Troubled Legacies

Last wills and testaments create tensions between those who inherit and those who imagine that they should inherit. As Victorian, modern, and contemporary novels amply demonstrate, seldom is more energy expended than at the reading of a will. Whether inheritances bring disappointment or jubilation, they create a pattern for the telling of stories, stories that involve the transmission of legacies - cultural, political, and monetary - from one generation to the next. Troubled Legacies examines these narratives of inheritance in British and Irish fiction from 1800 to the present. The essays in this collection set out to juxtapose legal and novelistic discourse. This reading of literature against law produces intriguing and often provocative assertions about the specific relationship between novels and inheritance. As the contributors argue, novels reinforce property law, an argument bolstered by the examples of women, workers, Jews, and Irishmen dispossessed of their rights and unable to claim their cultural inheritances. Troubled Legacies thoroughly examines the connection between narrative and claims to legal entitlement, a topic that has not, to date, been comprehensively broached in literary studies.

What is being passed on? The questions of heritage and inheritance are crucial to American minority literatures. Some inheritances are claimed; some are imposed and become stifling; others still are impossible, like the memories of oppression or alienation. Heritage is not only patrimony, however; it is also a process in a state of constant reconfiguration. The body – its semiotics, its genealogy, its pressure points – figures prominently as inevitable referent for the minority racial/ethnic subject, the performance, and the writing of difference. This collection of essays analyzes contemporary novels from major African American writers, such as Gayl Jones, Phyllis Alesia Perry, Percival Everett, John Edgar Wideman, and Colson Whitehead, and ethnic American novelists like Jeffrey Eugenides, Philip Roth, Gish Jen, and Sergio Troncoso. It also includes the study of a painting by African American artist Robert Colescott. The first section of the book examines the inscription of African American writers’ relation to the nation’s past: the trauma of slavery, the burden of foundational discourses, or the legacy of the classical philosophical canon. The second part of the text is an assessment of the postmodern aesthetics of contemporary black fiction in the construction of history, unveiling the modalities of the palimpsest, fragmentation, intermediality, mises en abyme, in a complex grammar of haunting and denial. Gathering essays on Greek-American, Jewish-American, Chinese-American and Mexican-American fiction, the final section delineates new conceptions of ethnicity based on fluidity, hybridity, and performativity. Cross-ethnic experimentations in “super-diversity,” according to which identities become optional, an array of choices rather than forced belonging, seem to be pointing the way to the next stage, that of a “post-racial,” “post-ethnic” society. Yet the conjugated strictures of “race” and class still limit these choices to a significant degree, and the works discussed in this volume often playfully or sarcastically question the validity of the “post.” They ultimately ask: who shall inherit America?

Simon Fenton, disillusioned ex-vicar and mild eccentric, is in the process of getting over the untimely death of his wife when he hears news of a mysterious legacy which also involves an alternative explanation about how his father, a gunner in the RAF Regiment, came to be shot in Northern Ireland during the Troubles. Natalie Roberson, a freelance high class call girl and aspiring airline pilot, is suborned to seduce him and help his adversaries cover up the story. Things go badly wrong and a corrupt detective is accidently killed. Simon and Natalie are forced to go on the run, hotly pursued by both the legitimate forces of law and order and darker forces under the direction of a senior politician who has everything to lose.

Since the advent of democracy in 1994, South Africa has been engaged in an unprecedented exercise of national soul-searching, torn between the need to lay to rest centuries of racial conflict and the desire to come to terms with its traumatic history. This book asks whether the country has begun to turn the corner on the legacy of collective hurt. To do so it ranges in scope across 350 years of South African history, encompassing the struggle against the apartheid regime, the downfall of white supremacy, the Truth and Reconciliation Commission and the first 25 years of democracy, up to more recent movements, such as #RhodesMustFall, or the inquests into the 2012 Marikana massacre, that point to the persistence of traumatic memory in contemporary society. The authors assembled here set out to analyse the representation of such memory, how it has been woven into narratives, recorded, preserved and questioned, and how issues of individual and collective responsibility have been grafted onto it through the visual arts, literature, political discourse and public action. In focusing on memory along with its derived forms of memorialization, collective memory, nostalgia, or post-memory, our contributors pose a fundamental question: is South Africa finally coming to the end of the post-apartheid transition period? Do the decades of memory work on racial violence and repression examined here hold out hope for the nation to make peace with its past?

