Twenty One Cardinals

The twenty-one children of the Cardinal family have congregated to celebrate their father, who discovered the mine around which their now-desolate town was built. As the siblings run wild, we discover that Angèle, the only Cardinal with a penchant for happiness, is missing—although everyone pretends not to notice. Why the silence? What secrets does the mine hold? Jocelyne Saucier is the author of several novels, including Il pleuvait des oiseaux, which won the Prix des Cinq Continents de la Francophonie. Rhonda Mullins was shortlisted for the Governor General's Award for her translation of Saucier's And the Birds Rained Down.

The Cardinals Way presents an inside look at the St. Louis Cardinals, a team that has emerged as the model organization in the MLB through developing young talent and embracing analytics. The St. Louis Cardinals have experienced the kind of success that is rare in baseball. Regarded by many as the premier organization in Major League Baseball, they not only win, but do so with an apparently bottomless pool of talent, one that is mostly homegrown. Despite years of phenomenal achievements, including going to the World Series in 2004 and again in 2006, the Cardinals reinvented themselves using the "Cardinal Way," a term that has come to represent many things to fans, media, and other organizations, from an ironclad code of conduct to the team's cutting-edge use of statistic and analytics, and a farm system that has transformed baseball. Baseball journalist Howard Megdal takes fans behind the scenes and off the field, interviewing dozens of key players within the Cardinals organization, including owner Bill DeWitt and the former general manager John Mozeliak. Megdal reveals how the players are assessed and groomed using an unrivaled player development system that has created a franchise that is the envy of the baseball world. In the spirit of Moneyball, The Cardinals Way tells an in-depth, fascinating story about a consistently good franchise, the business of sports in the twenty-first century and a team that has learned how to level the playing field, turning in season after successful season.

An old man in a military uniform is dumped at the police station—he won't speak English but has a lawyer's card in his pocket. A seemingly innocuous encounter gets stranger and stranger as we gradually realize no one is who they seem and the Balkan wars' traumas continue to play out. The "It Kid" of Canadian theater, award-winning playwright Nicolas Billon, returns with a devastating parable. Nicolas Billon's plays and translations have been produced at the Stratford Festival, Soulpepper Theatre, and Canadian Stage. Fault Lines won the Governor General's Award, and his first play, The Elephant Song, is being developed into a film starring Catherine Keener.

A collection of poetry, in which the author voices a passionate argument against environmental degradation and a plea for psychic transformation in our violent times. Tuned in to the toxic fallout of over-industrialization and war, these poems face the dark side of our postmodern climate with a language that doesn't give in.

It’s 1606 and Europe is at war over God. At the behest of the Holy Roman Emperor, Rudolf II, Venice’s four strongest men are charged with transporting a holy painting — Albrecht Dürer's The Brotherhood of the Rosary — across the Alps to Prague. In the small Alpine village of Pusterwald, they are set upon by Protestant zealots; their escape is attributed to a miracle. The strongmen and their captain are summoned to an inquiry, led by the magistrate of Venice and the cardinal archbishop of Milan, to determine whether something divine did indeed occur. Each man's recounting adds a layer of colour to the canvas. Through this vividly painted mystery, inspired by true events, Sean Dixon challenges the role of faith at the dawn of the Age of Reason. Sean Dixon is a playwright, novelist, and actor. His plays are collected in AWOL: Three Plays for Theatre SKAM. Sean's novels are The Last Days of the Lacuna Cabal and The Many Revenges of Kip Flynn.

Explore over a century of Cardinals baseball in this illustrated tour of the players, teams, ballparks, and historic moments! With a legacy that goes back to the Brown Stockings of the old American Association, the St. Louis Cardinals have one of the longest and greatest traditions in the history of baseball. Winners of ten World Series titles (second only to the New York Yankees) and twenty-one pennants dating back to 1885, the Redbirds have established a dynasty across the decades—from Charlie Comiskey’s four-time AA champs, through the “Gashouse Gang” of the 1930s and the “Runnin’ Redbirds” in the 1980s, up to the 2006 World Champions. Front-office pioneers like Chris von der Ahe and Branch Rickey have put the Cardinals franchise at the forefront of innovation, while bringing in some of baseball’s greatest talent—pitchers Dizzy Dean to Bob Gibson, sluggers Johnny Mize to Mark McGwire, and all-around superstars like Rogers “Rajah” Hornsby, Stan “the Man” Musial, and Albert Pujols. Pairing historic black-and-white photos and contemporary images of the modern game, St. Louis Cardinals: Past & Present explores the ballparks and the fans, the players and the teams that have defined Cardinals baseball.

Home is where the heart is, or, in the case of The Sink House, home is what the heart is. Sequestered on a sleepy street in a dry Calgary suburb, our heroine, the House, finds herself embroiled in a stalled love affair with an elusive and alluring Oxfordshire riverbank. In a series of self-contained poems both prosy and lyrical, we follow this curious and engaging affair, which mysteriously coincides with a slow and gradual flood. Everything succumbs to the persistent rise of water: the street becomes a creek bed, wallpaper comes away in the night, sandbags melt, kitchen utensils become silt. Here, the furniture floats, flowers become fish that feed in the garden on vegetables that explode with damp. Through it all, our lovers persist, salvaging soap boats and flushing toilets for amusement. Intelligent, enigmatic, sometimes humorous, and always enticing, The Sink House is a long, eccentric love poem that will immerse you in the flood of its own desire. 'If only the imagination were real. Story seems to think so. And so does Julia Williams. Here, image (hear the image) beautifully choreographs the story into a readable imagination that is a measure of syllabic and rhythmic particulars, a language, thankfully, balanced, open and with surprise. In other words, a poetry that makes seeming so.' - Fred Wah

An argument that complex cardinals are not extra-linguistic but built using standard syntax and standard principles of semantic composition. In Cardinals, Tania Ionin and Ora Matushansky offer a semantic and syntactic analysis of nominal expressions containing complex cardinals (for example, two hundred and thirty-five books). They show that complex cardinals are not an extra-linguistic phenomenon (as is often assumed) but built using standard syntax and standard principles of semantic composition. Complex cardinals can tell us as much about syntactic structure and semantic composition as other linguistic expressions. Ionin and Matushansky show that their analysis accounts for the internal composition of cardinal-containing constructions cross-linguistically, providing examples from more than fifteen languages. They demonstrate that their proposal is compatible with a variety of related phenomena, including modified numerals, measure nouns, and fractions. Ionin and Matushansky show that a semantic or syntactic account that captures the behavior of a simplex cardinal (such as five) does not automatically transfer to a complex cardinal (such as five thousand and forty-six) and propose a compositional analysis of complex cardinals. They consider the lexical categories of simplex cardinals and their role in the construction of complex cardinals; examine in detail the numeral systems of selected languages, including Slavic and Semitic languages; discuss linguistic constructions that contain cardinals; address extra-linguistic conventions on the construction of complex cardinals; and, drawing on data from Modern Hebrew, Basque, Russian, and Dutch, show that modified numerals and partitives are compatible with their analysis.