Turn Me On Dead Man

Free to Vote Able to Vote Ready to Vote Anthony English, born in Canada, became a naturalized citizen of the United States of America on November 22nd, 1963, having been sworn in at the Los Angeles County Courthouse at almost the precise time that President John F. Kennedy was assassinated. This terrible and cataclysmic event was to influence forever his interest in his new country and his passion as a new citizen. This pivotal event drove his interest in his new country resulting in his consistently voting in every election since being sworn in as a citizen. While he voted, he was astonished that so few of the qualified voters bothered to go to the polls, and so many incompetents have been elected. As a result he has published this book in an effort to encourage everyone to exercise their earned privilege and their right as a US citizen to cast a ballot for our governing officials. You can make a difference is his theme.

A telephone caller to a radio show in October of 1969 told the disc jockey that Paul McCartney was dead and that playing a Beatles album backwards would provide substantial clues. The "cluesters" kept the "Paul-is-dead" rumor alive even after Life magazine followed Paul and his family and used the pictures for a cover story in November.

A must-have volume for all Beatles fans-a career-spanning selection of writings about the Fab Four There are, of course, many books on the Beatles, but this is the only one available that is a comprehensive, career-spanning collection of journalism about the legendary band, before and after the breakup. Consisting of more than fifty articles, essays, interviews, record and movie reviews, poems, and book excerpts-many of them rare and hard to find-Read the Beatles is an unprecedented compilation that follows the arc of the Fab Four's iconic and idiosyncratic career, from their early days in Liverpool through their tragic and triumphant histories after the group's split. The book also includes original essays from noted musicians and journalists about the Beatles' lasting influence and why they still matter today.

“Satire is her oxygen. . . . In her new oddball comedy, Dead Man’s Cell Phone, Sarah Ruhl is forever vital in her lyrical and biting takes on how we behave.”—The Washington Post “Ruhl’s zany probe of the razor-thin line between life and death delivers a fresh and humorous look at the times we live in.”—Variety “Sarah Ruhl is deliriously imaginative and fearless in her choice of subject matter. She is an original.”—Molly Smith, artistic director, Arena Stage An incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man—with a lot of loose ends. So begins Dead Man’s Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur “Genius” Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead—and how that remembering changes us—it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl’s plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers’ Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.

#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.

A guide to the hoax that Paul McCartney was killed in an automobile accident in 1966 and replaced by a look-a-like.

The second edition of Mark Abley’s acclaimed creative biography, revised and expanded with a new introduction by the author. When he died in 1947, Duncan Campbell Scott was revered as one of his country’s finest poets and honoured as a devoted civil servant. Today, because of his work as head of the Department of Indian Affairs, he's widely considered one of history's worst Canadians. When word of this reaches Scott's ghost, he returns to the land of the living to ask poet and journalist Mark Abley to clear his name, and in the ensuing research, Abley learns of a man who could somehow write vibrant poems about Indigenous people in one moment, and in another institute policies designed to destroy Indigenous culture and force assimilation. With intelligence, moral ferocity, and a hunger for truth, Abley delves into Scott’s professional and personal lives while also exploring the hostile government policies — including the residential school system — that damaged and continue to damage the lives of hundreds of thousands of Indigenous people. By mixing traditional non-fiction with an imagined debate between the author and Scott’s ghost, Conversations with a Dead Man makes it clear that “the villain was a man, and his nation is our nation. Abley’s act of radical empathy makes it harder to turn the page on a chapter of our history we might otherwise slam shut” (Andrew Stobo Sniderman, Maclean’s).