Two Krishnas And One Chariot The Story Of Arjuna

Brahmananda Patro (J B Patro) retired as a Deputy Chief Executive from the Nuclear Fuels Complex, Hyderabad (earlier in Bhabha Atomic Research Centre), specialized in the production of Nuclear Fuels for Power Reactors. He is a member of the early pioneering team in the production of natural uranium, right from milling ore to finished fuel for nuclear power reactors operating in India. During his long service he had the chance to interact and participate in a number of scientific seminars in India and abroad. Drawn to the teachings of Lord Krishna right from a very early age, Mr. Patro viewed Bhagavad-Gita as a treatise on the Physics of energy-The Laws of Thermodynamics-the very cosmic laws that govern of our Universe and conduct our lives as the rita of the Vedas. He has compiled, edited and since published Sree MahaBhagavatam in English translated from original Sanskrit by late Swami Ramakrishna Brahmananda. Enchanted by Lord Krishna’s personality and researching into the classical and contemporary literature on Krishna, his book The Life and Times of Krishna- the Deity Who Lived as Man was published by Wisdom Tree in September 2013.While researching on Krishna Mr. Patro was fascinated by the character of Arjuna, the bosom friend of Krishna. Krishna says on a number of occasions in the Epic Mahabharata that Arjuna is his other self, alter ego. And also, the Puranic literature attributes the duo to the legend of ancient rishis Nara Narayan. Arjuna being an avatar of Nara-The primeval Man or eternal spirit pervading the Universe, always associated with Narayana the Supreme Spirit Vishnu/Krishna. Both are considered as Gods or Sages and accordingly called ‘Deva, Rishi, and Tapasao’. This has been the theme of the book on Pandava hero Arjuna entitled as ‘Two Krishnas and One Chariot-The story of Arjuna. It took about two years to research on the subject from Epic Mahabharata and other related literature. Arjuna was a versatile human, intellectual with an enquiring mind, and a peerless warrior, and Lord Krishna rightly selected him to impart his Science of Yoga which has been handed down to us as Bhagavad Gita.

"The introductions in this anthology are meant to be just that: a basic overview of what students need to know before they begin reading, with topics that students can research further. An open access literature textbook cannot be a history book at the same time, but history is the great companion of literature: The more history students know, the easier it is for them to interpret literature. In an electronic age, with this text available to anyone with computer access around the world, it has never been more necessary to recognize and understand differences among nationalities and cultures. The literature in this anthology is foundational, in the sense that these works influenced the authors who followed them. A word to the instructor: The texts have been chosen with the idea that they can be compared and contrasted, using common themes. Rather than numerous (and therefore often random) choices of texts from various periods, these selected works are meant to make both teaching and learning easier. While cultural expectations are not universal, many of the themes found in these works are."--Open Textbook Library.

Mahabharatha is the biggest epic in the world. The epic culminates with the great battle between the Pandavas and Kauravas. The third Pandava - Arjuna was a brilliant warrior and he was also the best friend of Krishna. Krishna is considered to be an avatara of Lord Narayana, who is the Preserver God in Hinduism. One of the eternal companions of Lord Narayana was Sage Nara. It was said that Arjuna was the incarnation of Sage Nara. Krishna and Arjuna were born on the same day and the bond between them went much deeper than friendship. These are a collection of stories of the two warriors. Short Stories from the Mahabharatha.

Unlike many other ancient mythologies, Hinduism thrives in the modern world. One billion followers and countless others have been captivated by its symbolic representations of love, karma, and reincarnation. Handbook of Hindu Mythology offers an informative introduction to this dauntingly complex mythology of multifaceted deities, lengthy heroic tales, and arcane philosophies-all with a 3,000-year history of reinterpretations and adaptations. Williams offers a number of pathways by which to approach Hinduism's ever-changing gods and goddesses (e.g., Brahma, Vishnu, Siva), spiritual verses (such as the vedas), secular epics (including the Ramayana and the Mahabharata), myths within myths, devotional and esoteric traditions, psychic and yogic disciplines, and magical practices. With this handbook, readers can explore the history of Hindu mythology, follow a detailed timeline of key episodes and historical events, and look up specific elements of historical or contemporary Hinduism in a beautifully illustrated reference work. It is the ideal introduction to the origins of Hinduism, the culture that shaped it from antiquity to the present, and the age-old stories, ideas, and traditions that speak to the human condition as eloquently today as ever. Including annotated bibliographies, a glossary of cultural and mythological terms, and numerous illustrations, here is a gold mine of information on Hindu mythology. "

Why Read Four Quartets? is offered to encourage readers unfamiliar with T. S. Eliot's masterpiece to "take up, read, and inwardly digest" these beautiful and sacred poems. Commentary is offered to hopefully make the poems more accessible to a general reader. Most critics and commentators do not seem to take Eliot's own spirituality seriously, or at least they don't choose to comment on it. Literary analysis is often emphasized to the exclusion of viewing the quartets in a personal or biographical manner. In sharp contrast to these typical studies, this book endeavors to show that the quartets, along with his earlier post-1927 poetry (Ariel Poems and Ash Wednesday), can be read as the story of Eliot's own mystical journey to the Divine.

World Scripture is a guidebook to the primary source materials of the classical, living religions of the world. It is a guidebook which innovatively blends critical and interpretative tools with sacred symbols and stories of Ultimacy.

Queen Kunti, a tragic and heroic figure, emerges from an explosive era in the history of ancient India. Her teachings are simple and illuminating outpourings revealing the deepest transcendental emotions of the heart and the deepest philosophical and theological penetrations of the intellect. At the conclusion of the devastating Kurukshetra war, Queen Kunti approaches Lord Krishna as He prepares to depart the scene of the battle. Kunti's words are words of glorification impelled by a divine love steeped in wisdom. Kunti's spontaneous glorification of Lord Krishna and her description of the spiritual path are immortalized in the Mahabharata and the Bhagavata Purana (Srimad-Bhagavatam), and they have been recited, chanted, and sung by sages and philosophers for thousands of years. As they appear in the First Canto of the Bhagavatam, Queen Kunti's celebrated prayers consist of only twenty-six couplets (verses 18 through 43 of the Eighth Chapter), yet they are considered a philosophical, theological, and literary masterpiece. Let her heartfelt words of wisdom bring solace to your soul.

This book is a study of India's great epic, the Mahabharata, against the background of Indo-European myth, epic and ritual. It builds upon the pioneering studies in these areas by Georges Dumezil and Stig Wikander to work toward the goal of understanding how this epic's Indo-European heritage is interpreted and reshaped within the setting of bhakti or devotional Hinduism. The book begins with a comparative typology of traditional classical epics, arguing that epic is a distinctive mythical genre, and that the Mahrib/grata in particular should be studied as part of an Indo-European epic (and not just mythical) continuum. The reshaping of Indo-European themes is then examined in relation to the Mahabharata's central mystery: the figure of Krishna, hero and ally of the Pandava brothers in their struggles against their cousins, the Kauravas, and incarnation of Visnu. The study argues that Krishna figures in the epic at the center of a coherent theological ensemble that builds upon continuities in Indo-European, Vedic and particularly Brahmanic sacrificial idioms. Ultimately, Krishna guides the forces of dharma or righteousness through a great "sacrifice of battle" whose eschatological background recalls Indo-European and Vedic themes, while projecting them into the Hindu bhakti cosmology of universal dissolution, recreations and divine grace. The study vigorously opposes attempts to "explain" Krishna by arbitrary theories of the Maluibhdrata's growth through interpolations.