Two Shots For The Sheriff

When Estevan Ramirez bursts, guns blazing, into the Silver City Saloon, is it the signal for a range of war between two rival cattle clans? or can the whisky-loving sheriff, Steve McCormack, subdue the bloodshed.

In 1931, a 12-year-old boy shot and killed the sheriff of Asotin, Washington. The incident stunned the small town and a mob threatened to hang him. Both the crime and Herbert Niccolls's eventual sentence of life imprisonment at the Washington State Penitentiary in Walla Walla drew national attention, only to be buried later in local archives. Journalist Nancy Bartley has conducted extensive research to construct a compelling narrative of the events and characters that make this a unique episode in the history of criminal justice in the United States. Niccolls became a cause for Father Flanagan of Boys Town,who took to the airwaves, imploring listeners to write Governor Hartley on the boy's behalf. The bitter campaign put Hartley in such a negative light that he lost his bid for reelection. Under a new and progressive warden, Niccolls thrived in prison. Inmates like physician Peter Miller and literary agent James Ashe became his tutors, finding that Niccolls had an insatiable appetite for knowledge. During the deadly 1934 prison riot at Walla Walla, several prisoners kept him from harm. Niccolls was finally released from prison in his early twenties. He went to work at 20th Century Fox in Hollywood, where he kept his secret for the rest of his long life. The Boy Who Shot the Sheriff explores this little-known story of a young boy's fate in the juvenile justice system during the bloodiest years in the nation's penitentiaries. Watch the trailer: http://www.youtube.com/watch?v=jRKFFQDgW20&list=UUge4MONgLFncQ1w1C_BnHcw&index=6&feature=plcp

Set in Civil War Texas, They Wanted Justice is an action/adventure story spiced with love and hate. Seriously wounded in the battle of Gettysburg, Luc Post, a devout Christian soldier in Gen. Lees Army, comes to Texas to rehabilitate a serious injury. After being healed by a Comanche, he gets caught up in a series of violent encounters when he joins Qunashano, a Comanche leader, and Joellen Meriwether, a beautiful rancher, in a quest for a Yankee spy who has murdered members of their families. In the process they encounter a fascinating array of frontier Texans wanting some kind of justice.

Vol. 6 includes reports of cases dealing with national insurance and general insurance (other than marine).

This book is centered on the words of leaderless resistors, men labeled as Phinehas Priests or Army of God Warriors who use force to oppose what they consider unrighteous government or ungodly laws. Positioned on America's extreme right, they are guerrilla fighters; clandestine operators who work in small cells or individually against the government and specific laws, such as those that permit abortion. Their beliefs and actions are the subject of The Phinehas Priesthood: Violent Vanguard of the Christian Identity Movement. As the book reveals, individuals who follow the Phinehas model determine that there is a higher cause, a greater good that negates all or some portion of civil law. Based on that determination, they resist perceived evil, acknowledging only the leadership of their God. The first part of this absorbing study examines organizational, resistance, and religious concepts and theories that drive these insurgents. The second part describes the beliefs, motivations, and actions of selected resistors, often using their own words to provide insights into the Christian Identity worldview and the extreme antiabortion movement. Individuals such as Walter E. Thody, Clayton Waagner, and James Kopp are quoted at length, offering firsthand perspective on the facts and events discussed.

When Nole Darlen kills his father—the man who has built the largest house anyone in these East Tennessee hills has ever seen—the single resounding gunshot sets up a dark patchwork of memory and expectation that gathers-up townspeople, hill-folks, lovers and outlaws. Here is a tangled tale involving the dead man’s wife, neighbor Burlton Hobbes, desperado Jem Craishot, and a grizzled muskrat-trapper named Hogeye. Central to the story is a pistol that Nole Darlen has taken from a card game the night before the murder. The pistol becomes a totem to Nole, an embodiment of the frustrations and failures that have dogged his life. He envies and fears the outlaw, Jem Craishot, wishing he, too, could be “fearsome,” but descends, instead, into cowardice and betrayal. Eventually, the gun becomes a central element of the novel’s twisted story, a talisman of murder, and a key to the book’s shocking ending. Richard Hood brings to bear his deep roots in rural East Tennessee. The plots and subplots of Regret the Dark Hour are based on true stories. The house still exists, the patricide really happened, the outlaw—Jem Craishot—is based upon the legendary Kinny Wagner, whose exploits derive from this time and region. The novel’s social and cultural backgrounds are accurate, and call-up the rich heritage of East Tennessee. The novel has been called “Southern Gothic Noir,” and Hood describes it as an “anti-mystery.” There is never any doubt about who killed Carl Darlen, but the story turns and weaves through the day of the murder and ends with a startling, dark, surprise. Here is a story of family violence—its simmering causes and smoldering consequences—set against the clashing tensions of old-and-new, fiddle-tunes and factories, among the hills and coves of prohibition-era East Tennessee. Praise for REGRET THE DARK HOUR: “Richard Hood’s Regret the Dark Hour is a search for Regional Truth and the ways memory, representation, and history intertwine to produce stories, interpretation, and character. This novel is a triumph—giving us the sound and flavor of prohibition-era East Tennessee, in a mix of voice, perception, and blindness embedded within the darkly tangled story of a family murder.” —Shelby Stephenson, Poet Laureate of North Carolina and author of Paul’s Hill: Homage to Whitman; Our World and Nin’s Poem “Regret the Dark Hour calls up a story of betrayal, forbidden love, and familial violence in prohibition-era Appalachia. Hood’s stunning and lyrical writing vividly captures the world of this forgotten time period. A beautiful debut and wonderful addition to southern noir.” —Jen Conley, author of Seven Ways to Get Rid of Harry