes as it illuminates. With hundreds of footnotes it is an encyclopedic overview of a vital subject.

The author of A Killing Frost continues his bestselling series. “Marsden’s style is as surefooted as his independent band of teens.”—School Library Journal Ellie and her friends had been rescued. Airlifted out of their own country to the safe haven of New Zealand, they’d arrived burnt and injured and shocked, with broken bones, and scars inside and out. They did not want to go back. But five months later the war is not over, the nightmares continue, and there are two compelling reasons for them to return: a planned sabotage of the air base in Wirrawee and, most important, the families they left behind. In this episode of the tale begun in Tomorrow, When the War Began and continued in The Dead of Night and A Killing Frost, John Marsden takes us back to Hell, the outpost for a group of teens in a war-ravaged country. “Ellie is a solid narrator whose no-nonsense approach to love, war, and friendship makes her an unusual and impressive female protagonist. A personalized war novel that is apocalyptic yet open-ended enough for another sequel, Darkness benefits from not being limited to fitting into any one genre, but satisfactorily including aspects of several.”—Booklist “Contains as much riveting suspense and cliffhanger chapter endings as the first three.”—The Horn Book

"Poetic musings on a life well-lived—one that is still moving forward, always creating, always luminous. This isn't your typical autobiography. Garfunkel's history is told in flowing prose, bounding from present to past, far from a linear rags-to-riches story." —Bookreporter "It's hard to imagine any single word that would accurately describe this book . . . an entertaining volume that's more fun to read than a conventional memoir might have been." —The Wall Street Journal "A charming book of prose and poetry printed in a digitalized version of his handwriting . . . witty, candid, and wildly imaginative . . . A highly intelligent man trying to make sense of his extraordinary life." —Associated Press From the golden-haired, curly-headed half of Simon & Garfunkel, a memoir (of sorts)—moving, lyrical impressions, interspersed throughout a narrative, punctuated by poetry, musings, lists of resonant books loved and admired, revealing a life and the making of a musician, that show us, as well, the evolution of a man, a portrait of a life-long friendship and of a collaboration that became the most successful singing duo in the roiling age that embraced, and was defined by, their pathfinding folk-rock music. In What Is It All but Luminous, Art Garfunkel writes about growing up in the 1940s and ‘50s (son of a traveling salesman, listening as his father played Enrico Caruso records), a middle-class Jewish boy, living in a redbrick semi-attached house on Jewel Avenue in Kew Gardens, Queens. He writes of meeting Paul Simon, the kid who made Art laugh (they met at their graduation play, Alice in Wonderland; Paul was the White Rabbit; Art, the Cheshire Cat). Of their being twelve at the birth of rock’n’roll (“it was rhythm and blues. It was black. I was captured and so was Paul”), of a demo of their song, Hey Schoolgirl for seven dollars and the actual record (with Paul’s father on bass) going to #40 on the charts. He writes about their becoming Simon & Garfunkel, ruling the pop charts from the age of sixteen, about not being a natural performer but more a thinker, an underground man. He writes of the hit songs; touring; about being an actor working with directors Mike Nichols (“the greatest of them all”), about choosing music over a PhD in mathematics. And he writes about his long-unfolding split with Paul, and how and why it evolved, and after; learning to perform on his own . . . and about being a husband, a father and much more.

The debut short story collection from the acclaimed author of The Chalk Man, hailed as "Britain's female Stephen King" (Daily Mail), featuring eleven bone-chilling and mind-bending tales. Time slips. Doomsday scenarios. Killer butterflies. C. J. Tudor's novels are widely acclaimed for their dark, twisty suspense plots, but with A Sliver of Darkness, she pulls us even further into her dizzying imagination. In "The Lion at the Gate," a strange piece of graffiti leads to a terrifying encounter for four school friends. In "Final Course," the world has descended into darkness, but a group of old friends makes time for one last dinner party. In "Runaway Blues," thwarted love, revenge, and something very nasty stowed in a hat box converge. In "Gloria," a strange girl at a service station endears herself to a coldhearted killer, but can a leopard really change its spots? And in "I’m Not Ted," a case of mistaken identity has unforeseen fatal consequences. Riveting, macabre, and explosively original, A Sliver of Darkness is C. J. Tudor at her most wicked and uninhibited.

Master of new noir Dennis Lehane magnificently evokes the dignity and savagery of working-class Boston in Darkness, Take My Hand, a terrifying tale of redemption. Patrick Kenzie and Angela Gennaro’s latest client is a prominent Boston psychiatrist, running scared from a vengeful Irish mob. The private investigators know about cold-blooded retribution. Born and bred on the mean streets of blue-collar Dorchester, they’ve seen the darkness that lives in the hearts of the unfortunate. But an evil for which even they are unprepared is about to strike, as secrets that have long lain dormant erupt, setting off a chain of violent murders that will stain everything – including the truth. With razor-sharp dialogue and penetrating prose, Darkness, Take My Hand is another superior crime novel from the author of Mystic River; Gone, Baby, Gone; and Shutter Island.