Clara Mondschein S Melancholia

When I was younger, I wished I had been born in a concentration camp like my mother, instead of in boring Englewood Hospital. I used to imagine all the prisoners crying mutely with joy while my grandmother lay swallowing her screams so the guards wouldn’t hear. So writes Deborah Gelb, the teenage daughter of the title character, in her opening chapter. Deborah’s voice is complemented by that of Ruth Mondschein – Clara’s mother, who recounts her life story to Tommy, a patient at the AIDS hospice where she volunteers. In alternating chapters, Deborah and Mrs Mondschein depict the lives of three generations of women as both daughter and mother attempt to make sense of Clara’s 'melancholia' and the historical events that profoundly affected them all. While the novel is set in mid-1990s New York and suburban New Jersey, Deborah and Mrs Mondschein’s stories move through much of the twentieth century, from Vienna and Czechoslovakia, to Spain and Morocco. At the heart of this ambitious novel is the question of why some people are strengthened by adversity – even something as horrific as genocide – and others are defeated by it. Clara Mondschein’s Melancholia examines with bravado and sensitivity how the lingering effects of one of history’s darkest hours – including guilt, anger, loyalty and hope – live on in a single family.

Death, that ending of all endings, is the shared concern of these stories, which have been chosen from among the hundreds that have appeared in the prestigious Flannery O'Connor Award for Short Fiction series. More than seventy volumes, which include approximately eight hundred stories, have won the Flannery O'Connor Award. This stunning trove of always engaging, often groundbreaking short fiction is the common source for this anthology on death-and for planned anthologies on such topics as work, family, animals, children, and more. Most of the expected ways by which we take our leave are covered here: accident, murder, suicide, illness, old age. Perhaps less expected is how, in these stories, a matter we'd rather not think about becomes the stuff of fiction so compelling that we can't stop thinking about it. How can something so final and certain spread so much ambiguity in its wake? What did we think of the departed, and what did they think of us? How long will they be around--in our hearts and heads-even after they're gone? How will we forgive those who may have caused the death of a loved one? These fifteen stories give us many new ways of looking not only at death but at the lives that must go on in its aftermath.

Richard Pipes and Marc Raeff’s letters from 1948–2007 with introductory and concluding essays, detailed annotations, abundant illustrations, a chronology of major events, and four maps.

Front porches, family cars, playgrounds, swimming pools: from such familiar haunts of childhood, these stories look out on the world through young eyes and hearts. Wise beyond their years—or soon to be—Ruthie, Omar, J.J., and the other kids in these stories veer in and out of touching distance to hard lessons about trust, love, and mortality. However engaged or aloof, grownups are always nearby. Far-from-perfect emissaries to the realm of adulthood, they pose questions for children even as they offer answers.

Teachers delve into the most difficult, rewarding, and transformative moments of their careers, as they discover that succeeding at teaching is a test not just of training or of subject matter, but of resolve, dedication, faith, and character. Whether in a New England prep school or a public school in South Central LA, a preschool in Malawi or a high school in China, the fundamental challenges of becoming a teacher are the same: finding authority, forging an authentic connection with students, and making a space where learning can occur. In these twenty personal narratives, teachers provide us with a fascinating insight into a profession that touches us all.