Tridents Tails

In this start to a new series starring Shelly the mermaid, a classroom conflict is no fun—even when school is 20,000 leagues under the sea. It’s MerGirl Shelly Siren’s first day at a new school, and she is nervous from the tip of her head to the end of her sparkling mermaid tail. How will she ever fit in at the prestigious Trident Academy? Everyone there is so smart and so pretty and so rich. At least she and her best friend, Echo, are in the same class, but so is Pearl, a spoiled know-it-all who only wants to make trouble for Shelly; Rocky, a MerBoy who loves to tease everyone; and Kiki, a shy MerGirl who’s new to Trident City. At first Shelly and Echo have lots of fun: eating lunch together, trying to make grumpy Mr. Fangtooth smile, and joining after-school clubs. But when Shelly and Echo have an argument about their very first school assignment, Pearl gets involved and makes matters worse. Will Shelly and Echo fix their friendship?

The merkids hunt for hidden treasure in this Mermaid Tales adventure! When Rocky finds a seaweed scroll that describes an abandoned pirate ship bursting with jewels, the students are tripping over their tails with excitement. There’s only one problem: the treasure is supposedly guarded by pirate ghosts! But a few “silly ghosts” aren’t going to keep prima donna Pearl away from fame, fortune, and “diamonds as big as a merman’s fist.” The hunt is on! Pearl recruits fellow merkids Rocky and Wanda to help her track down the treasure by swimming all the way past Whale Mountain. But when they discover the pirate ship, they hear eerie moans and groans coming from within. What’s making those sounds? Could the pirate ghosts be real? And can the merkids get the jewels before becoming someone’s—or something’s—lunch?

Material Culture in Transit: Theory and Practice constellates curators and scholars actively working with material culture within academic and museal institutions through theory and practice. The rich collection of essays critically addresses the multivalent ways in which mobility reshapes the characteristics of artefacts, specifically under prevailing issues of representation and colonial liabilities. The volume attests to material culture as central to understanding the repercussions of problematic histories and proposes novel ways to address them. It offers valuable reading for scholars of anthropology, museum studies, history and others with an interest in material culture.

Jillian is your everyday high school girl with a boring life, until she takes a family vacation on her family yacht. The yacht sinks in a hurricane, leaving Jillian to survive in the ocean with nothing but whats on her raft. After crashing into a rock and waking up on an island, she discovers a secret that no human is allowed to know. Will she keep the secret to protect the ones she loves? Will she stay on the island forever? Who is this person whos been watching her for a very long time? What lies beneath the water?

It’s a Pawsitively Implausible, Yet Purrfect Match Not witchy enough for the witches, nor demonic enough for Hell, Tempest has found a new home in Zero, Kansas, as part of the Zero Cum Laude Coven. Unfortunately, though you can take the girl out of Hell, you can’t always get Hell to leave her alone. Inundated with demonic proposals delivered by a constant stream of “eligible” demons and monstrous hell-kittens, Tempest is at her wit’s end, which is not a good look for a weather witch with questionable control. She definitely doesn’t have time for a certain non-demonic, utterly human chameleon who keeps insisting they’re mates. Then again, maybe that’s the solution to all her demonic problems—a pretend mating. The only challenge will be convincing Matthew that it’s all only temporary. The matchmaking cats of the goddesses are a little uncertain about where this match is going. Hell-kittens, demons, chameleons, witches, and pretend matings, all with an interfering Lucifer in the mix—things are going to hell in a cat basket.

Portmeirion village is a whimsical seaside tourist destination on the west coast of Wales, attracting 250,000 visitors annually. A retirement project by an eccentric British architect named Sir Clough Williams-Ellis, this "home for fallen buildings" is a fascinating architectural garden for day visitors and an elaborate resort for overnight guests. Portmeirion is famous as the shooting location for the 1960s cult television series "The Prisoner," starring Patrick McGoohan. Puzzling Portmeirion is an involving, insightful guidebook that explores Sir Clough's trailblazing experiments in virtual reality, his subtle but powerful time-warping and space-folding tricks, the little-known myths and legends echoing down every footpath, and the myriad restless spirits at play. Eccentric globe-trotters will have their eyes opened, curiosities piqued, intellects tickled, feet motivated, and pens recording the most fascinating entries in their travel diaries, bar none.

In Excavations at Tall Jawa, Jordan: Vol. 3, The Iron Age Pottery, Michèle Daviau presents a detailed typology of the Iron Age pottery, studying formal changes, fabric composition, forming techniques, painted designs and surface treatment.

Cuban American Theater brings together six plays on the Cuban American experience. Here are presented dramatically the themes of exile, culture clash, the generation gap and discrimination, along with the full gamut of concerns about art, theatre and life itself. The plays vary in format from conventional two act realism, to absurdist theatre and, of course, to Cuban musical farce (teatro bufo), which accounts for some of the humor and characterization. Professor Rodolfo J. Cortina has provided an introduction to situate this theatrical production within an historical and aesthetic context. In all respectsÑ linguistic, artistic and philosophicalÑ Cuban American Theater is the first of its kind, a truly historical and ground-breaking document.