Treasures Of Indian Territory Of Oklahoma

When most people hear the word Oklahoma, they think about the Oklahoma Land Run, cowboys and Indians, and the oil boom, however, they do not realize that there are many treasures that were lost throughout history in the state of Oklahoma.Things told and remembered of outlaw gold but none has ever been reported are supposedly recovered. Even though there has been hundreds of moneys recovered that could have been outlaw gold that has been reported. The following items have never been recovered or reported.Some of the lost treasures have no exact location. The owners just knew that while traveling through the Oklahoma territory their treasures disappeared, mainly because they forgot where they hide the money. One such incident is the story of an Atoka cattleman. All of his gold was lost in Oklahoma most likely close to Atoka. Whether he buried his gold or in fact lost the gold, no one knows for sure.

Contains stories; some true, some legendary, about caches of lost treasure.

Oklahoma keeps its secrets. Adventurers combing the Wichita Mountains for the legendary Lost Cave with an Iron Door can slake their thirst at Cache Creek or Treasure Lake. Following the tradition of French and Spanish explorers, miners and pioneers stashed their valuable discoveries along the Santa Fe Trail and the California Road. Chief Opothleyahola reportedly buried gold coins that could be worth more than $14 million today, while businessman Dr. John J. Hayes never returned from a Confederate refugee camp to reclaim his hidden fortune. From the unrecovered loot of the James Gang to the fabled funds of the Knights of the Golden Circle, W. Craig Gaines tracks tales of treasure across sixty Oklahoma counties.

The stories of two women historians and one anthropologist of the 1930s and '40s and their work in Oklahoma and the Southwest.

Oklahoma historian Angie Debo once observed that all the forces of United States history have come to bear in the development of the Sooner State. This collection of essays provides a series of snapshots reflecting both the singularity of the Oklahoma experience and the state’s connections to America’s broader history. Spanning the Civil War era and the present, this book develops historic themes as varied as the causes of Indian land dispossession, the Statehood Day wedding ceremony, the oil industry’s environmental impact, the Tulsa Race Riot, labor relations during the New Deal, the failure of the Equal Rights Amendment, the state’s unique Native artistic traditions, and its musical landscape. Oklahomans have always represented multiple races and cultures, lived in big cities or small towns or on farms, and promoted prosperity and cultural achievement while battling poverty and ignorance. The American Main Street has been the site not only of the best principles of community spirit and traditional values but also of shocking cases of prejudice and violence. Rather than shrinking from difficult subjects, Main Street Oklahoma describes the state’s abundant human, natural, and cultural resources, paying tribute to the true grit of Oklahomans, but also exploring some of the more troubling moments in Oklahoma’s past. The editors and contributors provide engaging perspectives on the state’s rich and diverse history.

"The Indians of Oklahoma," a survey of the sixty-seven tribes residing in the state, explains the colonizing process that populated Indian Territory (the future Oklahoma) with Native Americans from all parts of the United States during the nineteenth century and interprets the striking cultural diversity of the Indian communities thus formed. The author separates the Native American experience in Oklahoma into four periods. This book is one of a series entitled "Newcomers to a New Land" which analyzes the role of the major ethnic groups that have contributed to the history of Oklahoma.

Throughout the nineteenth century, the land known as “Indian Territory” was populated by diverse cultures, troubled by shifting political boundaries, and transformed by historical events that were colorful, dramatic, and often tragic. Beyond its borders, most Americans visualized the area through the pictures produced by non-Native travelers, artists, and reporters—all with differing degrees of accuracy, vision, and skill. The images in Picturing Indian Territory, and the eponymous exhibit it accompanies, conjure a wildly varied vision of Indian Territory’s past. Spanning nearly nine decades, these artworks range from the scientific illustrations found in English naturalist Thomas Nuttall’s journal to the paintings of Frederic Remington, Henry Farny, and Charles Schreyvogel. The volume’s three essays situate these works within the historical narratives of westward expansion, the creation of an “Indian Territory” separate from the rest of the United States, and Oklahoma’s eventual statehood in 1907. James Peck focuses on artists who produced images of Native Americans living in this vast region during the pre–Civil War era. In his essay, B. Byron Price picks up the story at the advent of the Civil War and examines newspaper and magazine reports as well as the accounts of government functionaries and artist-travelers drawn to the region by the rapidly changing fortunes of the area’s traditional Indian cultures in the wake of non-Indian settlement. Mark Andrew White then looks at the art and illustration resulting from the unrelenting efforts of outsiders who settled Indian and Oklahoma Territories in the decades before statehood. Some of the artworks featured in this volume have never before been displayed; some were produced by more than one artist; others are anonymous. Many were completed by illustrators on-site, as the events they depicted unfolded, while other artists relied on written accounts and vivid imaginations. Whatever their origin, these depictions of the people, places, and events of “Indian Country” defined the region for contemporary American and European audiences. Today they provide a rich visual record of a key era of western and Oklahoma history—and of the ways that art has defined this important cultural crossroads.

Located in the Oklahoma Collection.