How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised ‘elsewhere’ and ‘otherwise’. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland – and through conversations that expand these geographies and genealogies of contemporary exhibition-making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Across Anthropology charts new ground by analysing the convergences of museums, curatorial practice, and Europe’s reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies. Preface by Arjun Appadurai. Afterword by Roger Sansi Contributors: Arjun Appadurai (New York University), Annette Bhagwati (Museum Rietberg, Zurich), Clémentine Deliss (Berlin), Sarah Demart (Saint-Louis University, Brussels), Natasha Ginwala (Gropius Bau, Berlin), Emmanuel Grimaud (CNRS, Paris), Aliocha Imhoff and Kantuta Quirós (Paris), Erica Lehrer (Concordia University, Montreal), Toma Muteba Luntumbue (Ecole de Recherche Graphique, Brussels), Sharon Macdonald (Humboldt-Universität zu Berlin), Wayne Modest (Research Center for Material Culture, Leiden), Bonaventure Soh Bejeng Ndikung (SAVVY Contemporary, Berlin), Margareta von Oswald (Humboldt-Universität zu Berlin), Roger Sansi (Barcelona University), Alexander Schellow (Ecole de Recherche Graphique, Brussels), Arnd Schneider (University of Oslo), Anna Seiderer (University Paris 8), Nanette Snoep (Rautenstrauch-Joest-Museum, Cologne), Nora Sternfeld (Kunsthochschule Kassel), Anne-Christine Taylor (Paris), Jonas Tinius (Humboldt-Universität zu Berlin) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

One man tries to leave his violent family past behind in the third gripping thriller in the Irish gangland saga that began with The Trouble Boys. For Violet McCarthy and her son, Tommy, loyalty comes first . . . Tommy comes from an Irish gangster family, but against all odds, he has become a police officer. Soon, he is paired with top detective Dana Fitzpatrick and given a chance for a promotion—but there’s a catch. Dana Fitzpatrick is a good cop. When she meets the charming Tommy, she is forced to confront her family’s own history with the Irish mob and reconsider where her loyalty lies. And Tommy’s about to find out he’s more like his family than he wants to believe. Camille O’Brien and her husband, Johnny, are ruling their urban gangland empire from the comfort of their luxury suburb. But Violet’s drug dealing is causing them trouble from afar. Will this conflict lead to yet another violent clash? Series praise “Far more than a crime novel; a wise, carefully wrought narrative informed by a tragic sense of life.” —Stefan Kanfer, national bestselling author “Captures the atmosphere and the feel of the period to absolute perfection. I can just see this being made into a film. Superb.” —Books Monthly Perfect for Fans of Martina Cole, Kimberley Chambers, and Jessie Keane

Drawing on ethnographic fieldwork, comparative research, and over 110 hours of face-to-face interviews with a diverse range of political, academic, civil society, and community actors across Northern Ireland, Waller revisits one of the world's most deeply divided societies to analyze Northern Ireland's current vulnerabilities, and points of resilience, as an allegedly “post-conflict” society

One out of five Americans, more than 55 million people, are first-or second-generation immigrants. This landmark study, the most comprehensive to date, probes all aspects of the new immigrant second generation's lives, exploring their immense potential to transform American society for better or worse. Whether this new generation reinvigorates the nation or deepens its social problems depends on the social and economic trajectories of this still young population. In Legacies, Alejandro Portes and Rubén G. Rumbaut—two of the leading figures in the field—provide a close look at this rising second generation, including their patterns of acculturation, family and school life, language, identity, experiences of discrimination, self-esteem, ambition, and achievement. Based on the largest research study of its kind, Legacies combines vivid vignettes with a wealth of survey and school data. Accessible, engaging, and indispensable for any consideration of the changing face of American society, this book presents a wide range of real-life stories of immigrant families—from Mexico, Cuba, Nicaragua, Colombia, the Dominican Republic, Haiti, Jamaica, Trinidad, the Philippines, China, Laos, Cambodia, and Vietnam—now living in Miami and San Diego, two of the areas most heavily affected by the new immigration. The authors explore the world of second-generation youth, looking at patterns of parent-child conflict and cohesion within immigrant families, the role of peer groups and school subcultures, the factors that affect the children's academic achievement, and much more. A companion volume to Legacies, entitled Ethnicities: Children of Immigrants in America, was published by California in Fall 2001. Edited by the authors of Legacies, this book will bring together some of the country's leading scholars of immigration and ethnicity to provide a close look at this rising second generation. A Copublication with the Russell Sage Foundation