Trial Of Passion

Arthur Beauchamp, a heralded criminal lawyer, has moved to a quiet island off the British Columbia coast. While trying to recover from a marriage gone sour, his retirement is interrupted by his former law partners—they want Arthur to take charge of the defense trial of Jonathan O'Donnell, the acting dean of a law school. O'Donnell has been accused of rape by one of the students, Kimberley Martin, a smart but arrogant woman who is engaged to a rich businessman. After much pleading, Beauchamp agrees to handle the case. He is drawn into complex legal situations dealing with gender and sex, while his personal life takes a provocative turn as well. A courtroom drama ensues, with unpredictable twists and bizarre events. This replaces 0771026730.

The Passion of Christ is observed by people all around the world as one of the more significant days on the Christian calendar. In certain parts of the world, such as the Philippines, the re-enactments of the crucifixion can go so far as to include actual nails driven through the hands of participants as they wail in pain. Is this the way we are to learn about the crucifixion? Will a re-enactment teach us the truth of the cross? The text of John 18 and 19 teaches us clearly the facts of the crucifixion and is surrounded by intrigue and mystery. For too long, Protestant Christianity has neglected the years of scholarship in pre-reformation and post-reformation Roman research. In The Trials and Passion of Christ, Michael Cannon brings together the best of Protestant and Roman scholasticism to uncover significant details surrounding the trials and the drama of the crucifixion on Golgotha. This book is a journey, reading nearly like an eye-witness report, through the trials, the suffering, and the passion of Christ.

This book journeys into the heart of dark passions and the crimes they impel. When passion is in the picture, what is criminal, what sane, what mad or simply bad? Brighton, 1870: A well-respected spinster infuses chocolate creams with strychnine in order to murder her lover's wife. Paris, 1880: A popular performer stalks her betraying lover through the streets of the city for weeks and finally takes aim. New York, 1906: A millionaire shoots dead a prominent architect in full view of a theatre audience. Through court and asylum records, letters and newspaper accounts,this book brings to life a period when the psychiatric professions were consolidating their hold on our understanding of what is human. An increasingly popular press allowed the public unprecedented insight into accounts of transgressive sexuality,savage jealousy and forbidden desires. With great story-telling flair, Lisa Appignanesi teases out the vagaries of passion and the clashes between the law and the clinic as they stumble towards a (sometimes reviled) collaboration. Sexual etiquette and class roles, attitudes to love, madness and gender, notions of respectability and honour, insanity and lunacy, all are at play in that vital forum in which public opinion is shaped - the theatre of the courtroom.

The passion is the climactic event in each of the gospels. This volume elucidates the passion in its historical background and explores its theological breadth and depth. With scholarly finesse and pastoral awareness, the author sets the vibrant message of the passion speaking to our lives and times.

From acclaimed bestselling author James Runcie, a meditation on grief and music, told through the story of Bach's writing of the St. Matthew Passion. In 1727, Stefan Silbermann is a grief-stricken thirteen-year-old, struggling with the death of his mother and his removal to a school in distant Leipzig. Despite his father's insistence that he try not to think of his mother too much, Stefan is haunted by her absence, and, to make matters worse, he's bullied by his new classmates. But when the school's cantor, Johann Sebastian Bach, takes notice of his new pupil's beautiful singing voice and draws him from the choir to be a soloist, Stefan's life is permanently changed. Over the course of the next several months, and under Bach's careful tutelage, Stefan's musical skill progresses, and he is allowed to work as a copyist for Bach's many musical works. But mainly, drawn into Bach's family life and away from the cruelty in the dorms and the lonely hours of his mourning, Stefan begins to feel at home. When another tragedy strikes, this time in the Bach family, Stefan bears witness to the depths of grief, the horrors of death, the solace of religion, and the beauty that can spring from even the most profound losses. Joyous, revelatory, and deeply moving, The Great Passion is an imaginative tour de force that tells the story of what it was like to sing, play, and hear Bach's music for the very first time.

This study traces the debate surrounding Luke's use of the Gospel of Mark and special sources, such as Proto-Luke, in a section of the passion narrative (Lk 22,54-23,25). The survey covers roughly the period from the 1880's to 1997. Part I details the development from P. Feine to the 1960's. Part II begins with G. Schneider continuing up through 1997. In treating each scholar's position, the author reviews their underlying Synoptic theory, their source theory in the passion in general, then the trial of Pilate, and finally the trial before Herod. Part III is devoted to an interpretation of Lk 23,6 - 16. Part IV contains the list of abbreviations, the bibliography, and three appendices: (1) Special LQ vocabulary and constructions according to J. Weiss; (2) Lukan priority theories; and (3) the Gospel of Peter and its relation to the Herod pericope. Part IV concludes with the name index. The Lukan Passion Narrative will be particularly useful to those concerned with Luke's redactional technique, Source theories, Minor Agreements, and the history of exegesis.

Jerome Neyrey brings a remarkably enlightened approach to the Passion Narrative, and to Luke's particular version of it. The book begins where previous studies leave off, for it goes beyond traditional questions of source and historicity and treats the Lukan Passion Narrative from the standpoint of redaction criticism. Neyrey offers a fresh literary analysis of the text, along with significant thematic and theological insights into Luke's version of Jesus's Passion. Five major episodes in the Passion Narrative are treated: The Farewell Address at the Last Supper, the Garden, Jesus's Trials, his Address to the Women, and the Crucifixion. Although rich in detail, this book continually offers a unified view of the text; readers are constantly offered overviews, summaries of the data, and interpretation of it. The book breaks new ground in suggesting a distinctive Lukan soteriology of the cross and a corresponding Christology. Study of the faith of the dying Jesus becomes a major clue for seeing Jesus as the New Adam in Luke-Acts. This book significantly advances our reading of Luke, especially by the way Acts is brought to bear as an interpretive clue to Luke's whole project, Luke-Acts. Contemporary interpretation of Luke demands study of the way Lukan structures and themes are continued and confirmed in Acts, which holds true especially for the Passion Narrative. Luke brings the story of Jesus into harmony with the story of his church.