Trouble Songs

Poet, critic, and hybrid-genre artist Johnson tracks the use of trouble in word, concept, and practice in this debut of brief, elliptical, lyric essays. He moves through a wide swath of 20th- and 21st-century music, always alert to a sense of melancholy shared among songwriters, their songs, and their listeners in the ever-growing web of popular music. "When we say 'trouble,' we refer to the history of trouble whether or not we have it in mind. When we sing trouble, we sing (with) history," Johnson writes. "A Trouble Song is a complaint, a grievance, an aside, a come-on, a confession, an admission, a resignation, a plea. It's an invitation-to sorrow." The effect of all this trouble is dizzying. Highly annotated-often to personal, humorous, and hidden effects-the book weaves among genres, chronologies, and various forms of trouble to ask "Where are we in song? Who are we in song?" Johnson suggests that an answer lies somewhere in the locus of singer, song, and listener-the "essential relations in the Trouble Song." Detouring into philosophy, cultural theory, and verse, Johnson works multilaterally to explore what trouble in popular music does to connect listeners, embolden them, and open a space from which trouble can be addressed across time.

Hang on to yer hat, Cowboy. Yeeeee-hah! Boynton goes Country with Frog Trouble, a terrific CD and illustrated songbook of her new and wildly original Country songs. And they’re sung by a truly amazing roster of Country Music’s biggest and brightest stars: Here’s Brad Paisley with "Copycat," Dwight Yoakam singing "I’ve Got a Dog," Alison Krauss on "End of a Summer Storm," Ben Folds rocking "Broken Piano," Darius Rucker with "Beautiful Baby." The lonesome-cowboy title track is performed by the low-voiced moody rocker Mark Lanegan (yes, of Queens of the Stone Age.) Add Josh Turner, Fountains of Wayne, Ryan Adams, Linda Eder, and quickly rising Country star Kacey Musgraves—all accompanied by Nashville’s finest instrumentalists—and WHOA. You’ve got yourself some mighty fine music, with a whole lot of gumption and heart. A COUNTRY MUSIC ALBUM FOR KIDS AND EVERYONE • Boynton-illustrated songbook with full-length music CD • 12 new songs with a whole lot of gumption and heart • Cowboy, Country, Rockabilly, Honkytonk, Bluegrass, Blues • Retro sound with a TRULY AMAZING All-Star Artist roster! • Lyrics by Sandra Boynton • Music written and produced by Sandra Boynton and Michael Ford • Recorded in Nashville with renowned session musicians • Boynton & Ford have written and produced three Gold Records • Boynton has a Grammy Nomination for Philadelphia Chickens, which was also a #1 New York Times Bestseller

Is capitalism killing music? A critical look at the music industry.

The essays in Bible Trouble all engage queer theories for purposes of biblical interpretation, a rare effort to date within biblical scholarship. The title phrase “Bible Trouble” plays on Judith Butler's Gender Trouble, gesturing toward a primary text for contemporary queer theory. The essays consider, among others, the Lazarus story, the Ethiopian eunuch, “gender trouble” in Judges 4 and 5, the Song of Songs, and an unorthodox coupling of the books of Samuel and the film Paris Is Burning. This volume “troubles” not only the boundaries between biblical scholarship and queer theory but also the boundaries between different frameworks currently used in the analysis of biblical literature, including sexuality, gender, race, class, history, and literature. The contributors are Ellen T. Armour, Michael Joseph Brown, Sean D. Burke, Heidi Epstein, Deryn Guest, Jione Havea, Teresa J. Hornsby, Lynn R. Huber, S. Tamar Kamionkowski, Joseph A. Marchal, Jeremy Punt, Erin Runions, Ken Stone, Gillian Townsley, Jay Twomey, and Manuel Villalobos.

A searing history of life under Jim Crow that recalls the bloodiest and most repressive period in the history of race relations in the United States—and the painful record of discrimination that haunts us to this day. From the Pulitzer Prize-winning author of Been in the Storm So Long. "The stain of Jim Crow runs deep in 20th-century America.... Its effects remain the nation's most pressing business. Trouble in Mind is an absolutely essential account of its dreadful history and calamitous legacy." —The Washington Post In April 1899, Black laborer Sam Hose killed his white boss in self-defense. Wrongly accused of raping the man's wife, Hose was mutilated, stabbed, and burned alive in front of 2,000 cheering whites. His body was sold piecemeal to souvenir seekers; an Atlanta grocery displayed his knuckles in its front window for a week. Drawing on new documentation and first-person accounts, Litwack describes the injustices—both institutional and personal—inflicted against a people. Here, too, are the Black men and women whose activism, literature, and music preserved the genius of the human spirit.

NEW YORK TIMES BESTSELLER Based on a decade of research and reporting--as well as access to the Replacements' key principals, Paul Westerberg and Tommy Stinson--author Bob Mehr has fashioned something far more compelling than a conventional band bio. Trouble Boys is a deeply intimate portrait, revealing the primal factors and forces that shaped one of the most brilliant and notoriously self-destructive rock 'n' roll bands of all time. Beginning with riveting revelations about the Replacements' troubled early years, Trouble Boys follows the group as they rise within the early '80s American underground. It uncovers the darker truths behind the band's legendary drinking, showing how their addictions first came to define them, and then nearly destroyed them. A roaring road adventure, a heartrending family drama, and a cautionary showbiz tale, Trouble Boys has deservedly been hailed as an instant classic of rock lit.