Twentieth Century Scottish Poems

During the 1920s, Scottish poetry, personified by Hugh MacDiarmid, asserted its independence, denying the claim made by T. S. Eliot that all significant differences between Scottish and English literature had ceased to exist. It was an energetic 'No' to provincialism, and a vigorous 'Yes' to nationalism as an enabler of poetry. On its first appearance in 1992, the retrospective and organising vision of Douglas Dunn's now-classic anthology revealed a profounder level of achievement in modern Scottish poetry - whether in Scots, Gaelic or English - than had been formerly acknowledged, and introduced an entire canon of writing to a wider readership, edited with discrimination and exemplary lucidity.

The most wide-ranging anthology of twentieth-century poetry in English and Scots available.

The most wide-ranging anthology of twentieth-century poetry in English and Scots available.

In this series, a contemporary poet advocates a poet or poets of the past or present whom they have particularly admired. By their selection of verses and by the personal and critical reactions they express, the selectors offer intriguing insight into their own work.

Although the number of Gaelic speakers has declined during the twentieth century, the last forty years have seen an astonishing flowering of Scottish Gaelic poetry, much of it in the modern idiom. This bilingual anthology provides a selection of the best work of poets who have contributed most to that revival--Sorely Maclean, George Campbell Hay, Derick Thomson, Iain Crichton Smith, and Donald MacAulay.

In time for Burns Night (the annual celebration of Scottish culture that takes place on January 25, the birthday of Robert Burns)—a sweeping literary tour of Scotland from the Middle Ages to the present, the only single-volume collection of Scottish poetry currently available. Scottish poetry has a long and distinguished history in three languages—English, Scots, and Gaelic—and all are well represented here. The most renowned and beloved poets—Robert Burns, Sir Walter Scott, Robert Louis Stevenson, Hugh MacDiarmid, and Muriel Spark among them—mingle with their lesser-known but equally distinctive compatriots, including many of those who have emerged from the recent Scottish poetry renaissance. The poems are organized by theme: from matters of the heart to subjects spiritual and philosophical to the poetry of place. All of the verse is marked by a characteristic energy, wit, satire, and passionate lyrical intensity, and all demonstrates the power of art that proudly emanates from, but is never limited by, the place of its birth.