Un Amour De Swann Swann In Love

Now for the first time, Marcel Proust's 1919 classic novel within a novel "Un amour de Swann" appears side by side in French with C.K. Scott Moncrieff's landmark translation, "Swann in Love," in English.

'Swann's love . . . could not have been torn out of him without destroying him almost entirely' Swann in Love is a brilliant, devastating novella that tells of infatuation, love, and jealousy. Set against the backdrop of Paris at the end of the nineteenth century, the story of Charles Swann illuminates the fragilities and foibles of human beings when in the grip of desire. Swann is a highly cultured man-about-town who is plunged into turmoil when he falls for a young woman called Odette de Crécy. The novel traces the progress of Swann's emotions with penetrating exactitude as he encounters Odette at the regular gatherings in the salon of the Verdurins. His wilful self-delusion is both poignant and ridiculous , and his tormented feelings play out in scenes of high comedy amongst Odette's socially pretentious circle. Swann in Love is part of Proust's monumental masterpiece In Search of Lost Time, and it is also a captivating self-contained story. This new translation encapsulates the qualities that have secured Proust's reputation, and serves as a perfect introduction to his writing.

Set against the backdrop of Paris at the end of the nineteenth century, presents a portrait of a stormy love affair between the courtesan Odette de Crécy and upper-class socialite Charles Swann that gives way to profound meditations on love and jealousy.

Stunning new edition of the standalone novella from Proust’s great masterpiece – an intoxicatingly witty story of infatuation and jealousy This landmark new translation commemorates a century since the monumental masterpiece was first published in English — and since Proust died Swann in Love is a sublimely witty and poignant story of the illusions of love and desire. Full of the rich social satire and penetrating insight that distinguish Proust’s style, it is the perfect introduction to one of the world’s great novelists. When Charles Swann first lays eyes on Odette de Crécy, her beauty leaves him indifferent. Their paths continue to cross in the drawing rooms and theatres of Parisian high society, and the seeds of desire in Swann begin to flourish. What follows is a journey through self-delusion, jealousy and delirious fantasy, which will take Swann far from the sedate comfort of his society life.

A well argued, comparative study of male jealousy in literature and film, informed by critical theory and engaging with key philosophical figures such as Derrida, Freud and Lacan.

Pasco analyzes innovative nineteenth- and twentieth-century French works to suggest a definition of the novel, in all of its variations and difficulties: a relatively long, artistically designed, prose fiction. He permits literary aficionados to reevaluate novels through comparisons with other genres and both recent and former traditions.

Understanding Marcel Proust includes an overview of Marcel Proust’s development as a writer, addressing both works published and unpublished in his lifetime, and then offers an in-depth interpretation of Proust’s major novel, In Search of Lost Time, relating it to the Western literary tradition while also demonstrating its radical newness as a narrative. In his introduction Allen Thiher outlines Proust's development in the context of the political and artistic life of the Third Republic, arguing that everything Proust wrote before In Search of Lost Time was an experiment in sorting out whether he wanted to be a writer of critical theory or of fiction. Ultimately, Thiher observes, all these experiments had a role in the elaboration of the novel. Proust became both theorist and fiction writer by creating a bildungsroman narrating a writer's education. What is perhaps most original about Thiher’s interpretation, however, is his demonstration that Proust removed his aged narrator from the novel’s temporal flow to achieve a kind of fictional transcendence. Proust never situates his narrator in historical time, which allows him to demonstrate concretely what he sees as the function of art: the truth of the absolute particular removed from time’s determinations. The artist that the narrator hopes to become at the end of the novel must pursue his own individual truths—those in fact that the novel has narrated, for him and the reader, up to the novel’s conclusion. Written in a language accessible to upper-level undergraduates as well as literate general readers, Understanding Marcel Proust simultaneously addresses a scholarly public aware of the critical arguments that Proust's work has generated. Thiher's study should make Proust's In Search of Lost Time more widely accessible by explicating its structure and themes.