Unbearable Lightness

“Far more than a conventional novel. It is a meditation on life, on the erotic, on the nature of men and women and love . . . full of telling details, truths large and small, to which just about every reader will respond.” — People In The Unbearable Lightness of Being, Milan Kundera tells the story of two couples, a young woman in love with a man torn between his love for her and his incorrigible womanizing, and one of his mistresses and her humbly faithful lover. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence, we feel "the unbearable lightness of being" not only as the consequence of our pristine actions but also in the public sphere, and the two inevitably intertwine. This magnificent novel is a story of passion and politics, infidelity and ideas, and encompasses the extremes of comedy and tragedy, illuminating all aspects of human existence.

"I didn't decide to become anorexic. It snuck up on me disguised as a healthy diet, a professional attitude. Although there was a certain glamour to anorexics, I didn't want to be one. I just wanted to excel in dieting. And weighing in at 80 pounds on 300 calories a day, I was the best little dieter there ever was." In scalding prose, Portia de Rossi reveals the pain and illness that haunted her for decades. She alternately starved herself and binged, putting her life in danger and lying to herself and everyone around her about the depth of her illness. From her lowest point, Portia began the painful climb back to health and happiness, ultimately falling head over heels in love with Ellen DeGeneres. In this remarkable and landmark book, she tells a story that inspires hope and nourishes the spirit.

'One of a kind. Utterly fantastic.' Eoin Colfer on Tin David and Penny's strange new home is surrounded by forest. It's the childhood home of their mother, who's recently died. But other creatures live here ... magical creatures, like tiny, hairy Pog. He's one of the First Folk, protecting the boundary between the worlds. As the children explore, they discover monsters slipping through from the place on the other side of the cellar door. Meanwhile, David is drawn into the woods by something darker, which insists there's a way he can bring his mother back ...

"Irresistible. . . . Slowness is an ode to sensuous leisure, to the enjoyment of pleasure rather than just the search for it." — Mirabella Milan Kundera's lightest novel, a divertimento, an opera buffa, Slowness is also the first of this author's fictional works to have been written in French. Disconcerted and enchanted, the reader follows the narrator of Slowness through a midsummer's night in which two tales of seduction, separated by more than two hundred years, interweave and oscillate between the sublime and the comic. Underlying this libertine fantasy is a profound meditation on contemporary life: about the secret bond between slowness and memory, about the connection between our era's desire to forget and the way we have given ourselves over to the demon of speed. And about "dancers" possessed by the passion to be seen, for whom life is merely a perpetual show emptied of every intimacy and every joy.

To the casual observer, the great enlightened city of Edinburgh, home of no-nonsense philosophers and cream teas, might appear immune to the rollercoaster of strong emotions. But at 44 Scotland Street, as Matthew and Elspeth embark on the risky enterprise of married love, the raffish portrait painter Angus Lordie has a premonition of disaster. And soon enough Irene Pollock is shocked to learn that her small son Bertie harbours a highly unsuitable ambition; the gloriously vain Bruce discovers a wrinkle and confronts rejection; and Angus finds himself facing the grave consequences of unbridled bliss, not to mention a large Glaswegian gangster bearing gifts . . .

I don't consider myself the sharpest knife in the drawer, but I'm certainly not a spoon. I think about things. I put human nature under a microscope. Sometimes to my own peril. And I write about it. And politics, science, cosmology, relationships, sex, coffee, my angst, my weirdness, my cats & anything else that pops or chaps. But I think you will often find me quite humorous. Especially if you like sarcasm.Unless you're just blithely cruising through life, you'll notice there's a lot going on in this macrocosm of existence. This means there's a lot going on the microcosm of my brain. Not that there's anything "micro" about my brain. Anyway-here is a collection in which I share my thoughts, ruminations, suggestions, complaints and epiphanies where these "cosms" are concerned. Wear a helmet.

View our feature on Katie MacAlister’s The Unbearable Lightness of Dragons. Ysolde Bouchier is still coming to terms with the dragon part of her, while at the same time trying to free a friend of Baltic-her Black Dragon lover-from the weyr, get Baltic to meet with the dragons who want him dead, rescue a half-dragon damsel in over her head, raise the shade of the man everyone says killed her, and once and for all clear Baltic's name of the murder charges that continue to plague him. For Ysolde, being a dragon is starting to bite.

New York Times Bestseller "Inspired. . . . Kundera's most brilliantly imagined novel. . . . A book that entrances, beguiles and charms us from first page to last." — Cleveland Plain Dealer Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnès becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.