True Crime

Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.

The true story of the Manson murders.

In the heat of the city, a man is out of time: speeding in a beat-up Ford Tempo, blasting easy-listening music. Reporter Steve Everett drinks too much, makes love to his boss's wife, and has just stumbled upon a shocking truth: a convicted killer is about to be executed for a crime he didn't commit. In the cold confines of Death Row, Frank Beachum is also out of time. Ready to say good-bye to the wife and child he loves and hello to the God he still believes in, Beachum knows he did not kill a convenience store clerk six years ago. But in a few hours—if Steve Everett can't find the evidence to stop it—a needle is going to pierce Frank Beachum's skin. The killing machine is primed. The executioner is waiting. And so is the priest. Now the clock is ticking down and the race is on—between the reporter and his demons, between the system and its lethal flaws, between the last innocent man and society's ultimate crime. . . .

It is no secret that true crime murder stories are not for the faint of heart. They can lead you to double-check your windows and doors at night, and question everything you thought or believed about human nature. Yet they are intriguing and fascinating at the same time. What is it that makes us different from those who take the lives of others? That is a question that many ask themselves, and these true crime stories help to identify the method and psychology behind some of the most terrifying killers in modern history. This set includes three true crime books, volumes 1-3, and each is filled with a variety of true crime murder cases, including spree killers and massacres, some of which are yet to be solved. You are taken through the background of the story, the murders, and the criminal investigations that took place. Some pages will be difficult to read, due to the emotion behind them. Yet you will be unable to stop reading, turning page after page. Each true crime anthology in this collection will leave you to ponder whether the perpetrators of these crimes were really monsters. When you learn of the background of these killers, the age-old question of whether a serial killer is born to kill will be at the forefront of your mind. Explore the stories behind the murders in these True Crime volumes, the anger, the horror, and the sadism, inflicted by each killer. Feel for the victims, their families, and the investigators who had to deal with each case. And don't be surprised if you have to sleep with the light on.

This lively book takes a loving look at the Canadian true crime pulps of the World War II era -- their bold, brassy covers, spicy advertisements, and stories of murder, robbery, sex, and violence. With vivid archival images of both magazine covers and ads, True Crime, True North examines the themes that characterized the genre in Canada: the unquestioned adherence to retributive justice, the unwavering faith in lawmen, and the enduring affection for Royal Canadian Mounted Police. The authors also trace pulp writers' preoccupation with jealousy and betrayal, the deadly consequences of greed, and the growing menace of "sex fiends."

The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Examine the evidence in this volume of notorious true crimes that remain unsolved, from mystifying heists to shocking murders and more. Cold Cases: A True Crime Collection features case file facts, fascinating details, and chilling testimonies of the world’s most famous cold cases. Written for true crime junkies and armchair detectives, this book delves into the investigations of JonBenét Ramsey, the Black Dahlia, the Isabella Stewart Gardner Museum theft, the Cleveland Torso Murders, and more. Each chapter examines the facts, while also illuminating the many theories surrounding these baffling cases: - The Zodiac Killer - The disappearance of Natalee Holloway - The murder of JonBenét Ramsey - The Isabella Stewart Gardner Museum heist - The Kingsbury Run murders, aka the Cleveland Torso murders - The Black Dahlia murder - The Freeway Phantom murders - D. B. Cooper’s airplane heist - The Amber Alert case (the death of Amber Hagerman) - The Golden State Killer

During the 1950s and 1960s True Detective magazine developed a new way of narrating and understanding murder. It was more sensitive to context, gave more psychologically sophisticated accounts, and was more willing to make conjectures about the unknown thoughts and motivations of killers than others had been before. This turned out to be the start of a revolution, and, after a century of escalating accounts, we have now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. The Rise of True Crime examines the various genres of true crime using the most popular and well-known examples. And despite its examination of some of the potentially negative effects of the genre, it is written for people who read and enjoy true crime, and wish to learn more about it. With skyrocketing crime rates and the appearance of a frightening trend toward social chaos in the 1970s, books, documentaries, and fiction films in the true crime genre tried to make sense of the Charles Manson crimes and the Gary Gilmore execution events. And in the 1980s and 1990s, true crime taught pop culture consumers about forensics, profiling, and highly technical aspects of criminology. We have thus now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. Through the suggestion that certain kinds of killers are monstrous or outside the realm of human morality, and through the perpetuation of the stranger-danger idea, the true crime aesthetic has both responded to and fostered our culture's fears. True crime is also the site of a dramatic confrontation with the concept of evil, and one of the few places in American public discourse where moral terms are used without any irony, and notions and definitions of evil are presented without ambiguity. When seen within its historical context, true crime emerges as a vibrant and meaningful strand of popular culture, one that is unfortunately devalued as lurid and meaningless pulp.