Two Serious Ladies

'My favourite book. I can't think of a modern novel that seems more likely to become a classic' Tennessee Williams'The book I give as a gift . . . It feels like giving someone an exotic fruit' Sheila Heti'A modern legend . . . A very funny writer' Truman Capote'Profoundly witty, genuinely unusual in its apprehensions, and bracingly, humanely true' Claire MessudI am going on a trip. Wait until I tell you about it. it's terrible.Miss Goering, an eccentric, impulsive New York heiress, resides in her house and tries not to be unhappy.Mrs Copperfield, an anxious, dutiful married woman, has a great fear of drowning, of lifts, of intruders in the night. Two serious ladies, nothing is natural for them and anything is possible.For Mrs Copperfield - a trip to Panama, where she abandons her husband for love of a local prostitute. For Miss Goering - a move to a squalid little house on an island and a series of sordid encounters with strangers. Both go to pieces -and both realise this is something they've wanted to do for years.With an introduction by Naoise DolanA W&N Essential

'My favourite book. I can't think of a modern novel that seems more likely to become a classic' Tennessee Williams 'The book I give as a gift . . . It feels like giving someone an exotic fruit' Sheila Heti 'A modern legend . . . A very funny writer' Truman Capote 'Profoundly witty, genuinely unusual in its apprehensions, and bracingly, humanely true' Claire Messud I am going on a trip. Wait until I tell you about it. it's terrible. Miss Goering, an eccentric, impulsive New York heiress, resides in her house and tries not to be unhappy. Mrs Copperfield, an anxious, dutiful married woman, has a great fear of drowning, of lifts, of intruders in the night. Two serious ladies, nothing is natural for them and anything is possible. For Mrs Copperfield - a trip to Panama, where she abandons her husband for love of a local prostitute. For Miss Goering - a move to a squalid little house on an island and a series of sordid encounters with strangers. Both go to pieces -and both realise this is something they've wanted to do for years. With an introduction by Naoise Dolan A W&N Essential

Collective Winner of the 2019 Highland Book Prize Under the ravishing light of an Alaskan sky, objects are spilling from the thawing tundra linking a Yup'ik village to its hunter-gatherer past. In the shifting sand dunes of a Scottish shoreline, impressively preserved hearths and homes of Neolithic farmers are uncovered. In a grandmother's disordered mind, memories surface of a long-ago mining accident and a 'mither who was kind'. For this luminous new essay collection, acclaimed author Kathleen Jamie visits archaeological sites and mines her own memories - of her grandparents, of youthful travels - to explore what surfaces and what reconnects us to our past. As always she looks to the natural world for her markers and guides. Most movingly, she considers, as her father dies, and her children leave home, the surfacing of an older, less tethered sense of herself. Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.

A SINGULAR EXPLORATION OF MODERN LOVE AND ALL ITS DEMONS, IN WORDS AND DRAWINGS In this brilliant gem of a book, artist/writer Leanne Shapton weaves together a voyeuristic tale of love and life through epigrammatic vignettes and sleek line drawings. Entire relationships are encapsulated in a few, stingingly perfect lines: "Colleen was Walter's ex-girlfriend from med school. She loved to dance with men at weddings." Pricking our insecurities, Shapton introduces us to Kim, whose ex "kept a drawerful of love letters in a kitchen drawer . . . She would stare at it while she cooked." And Ben's ex, "a physiotherapist for the U.S. men's and women's Olympic swim teams. She wore small white shorts year-round." Fascinated by her own jealousy, Shapton interviewed acquaintances about their anxieties and peccadilloes, and the result is a book of surpassing originality: one of those unusual books that comes along to delight us all, like An Exaltation of Larks or Love, Loss, and What I Wore or Griffin and Sabine. Was She Pretty? can also share the shelf with the work of the legendary William Steig, whose early, psychologically revealing work inspired Shapton. An unflinching observer of human behavior, she invites us to peer into the hearts and minds of her characters—while reminding us that we shouldn't be surprised if we see ourselves staring right back.

Tennessee Williams called Jane Bowles "the most important writer of prose fiction in modern American letters." John Ashbery said she was "one of the finest modern writers of fiction in any language," consistently producing "the surprise that is the one essential ingredient of great art." Here, available again, is the only biography of this powerful writer.

When I was younger, I wished I had been born in a concentration camp like my mother, instead of in boring Englewood Hospital. I used to imagine all the prisoners crying mutely with joy while my grandmother lay swallowing her screams so the guards wouldn’t hear. So writes Deborah Gelb, the teenage daughter of the title character, in her opening chapter. Deborah’s voice is complemented by that of Ruth Mondschein – Clara’s mother, who recounts her life story to Tommy, a patient at the AIDS hospice where she volunteers. In alternating chapters, Deborah and Mrs Mondschein depict the lives of three generations of women as both daughter and mother attempt to make sense of Clara’s 'melancholia' and the historical events that profoundly affected them all. While the novel is set in mid-1990s New York and suburban New Jersey, Deborah and Mrs Mondschein’s stories move through much of the twentieth century, from Vienna and Czechoslovakia, to Spain and Morocco. At the heart of this ambitious novel is the question of why some people are strengthened by adversity – even something as horrific as genocide – and others are defeated by it. Clara Mondschein’s Melancholia examines with bravado and sensitivity how the lingering effects of one of history’s darkest hours – including guilt, anger, loyalty and hope – live on in a single family.

Cigarettes is a novel about the rich and powerful, tracing their complicated relationships from the 1930s to the 1960s, from New York City to Upper New York State. Though nothing is as simple as it might appear to be, we could describe this as a story about Allen, who is married to Maud but having an affair with Elizabeth, who lives with Maud. Or say it is a story about fraud in the art world, horse racing, and sexual intrigues. Or, as one critic did, compare it to a Jane Austen creation, or to an Aldous Huxley novel—and be right and wrong on both counts. What one can emphatically say is that Cigarettes is a brilliant display of Harry Mathews's ingenuity and deadly playfulness.