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How do you find the woman of your dreams when you're nearly forty, living in the middle of nowhere and spectacularly ungifted in the art of seduction? Three years into his solo adventure in rural France, Michael Wright has everything he ever wanted: a ramshackle house, several manly power tools, a cat, a grand piano and a vintage aircraft. Yet the lovelier his life becomes, the lonelier he feels. Three unfulfilled wishes return to haunt him: to grow a perfect potato, to fly a Spitfire and, most of all, to meet his soulmate. Written with honesty, self-deprecating wit and life-affirming passion, Michael Wright's new memoir reveals how, while his livestock seem bent on reproduction, a solitary man can learn to accept being single . . .Or so he thinks until a bumptious American Labrador and a perilous landing in a light aircraft conspire to offer a glimpse of romance that could turn his whole world upside down.

In the summer of 2013, I traveled to Europe with a group of students from my university. We spent 5 weeks in France and Belgium learning about the history and culture of this particular part of Europe. This book contains my personal trip journal as well as some of my favorite photographs I took on the trip.

A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of ‘le cinéma British’, or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book provides an overview of the history of these relations from the early days of sound cinema to the present day. The chapters, written by leading experts in the history of French, British and European cinema, provide insights into relations between French and British cinematic cultures at the level of production, exhibition and distribution, reception, representation and personnel. The book features a diverse range of studies, including: the exhibition of French cinema in Britain in the 1930s, contemporary ‘extreme’ French cinema, stars such as Annabella, David Niven and Jane Birkin and the French Resistance on British screens.

Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories

Cosmopolitan, vivacious essays in the tradition of Brodsky's Watermark and Benjamin's The Arcades Project by a celebrated young Mexican author.