Turn Of A Leaf

"Books before print -manuscripts- were modified continuously throughout the medieval period. Focusing on the ninth and twelfth centuries, this volume explores such material changes as well as the varying circumstances under which handwritten books were produced, used and collected. An important theme is the relationship between the physical book and its users. Can we reflect on reading practices through an examination of the layout of a text? To what extent can we use the contents of libraries to understand the culture of the book? The volume explores such issues by focusing on a broad palette of texts and through a detailed analysis of manuscripts from all corners of Europe"--Publisher's description.

"If it didn't have a beautiful ending, my story would be too painful to tell." Addicted to alcohol by ten years old, a young girl's life was in shambles. As an adult, she sought relief from personal pain, used street drugs, gambled, and sought love and acceptance through homosexual relationships. Due to abuse from others and her own poor choices, she also suffered from serious health issues. After seeking professional counseling, help from rehab centers, and the use of pharmaceutical drugs, she still felt hopeless. Longing for change and feeling powerless to achieve it, Teri sought God's help as a last resort. She experienced many miraculous changes in her life. Because of God's power, she "turned over a new leaf." Teri Leef is a survivor of childhood abuse, forced addictions, and poor personal choices that were influenced by traumatic childhood experiences. Teri tells her personal story and encourages others to make their way out of brokenness, hurt, and pain. She regularly shares her story of hope and faith. Teri loves reaching out to others through missionary work, both regional and international.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

Fall has come, the wind is gusting, and Leaf Man is on the move. Is he drifting east, over the marsh and ducks and geese? Or is he heading west, above the orchards, prairie meadows, and spotted cows? No one's quite sure, but this much is certain: A Leaf Man's got to go where the wind blows. With illustrations made from actual fall leaves and die-cut pages on every spread that reveal gorgeous landscape vistas, here is a playful, whimsical, and evocative book that celebrates the natural world and the rich imaginative life of children. Includes an author's note and leaf-identifying labels.

A graceful and sharply observed book of inspiration that uses the garden as its central muse A New Leaf traces a year of growing seasons at The Leaf, Merilyn Simonds' acreage in eastern Ontario. A lifelong gardener, Simonds works the soil and the soul for wide-ranging revelations about everything from flowers that keep time, to the strange gift of compost, to great gardens of the world, to things lost and found underground. She is joined on her journey by a host of companions — including her Beloved, who tills by her side; the Rosarian, who tends to both bud and thorn in roses and life; and the Frisarian, who weeds unwelcome visitors to make room for new growth. Intelligent and intimate, irreverent and elegant, A New Leaf offers a cornucopia of enrichment and inspiration for the fertile mind.