Truthteller

There is a war on truth. And the liars are winning. There is an increasingly large number of weapons in the arsenal of the rich, the powerful and the elected to prevent the truth from coming out — to bury it, warp it, twist it to suit their purposes. Truthteller reveals how governments and corporations have covered-up mass murder, corruption and catastrophe. In a world where Putin and Trump have successfully branded journalists as traffickers in fake news, while promoting the actual creators of fake news, an investigative reporter shows the tools that are used to deceive us and explains why they work. Using exclusive documents and interviews drawn from three decades as an award-winning reporter, editor, foreign correspondent, television producer, documentary filmmaker, and journalism educator, Stephen Davis reveals shocking details of deception in the United States, the UK, Russia, Sweden, the Baltic republics, Australia, New Zealand, Brazil, the Arctic and Antarctic. Truthteller is an essential guide for understanding the modern media world — for teachers, students and concerned citizens who want to know the facts, not fake news and conspiracy theories. It takes you inside the world of investigative reporting in an intimate history of a reporter’s battles, won and lost, the personal and professional costs and the lives damaged along the way.

For forty-five years, Dugald Laird and Francesca Morrow have had the perfect marriage, united by romance and a common purpose. Together they have held up the beacon of art, truth, poetry, classical learning and Greek myth in a tiny school on the edge of upper-class Toronto, devoting their lives to rescuing and redeeming the outcast children of the well-to-do. But the effort -- and the cracks -- are finally starting to show. The catalyst is a new girl at school, Cassie, an ungainly outcast with an eye for unpalatable truths. Swiftly recruited by Vida (tiny, intense, a natural leader), Cassie becomes the propulsive force behind the school's rebel girl gang. The other trouble zone is Dugald, who is increasingly haunted by memories of the wife and children he abandoned almost half a century ago for his beautiful wife. But the inexorable Francesca manages to carry them all away on the school's annual pilgrimage to Greece. And, at Delphi, in the bee-kissed glades and among the ancient stones, the world as they've known it ceases to exist. As Cassie whirls in flames, both the perfect marriage and the template of the school shatter in a burst of truth-telling that releases them all to their fates.

A five-year-old boy can sense who is telling the truth...and who isn't. It's a gift some will do anything to silence and a mother will do anything to protect. Lara Godfrey desperately wants to have a child--a living legacy from her late husband. Placing her life in the hands of a doctor she believes she can trust, Lara doesn't relize a web of deception is being woven around her. An unseen voyeur, with dreams of immortality, plans to use the child for a test--an unbelievable experiment that could have genetic consequences not only for Lara's baby, but for the entire human race. In the face of danger, Lara must make impossible choices. That's why she flees the clinic before the baby's birth. It's why she changes her name and hides. She knows she must protect this gifted child who can see through lies and identify truth. Yet how can an innocent truth-telling boy survive in a world that wants to destroy truth at any cost?

Innkeeper’s daughters Adele and Eleda are “mirror twins”—identical twins whose looks are reflections of each other’s—and their special talents are like mirrors, too. Adele is a Safe-Keeper, entrusted with hearing and never revealing others’ secrets; Eleda is a Truth-Teller, who cannot tell a lie when asked a direct question. The town of Merendon relies on the twins, no one more than their best friend, Roelynn Karro, whose strict, wealthy father is determined to marry her off to the prince. When the girls are seventeen, a handsome dancing-master and his apprentice come to stay at the inn, and thus begins a chain of romance, mistaken identity, and some very surprising truths and falsehoods.

In this book, Aladdin M. Yaqub describes a simple conception of truth and shows that it yields a semantical theory that accommodates the whole range of our seemingly conflicting intuitions about truth. Yaqub's conception takes the Tarskian biconditionals (such as "The sentence 'Johannes loved Clara' is true if and only if Johannes loved Clara") as correctly and completely defining the notion of truth. The semantical theory, which is called the revision theory, that emerges from this conception paints a metaphysical picture of truth as a property whose applicability is given by a revision process rather than by a fixed extension. The main advantage of this revision process is its ability to explain why truth seems in many cases almost redundant, in others substantial, and yet in others paradoxical (as in the famous Liar). Yaqub offers a comprehensive defense of the revision theory of truth by developing consistent and adequate formal semantics for languages in which all sorts of problematic sentences (Liar and company) can be constructed. He also gives a detailed critical exposition of the proposals of Herzberger, Gupta, and Belnap. Yaqub concludes by introducing a logic of truth that further demonstrates the adequacy of the revision theory. The Liar Speaks the Truth starts with a basic and intuitive understanding of the notion of truth and ends with a complex logic of truth. The book will interest students of logic, truth theory, formal semantics, and philosophy of language.

When Chelsea Manning was arrested in May 2010 for leaking massive amounts of classified Army and diplomatic documents to WikiLeaks, she was almost immediately profiled by the mainstream press as a troubled person: someone who had experienced harassment due to her sexual orientation and gender non-conformity, and who leaked documents not on behalf of the public good, but out of motives of personal revenge or, as suggested in the New York Times, "delusions of grandeur." Compared implicitly to Daniel Ellsberg's apparently selfless devotion to the truth and the public good, Manning comes up short in these profiles--a failed whistleblower who deserves pity rather than political solidarity. The first book-length theoretical treatment of Manning's actions, Insurgent Truth argues for seeing Manning's example differently: as an act of what the book terms "outsider truth-telling." Bringing Manning's truth-telling into conversation with democratic, feminist, and queer theory, the book argues that outsider truth-tellers such as Manning tell or enact unsettling truths from a position of social illegibility. Challenging the social alignment of credibility with gendered, classed, and raced traits, outsider truth-tellers reveal oppression and violence that the dominant class would otherwise not see, and disclose the possibility of a more egalitarian form of life. Read as outsider truth-telling, the book argues that Manning's acts were not aimed at curbing corporate or governmental bad acts, but instead at transforming public discourse and agency, and inciting a solidaristic public. The book suggests that Manning's actions offer a productive example of democratic truth-telling for all of us. Lida Maxwell develops this argument through an examination of Manning's prison writings, the lengthy chat logs between Manning and the hacker who eventually turned her in, various journalistic, artistic, and academic responses to Manning, and by comparing Manning's example and writings with the work and actions of other outsider truth-tellers, including Cassandra, Virginia Woolf, Bayard Rustin, and Audre Lorde. Showing the shortcomings of existing approaches to truth and politics, Maxwell advances a new theoretical framework through which to understand truth-telling in politics: not only as a practice of offering a pre-political common ground of "facts" to politics, but also as the practice of unsettling public discourse by revealing the oppression and domination that it often masks.