Troubling Women

American women have lived in Hong Kong, and in neighboring Macao, for nearly two centuries. Many were changed by their encounter with Chinese life and British colonialism. Their openness to new experiences set them apart, while their "pedagogical impulse" gave them a reputation for outspokenness that troubled others. Drawing on memoirs, diaries, newspapers, films, and other texts, Stacilee Ford tells the stories of several American women and explores how, through dramatically changing times, they communicated their notions of national identity and gender.Troubling American Womenis a lively and provocative study of cross-cultural encounters between the Hong Kong and the US and use of stereotypes of American womanhood in Hong Kong popular culture. Stacilee Fordhas lived in Hong Kong for 18 years. She teaches history and American studies at the University of Hong Kong.

Based on interviews with 24 women incarcerated in a Canadian provincial prison for a range of offenses, this book examines the experiences of these women and the factors that influenced their criminal behaviour. The first chapter addresses the issue of how to situate women's law violations and discusses the theoretical framework of the study. Four of the women's stories are introduced to explore the benefits of beginning with women's own accounts of their troubles with the law. The author notes that her approach combines socialist feminism and standpoint feminism. While socialist feminism incorporates an analysis of the structural features that impact women's lives (capitalism, patriarchy, and racism), standpoint feminism provides a way of approaching how those structures are worked out in women's everyday experiences. The chapter concludes with a discussion of why abuse has been chosen as the primary factor for understanding the lives of the women in the prison. The second chapter focuses on the women's histories of abuse. The discussion is divided into two parts : childhood experiences and experiences as adults. Each part uses the women's stories to reveal the various forms that abuse has taken. Chapter Three considers the ways in which the women's law violations connect with their abuse experiences, followed by a chapter that concentrates on the women's experiences of prison. Using the women's own accounts as a guide, the author examines whether or not the experience of prison enables the women to resolve their troubles. Prison can be interpreted as a reinforcement, and deepening, of the oppression that has pervaded their lives. Many, however, report that the corrections system has provided resources and direction for addressing their problems.

An incisive history of self-serving white feminists and the inspiring women who’ve continually defied them Women including Elizabeth Cady Stanton, Margaret Sanger, and Sheryl Sandberg are commonly celebrated as leaders of feminism. Yet they have fought for the few, not the many. As award-winning scholar Kyla Schuller argues, their white feminist politics dispossess the most marginalized to liberate themselves. In The Trouble with White Women, Schuller brings to life the two-hundred-year counter history of Black, Indigenous, Latina, poor, queer, and trans women pushing back against white feminists and uniting to dismantle systemic injustice. These feminist heroes such as Frances Harper, Harriet Jacobs, and Pauli Murray have created an anti-racist feminism for all. But we don’t speak their names and we don’t know their legacies. Unaware of these intersectional leaders, feminists have been led down the same dead-end alleys generation after generation, often working within the structures of racism, capitalism, homophobia, and transphobia rather than against them. Building a more just feminist politics for today requires a reawakening, a return to the movement’s genuine vanguards and visionaries. Their compelling stories, campaigns, and conflicts reveal the true potential of feminist liberation. An Entropy Magazine Best Nonfiction Book of 2020-2021,The Trouble with White Women gives feminists today the tools to fight for the flourishing of all.

In this book Blackmore argues that the particular approaches taken by feminist theory towards educational leadership now require reviewing in the light of the radical restructuring of educational systems.

"Nelson's prose is precise and energetic, and her insights delight because they manage to be at once surprising and so right as to seem inevitable." -- The New York Times Book Review Antonya Nelson is widely regarded as one of America's most talented women writers -- The New Yorker has named her one of the twenty best writers of her generation -- and with Female Trouble she returns to the short-story form with which she made her original literary mark. Thirteen wise, funny, and startlingly perceptive stories about the vagaries of marriage, the uncertainties of family, and the revelations of female life, Female Trouble looks at the relationships not just between men and women but also between parents and children, brothers and sisters. Probing the subjects of love, fidelity, desire, dependence, and solitude, Nelson explores the broad notion of family from myriad angles, but always with surprising insight and her trademark offbeat humor. The title story features a thirty-year-old man carrying on intimate relationships with three different women -- one institutionalized, one pregnant, one purely maternal -- but unable to commit to any of them. "Incognito" depicts a divorced woman whose turbulent teen years are suddenly brought back to her when she returns to her hometown with her own teenage daughter. In "The Unified Front," a husband reckons with his wife's decision to steal a baby while at a famous theme park, and in "Stitches," a disturbing late-night phone call forces a mother to confront her college-age daughter's sexuality and her own adulterous past. Set in the vividly rendered Southwest and Midwest, these moving stories are dark and honest portraits of people in moral quandaries, gray areas, unclear circumstances -- stories that reveal us to ourselves with disturbing clarity. As always, Nelson astounds with the clean, terse power of her language, and she deftly uses humor to expose the soft underbellies of her tough-talking, unblinking characters. These are stories that will linger in the reader's mind long after they are read.

Sixty-seven female artists and their work from the sixteenth century to the present demonstrate the evolution of art through a female-empowered lens. The history of art has been forever considered, written, published, and taught by men, primarily for a male audience. For women, the mere possibility of becoming an artist--to have access to the necessary materials, to produce, exhibit, and, against all odds, succeed and sustain the activity--has been an incessant, dangerous, and exhausting fight--physically, mentally, and psychologically. The time has come to reframe the history of art in the context of the brave women who had the courage to defy all rules in order to pursue their vocation and carve out their place in the art world. This book draws the portraits of sixty-seven fascinating women and their significant artistic achievements, from groundbreaking Renaissance painter Artemisia Gentileschi to the photography of Nan Goldin today. Tracing the painters, sculptors, photographers, and performance artists who shaped modern art, readers discover key figures and their signature works, including Mary Cassatt, Sonia Delaunay, Georgia O'Keeffe, Tamara de Lempicka, Frida Kahlo, Dorothea Tanning, Leonora Carrington, Yoko Ono, Eva Hesse, Marina Abramović, Carrie Mae Weems, and Cindy Sherman. Exploring the codes and archetypes of art history, this celebration of women in art analyzes their slow but steady achievement of artistic independence and the hard-won recognition for their creative work in a domain historically reserved for men.

Based on an interview study of 25 Ohio women in HIV/AIDS support groups, this is a study of how the women make sense of the disease in their lives. The book combines data, method, analysis and interpretation.

In 1936, Bluet is the last of the Kentucky Blues. In the dusty Appalachian hills of Troublesome Creek, nineteen and blue-skinned, Bluet has used up her last chance for “respectability” and a marriage bed. Instead, she joins the historical Pack Horse Library Project of Kentucky and becomes a librarian, riding up treacherous mountains on a mule to deliver books and other reading material to the poor hill communities of Eastern Kentucky. Along her dangerous route, Bluet confronts many who are distrustful of her blue skin. Not everyone is so keen on Bluet’s family or the Library Project, and the impoverished Kentuckians are quick to blame a Blue for any trouble in their small town. Inspired by the true and historical blue-skinned people of Kentucky and the dedicated Kentucky Pack Horse Library Project, The Book Woman of Troublesome Creek provides an authentic Appalachian voice to a story of hope, heartbreak and raw courage and shows one woman’s strength, despite it all, to push beyond the dark woods of Troublesome Creek.