Tropical Synagogues

"Most readers north of the Rio Grande are not aware that waves of immigrants have created an ethnically diverse culture in Latin America, a mosaic of particular visions and voices that includes a cohesive Jewish community with roots in Eastern Europe and as far back as pre-Columbian Spain. In this unique anthology, Ilan Stavans - who is at home both in Jewish and Latino cultures - introduces us to engaging writers, the histories of the different communities in which they emerged, their literary tradition and cultural predicament." "Organized from a geographic and historical perspective, Tropical Synagogues includes stories by acclaimed and new voices - some appearing in English for the first time. We encounter the beginnings of the Jewish literary tradition on the continent in the work of Alberto Gerchunoff, who immigrated to Argentina during the late nineteenth century and influenced future generations of writers such as Isidoro Blaisten, German Rozenmacher, Gerardo Mario Goloboff, and Mario Szichman. Stories also appear by celebrated writers such as Moacyr Scliar, Clarice Lispector, Isaac Goldemberg, and Victor Perera, who may be more familiar to English-speaking readers. Another vital part of this tradition are the innovative women writers who have been a major force in the development of Latin American fiction, represented here by Alicia Steimberg, Nora Glickman, Aida Bortnik, Margo Glantz, Esther Seligson, Elisa Lerner, Angelina Muniz-Huberman, and Alicia Lubitch Domecq." "The image of the "tropical synagogue" evokes the collective voice and imagination that come to life on the pages of this book. Conjuring a fantastic synthesis of the Old and New World, tradition and exoticism, sensuality and metaphysics, it is a telling metaphor for the little known but compelling short fiction collected here."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Companion to Jewish Culture - From the Eighteenth Century to the Present was first published in 1989. It is a single-volume encyclopedia containing biographical and topic entries ranging from 200 to 1000 word each.

"It examines works by several of Ecuador's most important writers in terms of the interrelations of history and myth, of realism and magic or marvelous realism, and the problems of using orality and dialogism to actively undermine authoritative discourse."--BOOK JACKET.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.

From Brazil's most distinguished and important Jewish writer comes this anthology comprised of six collections: in The Carnival of the Animals, Scliar uses political allegory to convey what was normally censored during the height of repression under Brazil's military regime. These tragicomic stories reveal Scliar's interest in issues of oppression, persecution, holocaust, mutability, and the interplay between good and evil. The Ballad of the False Messiah develops the theme of postponement in the sense that for Jews redemption is always postponed in a vain wait for the Messiah. In The Tremulous Earth Scliar explores cruelty and violence in the tenuous lives of his characters, but his experience as a medical doctor informs his compassion for human frailty. Scliar expands his use of fantasy and magical realism in The Dwarf in the Television Set in topics that range from Jewish prophets to marital revenge. The Enigmatic Eye has been described as a masterpiece evoking the enigmas of art and life, and in Van Gogh's Ear, Scliar uses dark and subtle humor in a collection of biblical parables. Here witchcraft, magic, conundrums, and labyrinths are shown to be part of everyday life. A final autobiographical piece ties the collections together in which Scliar discusses his membership in Jewish, medical, gaucho, and Brazilian "tribes." These powerful stories, individually humorous, bleak, or haunting, together bring a compelling voice of the Jewish Diaspora to the wide readership it deserves.

In original and insightful ways, Caribbean writers have turned to Jewish experiences of exodus and reinvention, from the Sephardim expelled from Iberia in the 1490s to the "Calypso Jews" who fled Europe for Trinidad in the 1930s. Examining these historical migrations through the lens of postwar Caribbean fiction and poetry, Sarah Phillips Casteel presents the first major study of representations of Jewishness in Caribbean literature. Bridging the gap between postcolonial and Jewish studies, Calypso Jews enriches cross-cultural investigations of Caribbean creolization. Caribbean writers invoke both the 1492 expulsion and the Holocaust as part of their literary archaeology of slavery and its legacies. Despite the unequal and sometimes fraught relations between Blacks and Jews in the Caribbean before and after emancipation, Black-Jewish literary encounters reflect sympathy and identification more than antagonism and competition. Providing an alternative to U.S.-based critical narratives of Black-Jewish relations, Casteel reads Derek Walcott, Maryse Condé, Michelle Cliff, Jamaica Kincaid, Caryl Phillips, David Dabydeen, and Paul Gilroy, among others, to reveal a distinctive interdiasporic literature.

A panorama of literature by Latinos, whether born or resident in the United States.