Truth In Play

A collection of short scenes from Canadian plays geared towards helping youth in theater performances.

An award-winning play about the relationship between brothers. Nothing but the Truth is the story of two brothers, of sibling rivalry, of exile, of memory and reconciliation, and the ambiguities of freedom. The play was John Kani's debut as sole playwright and was first performed in the Market Theatre in Johannesburg. It won the 2003 Fleur du Cap Award for best actor and best new South African play. In the same year Kani was also awarded a special Obie award for his extraordinary contribution to theatre in the USA.

"It's 1977, and successful writer Peg Dunlop has returned to her small Ontario hometown to look after her ailing mother. When an eager young English teacher decides to teach one of Dunlop's books to the town's Grade 13 class, a group of parents and the local pastor start a movement to have the book banned. Based on real-life events, Cooper's balanced look at the issues on both sides raises important questions: Who decides what we can and cannot read? How do we tell stories? How do we fight for what we believe in? And how do we coexist when we have opposing views?"--

The audience for this book is twofold: (1) teacher programs in colleges that are training the next generation of Christian school teachers and (2) instructors already practicing their vocation in the Christian academy. The present volume seeks to wed the philosophy of biblical integration with the practice of biblical integration. Biblical integration is hard work. Therefore, many concrete examples will be used to facilitate understanding of the ideas.

INSTANT NATIONAL BESTSELLER A critically acclaimed, intimate and no-holds-barred memoir by Canada’s top defence lawyer, Nothing But the Truth weaves Marie Henein’s personal story with her strongly held views on society’s most pressing issues. Marie Henein, arguably the most prominent lawyer in the country, has written a memoir that is at once raw, beautiful, and altogether unforgettable. Her story, as an immigrant from a tight-knit Egyptian-Lebanese family, demonstrates the value of strong role models—from her mother and grandmother, to her brilliant uncle Sami who died of AIDS. She learned the value of hard work, being true to herself and others, and unapologetically owning it all. Marie Henein shares here her unvarnished view on the ethical and practical implications of being a criminal lawyer, and how the job is misunderstood and even demonized. Ironically, her most successful cases made her a “lightning rod” in some circles, confirming her belief that much of the public’s understanding of democracy and the justice system is based on popular culture and social media, and decidedly not the rule of law. As she turns fifty and struggles with the corrosive effect becoming invisible has on women, Marie doubles down on being even more highly visible and opinionated as she deconstructs, among other things, the otherness of the immigrant experience (Where are you really from?), the pros and cons of being a household name in this country, opening her own boutique law firm, and the commoditization of women’s previously unpaid labour popularized by the likes of Martha Stewart. Nothing But the Truth is refreshingly unconstrained and surprising—an account by a woman at the top of her game in a male-dominated world.

"I will not stay standing to have you accuse me. And I will not sit there and be accused." From Rwanda to Northern Ireland, Zimbabwe to Bosnia, answers are demanded, reconciliation is hard to hear and the truth is reluctant to be told.

This volume features essays from fourteen scholars—both established and rising stars—each of which cover a portion of Truth and Method following the order of the text itself. The result is a robust, historically and thematically rich polyphonic reading of the text as a whole, valuable both for scholarship and teaching