Tv A Go Go

From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television--as this critical look brilliantly shows--has done a superb job of presenting the energy of rock in a fabulously entertaining but patently "fake" manner. The dichotomy of "fake" and "real" music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like" Shindig! "and "Soul Train "somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when" Saturday Night Live "invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny.

TV Go Home began life in the late 1990s as an outrageously funny website by Charlie Brooker which parodied the Radio Times, and was turned into a book in 2001 when Brooker was still a relative unknown. It was a brutal and surreal satire of the world of TV, media and celebrity, written with Brooker's trademark savage wit. Unavailable for some years, we are republishing it to reach his many thousands of new fans. In TV Go Home, visit a parallel world where reality TV and 'new media' have got completely out of control. Shows include Daily Mail Island, where inhabitants of a small island are force-fed the newspaper and become ever more outraged, an eternal version of Watchdog where viewers are invited to 'phone in and complain about every single facet of every single object, product and service in the world' and various extremely rude shows featuring Mick Hucknall's testicles. Star of the book is Brooker's famous creation Nathan Barley, pretentious Hoxton new-media type 'whose very existence indelibly tarnishes the world's already questionable track record'. Not for the faint-hearted, TV Go Home is a gloriously funny, filthy and spectacularly angry book.

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The 1950s was a watershed decade for American culture and dance. The era witnessed the ascendancy of rock and roll music and recorded sound, the rise of the teenager as a marketing demographic, the beginnings of television, and a new phase of the country's struggle with race. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.

Originally published: Chicago, Ill.: Lake Claremont Press, 2004.

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The Muroe High kendo team is finally stepping up their game when their regularly scheduled training routine is interrupted by...TV cameras?! Thanks to Miya-Miya's #1 fan/stalker, Reimi, the team has been lined up to appear on Burnish Academy, a competitive sports program. The only opponent fit to clash with superstar Tama is Sakaki from Youryuu Academy. But how can Sakaki put her heart into a kendo match when she's devoted all her love to another?