Twenty Thousand Roads

"Virginia Scharff's wonderfully readable account of women in motion complicates and enriches our understanding of the nineteenth and twentieth century Wests. Her gendered remapping of the regional landscape explodes traditional notions of western movement. All students of women and gender, travel and place, the West and America, would do well to read this excellent book."—David M. Wrobel, author of Promised Lands: Promotion, Memory, and the Creation of the American West "Virginia Scharff claims for women what has long been central to the masculine mythology of the West—free movement and its many gifts, real and imagined. Her book is as exhilarating and as intellectually and emotionally expansive as our enduring dream of flight across the American land."—Elliott West, author of The Contested Plains: Indians, Goldseekers, & the Rush to Colorado "Brilliant is not a word that is often a part of my critical vocabulary, but brilliantly is how Twenty Thousand Roads begins. When writing of Sacagawea and Susan Magoffin, Virginia Scharff shows vividly how a single life can be a source of sophisticated cultural analysis without becoming an academic artifact or an object of condescension."—Richard White, author of It's Your Misfortune and None of My Own: A New History of the American West

"He was a member of the Byrds and founder and frontman of the Flying Burrito Brothers. He was best friend to Keith Richards and mentor to Emmylou Harris. And he revolutionized music, combining country and rock when the two were like oil and water. Gram Parsons may have been only twenty-six when he died in 1973, but he was already well on his way to becoming one of the most influential musicians of all time." "A collaboration between journalist Jessica Hundley and Gram's daughter, Polly Parsons, Grievous Angel is part biography, part visual scrapbook - a compilation of conversations and never-before-seen photos and unpublished letters, all interwoven with a retelling of Gram's tale." "Featuring dozens of interviews with everyone from Bright Eyes and Elvis Costello to Willie Nelson and Steve Earle, Grievous Angel is an exploration of how Gram's legacy has spanned the decades, still inspiring both his contemporaries and today's artists, thirty-odd years after his tragic death."--BOOK JACKET.

A view of the music and life of Gram Parsons and his influence on country rock.

The long overdue, definitive narrative biography of one of Australia's legendary bands, The Bee Gees, by the acclaimed award-winning author of Twenty Thousand Roads- The Ballad of Gram Parsons and his Cosmic American Music. The Bee Gees have outsold everyone- The Who, The Rolling Stones, The Doors and The Kinks, en route to selling more than 225 million records worldwide over their forty-year career. Their numbers are eclipsed only by The Beatles and Michael Jackson. Between 1967 and 1972 the Bee Gees sold twenty-five million records. And during those five years The Bee Gees wrote and sang some of the most memorable, iconic songs of their era; songs that were everywhere, in the air, on the radio and in everyone's head; one Top 5 single after another, in America, Australia and the UK. Songs that included- '1941 New York Mining Disaster', 'To Love Somebody', 'Massachusetts', 'Holiday', 'World', 'Words', 'I Gotta Get a Message To You', 'I Started a Joke', 'Lonely Days'... In 1969 they played the Royal Albert Hall in the UK with a 70-piece orchestra and a 100-piece marching band. Standing room only. The Bee Gees were the first band to play and sell out 100,000-seat sports arenas. In 1971 the brothers wrote and sang one of the most beautiful and enduring pop songs of all time- 'How Do You Mend a Broken Heart?' And in 1972 'Run To Me' became the final #1 of the first Bee Gees era. Pop charts are fickle; pop audiences more fickle still. Bands have always come and gone, bands have always been forgotten. But no band has ever risen as high as The Bee Gees did in 1972 and then fallen as low as The Bee Gees had by 1974. The Bee Gees' saga is the epic story of three men, three brothers, in a unique musical partnership. Unlike, say, The Jacksons, The Bee Gees always needed one another. Each brought a unique gift to the mix, and the others knew it. From that need grew the reality of having to put up with each other. For forty years... Even wth Barry's ambition, he could not succeed without his brothers. Each brother's personality warrants its story told, and all three are caught in this compelling family dynamic. And as weird, human, tragic and compelling as The Bee Gees are as individual characters, the tensions among them provide the core of their amazing drama. David Meyer's highly anticipated biography chronicles the life and career of one of the best known, most enduring, most recognisable, and singular bands of the last fifty years. Their story is the story of pop music over the last forty years, of music that was neither rock nor soul nor country, but an individual sound that fit no genre and that no other artist could emulate.

“Wolfe does an exemplary job of detailing the ceremonies performed at Mecca and the reasons behind them . . . Highly recommended.” —Library Journal, starred review This updated and expanded edition of One Thousand Roads to Mecca collects significant works by observant travel writers from the East and West over the last ten centuries—including two new contemporary narratives—creating a comprehensive, multifaceted literary portrait of the enduring tradition. Since its inception in the seventh century, the pilgrimage to Mecca has been the central theme in a large body of Islamic travel literature. Beginning with the European Renaissance, it has also been the subject for a handful of adventurous writers from the West who, through conversion or connivance, managed to slip inside the walls of a city forbidden to non-Muslims. These very different literary traditions form distinct impressions of a spirited conversation in which Mecca is the common destination and Islam the common subject of inquiry. Along with an introduction by Reza Aslan, featured writers include Ibn Battuta, J. L. Burckhardt, Sir Richard Burton, the Begum of Bhopal, John F. Keane, Winifred Stegar, Muhammad Asad, Lady Evelyn Cobbald, Jalal Al-e Ahmad, and Malcolm X. One Thousand Roads to Mecca is a historically, geographically, and ethnically diverse collection of travel writing that adds substantially to the literature of Islam and the West. “Serves as an excellent introduction to a religion, people, culture, and philosophy.” —Santa Cruz Sentinel

In 1969, at the Ryman Auditorium in Nashville, Tennessee, American music changed for ever. Bob Dylan, the most daredevil spirit of the rock era, took the stage for the first time with Johnny Cash, country music superstar. This show at the temple of country music, The Grand Ole Opry, was the most public evidence of a collision of styles which first occurred in the mid-1950s and has sent shockwaves through American music ever since. Country Rock, as played by the Byrds, the Eagles and Gram Parsons, was to become the dominant style in American music during the 1970s.

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

“The happiest, saddest, sweetest book about rock ‘n’ roll that I’ve ever experienced.”—Chuck Klosterman Mix tapes: We all have our favorites. Stick one into a deck, press play, and you’re instantly transported to another time in your life. For Rob Sheffield, that time was one of miraculous love and unbearable grief. A time that spanned seven years, it started when he met the girl of his dreams, and ended when he watched her die in his arms. Using the listings of fifteen of his favorite mix tapes, Rob shows that the power of music to build a bridge between people is stronger than death. You’ll read these words, perhaps surprisingly, with joy in your heart and a song in your head—the one that comes to mind when you think of the love of your life. Praise for Love is a Mixtape “A memoir that manages, no small feat, to be funny and beautifully forlorn at the same time.”—The New York Times Book Review “Humorous, heartbreaking, and heroic.”—Entertainment Weekly “The finest lines ever written about rock ‘n’ roll . . . Like that song on the radio, every word of Rob’s book is true. Love is a mix tape.”—Rolling Stone “Many of us use pop culture as a mirror of our emotional lives, but Sheffield happily walks right through the looking glass.”—Los Angeles Times “Sheffield writes with such aching remembering, you feel like you are invading his privacy . . . and it’s the truth of those details that make this memoir so touching.”—Newsweek