Twenty First Century Yiddishism

Drawing on sociolinguistics and cultural studies, this book examines transnational debates about teaching Yiddish over the years. It looks at the ways a contested pedagogical terrain comes to define a minority language's on-going resources of cultural and ideological resilience

Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.

In these sixteen stories, available in English for the first time, prize-winning author Yenta Mash traces an arc across continents, across upheavals and regime changes, and across the phases of a woman's life. Mash's protagonists are often in transit, poised "on the landing" on their way to or from somewhere else. In imaginative, poignant, and relentlessly honest prose, translated from the Yiddish by Ellen Cassedy, Mash documents the lost world of Jewish Bessarabia, the texture of daily life behind the Iron Curtain in Soviet Moldova, and the challenges of assimilation in Israel. On the Landing opens by inviting us to join a woman making her way through her ruined hometown, recalling the colorful customs of yesteryear—and the night when everything changed. We then travel into the Soviet gulag, accompanying women prisoners into the fearsome forests of Siberia. In postwar Soviet Moldova, we see how the Jewish community rebuilds itself. On the move once more, we join refugees struggling to find their place in Israel. Finally, a late-life romance brings a blossoming of joy. Drawing on a lifetime of repeated uprooting, Mash offers an intimate perch from which to explore little-known corners of the twentieth and early twenty-first centuries. A master chronicler of exile, she makes a major contribution to the literature of immigration and resilience, adding her voice to those of Jhumpa Lahiri, W. G. Sebald, André Aciman, and Viet Thanh Nguyen. Mash's literary oeuvre is a brave achievement, and her work is urgently relevant today as displaced people seek refuge across the globe.

The Jewish Metropolis: New York City from the 17th to the 21st Century covers the entire sweep of the history of the largest Jewish community of all time. It provides an introduction to many facets of that history, including the ways in which waves of immigration shaped New York’s Jewish community; Jewish cultural production in English, Yiddish, Ladino, and German; New York’s contribution to the development of American Judaism; Jewish interaction with other ethnic and religious groups; and Jewish participation in the politics and culture of the city as a whole. Each chapter is written by an expert in the field, and includes a bibliography for further reading. The Jewish Metropolis captures the diversity of the Jewish experience in New York.

“A pioneering study” of how two languages have coexisted in the Jewish state, with “a wealth of information” on Yiddish newspapers, theater, and more (AJS Review). Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Rachel Rojanski tells the compelling unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language’s varying fortune through the years was shaped by social and political developments, as well as the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel’s early years between Yiddish writers and activists and Israel’s leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the twenty-first century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.

The dawn of the twenty-first century marked a turning period for American Yiddish culture. The 'Old World' of Yiddish-speaking Eastern Europe was fading from living memory - yet at the same time, Yiddish song enjoyed a renaissance of creative interest, both among a younger generation seeking reengagement with the Yiddish language, and, most prominently via the transnational revival of klezmer music. The last quarter of the twentieth century and the early years of the twenty-first saw a steady stream of new songbook publications and recordings in Yiddish - newly composed songs, well-known singers performing nostalgic favourites, American popular songs translated into Yiddish, theatre songs, and even a couple of forays into Yiddish hip hop; musicians meanwhile engaged with discourses of musical revival, post-Holocaust cultural politics, the transformation of language use, radical alterity and a new generation of American Jewish identities. This book explores how Yiddish song became such a potent medium for musical and ideological creativity at the twilight of the twentieth century, presenting an episode in the flowing timeline of a musical repertory - New York at the dawn of the twenty-first century - and outlining some of the trajectories that Yiddish song and its singers have taken to, and beyond, this point.

Diasporic Modernisms illuminates the formal and historical aspects of displaced Jewish writers--S. Y. Abramovitsh, Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, and others--who grappled with statelessness and the uncertain status of Yiddish and Hebrew.

Jrgen Habermas, speaking of postmodern society, remarked that extension of the means of communication not only allows a wide range of information, but it also encourages permanent connections between different peoples, cultures, and social discourses. It thus facilitates better general understanding, a clarifying of real or apparent contradictions. But this process becomes truly positive only when it is performed between equal members. Globalization of information does not minimize the possibility of conflict or terrorism, if fundamental social problems are not resolved or at least approached in an active way. This volume examines the major upheavals of the twentieth century and views within the framework of these events and challenges implications for the future. "Values and Cultural Changes in the Postmodern World," by Zygmunt Bauman explores the changing meaning of space in the globalizing environment; S.N. Eisenstadt analyzes the destructive components of modernity; and Irving Louis Horowitz draws attention to the classical values of the common universal culture. "Social Development and Policies in Contemporary Society," by Michael M. Cernea, examines the importance of the applied and policy-orientated research, especially in the developing countries, and David Marsland stresses the positive role of sociology in pointing to the possibilities of improving healthcare in modern society. "Societies in Transition-Eastern Europe," emphasizes transitions that have occurred in Eastern Europe. Rozalina Rjyvkina and Leonid Kosals provide an incisive study of the situation in Russia, while Jerzy J. Wiatr presents a comparative analysis of postcommunist societies, with special reference to Poland. "The Jewish World: Pre- and Post-Holocaust," by Regina Azria, discusses the identity problems in the Diaspora confronting modernity; Eva Etzioni-Halevi considers the newly developed Israeli society from the point of view of the exercise and distribution of power; and a most interesting contribution by Annette Wieviorka concerns the material and spiritual effects of the Holocaust on the Jews of France. Social historians and students of Judaica, as well as a general public interested in cultural pluralism will find this well-developed volume essential reading.